Sentences with phrase «against gold paint»

The installation features panels on which political organizations are handwritten in black lettering against gold paint.

Not exact matches

«A nude Negress painted gold, having danced with a Negro twice her size, leaned her body against a post and masturbated..

«A» mountain is a sacred spot for Arizona State fans, and on the morning before their Thursday night game against Oregon, ASU fans and students woke up to see their normally gold «A» painted green.

Heavy chairs set against industrial walls, luxurious gold flatware, floral paintings reflected by the reception centerpiece, modern invitations paired with classic calligraphy, and the piece de resistance: a -LSB-...]

The third painting, Gold and Black II from 1993, features a grouping of trees against a monochromatic field of saturated golden color.

«The Jerome Project,» curated by Naima J. Keith, turned up dozens of men with that name who have been arrested, and paintings render their mug shots in academic realism against gold leaf.

Birds, butterflies, bees and flowers set against a backdrop of reflective material literally hold a mirror to nature, while gold - toned plexiglas backings on her pollination paintings evoke pollen.

I particularly enjoyed the floating geometry of a gold rectangle against broad blue swathes of action painting, vocalizing on top of power chords, even as I wish he had abstained from the graffiti culture's obligation to tag everything with his initials right when the surface of the painting was shimmering with a certain delicacy.

Dark, with objects lit in a powerfully theatrical way, the room balances modestly scaled icons and Robert Rauschenberg's equally portable 1956 Untitled (Gold Painting) against Yves Klein's large, almost unbearably tactile gold - leaf - on - wood Untitled (Monogold)(ca. 1960), James Lee Byars's The Halo (1985) and a ravishing Rothko multifGold Painting) against Yves Klein's large, almost unbearably tactile gold - leaf - on - wood Untitled (Monogold)(ca. 1960), James Lee Byars's The Halo (1985) and a ravishing Rothko multifgold - leaf - on - wood Untitled (Monogold)(ca. 1960), James Lee Byars's The Halo (1985) and a ravishing Rothko multiform.

Each painting comprises four wood panels on which three roses in full bloom are depicted in pulsating colours, ranging from deepest burgundy to tangerine, gold, violet and crimson, set against a background of vibrant turquoise.

2002 Illustraded Catalog, Big Girl Paintings, Gagosian Gallery, Beverly Hills, CA 2001 Included in exhibition, Mythic Proportions: Painting in the 1980's, Museum of Contemporary Art, Miami 2000 Included in exhibitions: The International Festival of Contemporary Sculpture: Contemporary American Sculpture, Monaco; The Lenore and Burton Gold Collection of 20th Century Art, High Museum of Art, Atlanta 1999 Included in exhibitions: The American Century: Art and Culture 1950 - 2000, the Whitney Museum of American Art, New York; The Virginia and Bagley Wright Collection of Modern Art, Seattle Art Museum, Washington; Bad - Bad: That is a Good Excuse, Staatliche Kunsthalle, Baden - Baden, Germany 1997 Included in exhibitions: The Hirshhorn Collects: Recent Acquisitions 1992 - 1996, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.; La Biennale de Venezia: Future, Present, Past, XLVII International Arts Exhibition, Venice 1996 Release of film, Basquiat, directed and produced by Schnabel 1994 Julian Schnabel: Retrospective, at the Museo de Monterrey, Mexico; included in exhibition, U.S. Painting of the 1980s, at the Irish Museum of Modern Art, Dublin, Ireland 1993 Included in Drawing the Line Against AIDS, exhibition in conjunction with Art Against AIDS Venezia, under the aegis of the 45th Venice Biennale, Peggy Guggenheim Colletion, Venice 1992 Included in exhibitions: Le Portrait Dans L'Art Contemporain, at the Musée d'art moderne et d'art contemporain, Nice, France; Manifeste, at the Musée national d'art moderne, Centre Georges Pompidou, Paris, France 1991 Solo exhibition, Julian Schnabel, at the Nelson - Atkins Museum of Art, Kansas City; included in exhibitions: The 1980's: Selections from the Permanent Collection, at the Whitney Museum of American Art, New York; Toward a New Museum: Recent Acquisitions in Painting and Sculpture, 1985 - 1991, San Francisco Museum of Modern Art, California 1989 Traveling solo exhibition, Julian Schnabel: Works on Paper 1975 - 1988, originating at the Museum für Gegenwartskunst, Basel, Switzerland 1986 Traveling solo exhibition, Julian Schnabel: Paintings 1975 - 1986, originating at the Whitechapel Art Gallery, London 1985 Completes four etching, lithographs published by Pace Editions, New York 1984 - 2001 Solo exhibitions at PaceWildenstein, New York 1984 First solo exhibition at the Pace Gallery, New York 1979 First solo exhibition at the Mary Boone Gallery, New York

The artist's use of spray enamel, metallic, and fluorescent paints alongside traditional oils is exceptional: a canvas dense with earthy greens or pale yellows is electrified with a single swipe of neon pink; in another, metallic gold or silver plays against thickly applied, buttery, and colorful elements, yielding a highly original eye popping effect.

We love the rustic gold frames surrounding these clocks on the landing wall, which really pop against the soft blue paint and instantly draw the eye.

We chose gold spray paint against a blue backdrop for a statement finish.

It's perfect for the space because it's light and airy and the burnished gold color is so pretty against the paint color on the walls.

The stand - out gold frame against the painted wood paneling drive the eye toward the center and make the black and gold pair even more dynamic.