Sentences with phrase «against objects where»

(ref) It did this by leaving urine and feces in strategic open places and against objects where passing cats would be likely to notice and move on.

Not exact matches

Sorry Terry, but no where in any of the accounts of Jesus clearing the temple in the Gospels does it show Jesus using «violent» force, and it only shows him using physical force against non-human objects.

From St John Paul: a signature on a new Bible held forward to him by the Editor's spouse (against the finger - wagging of a monsignor who, quite rightly, objected to a Pope suddenly being urged to sign something without prior knowledge), cherished and kept in the office where FAITH editorials are written,

where Billionaires buy clubs to turn into super clubs, competing against each for fun because money is no object.

Hold a ruler (or some other straight, sturdy object) level against the top of your child's head, and mark the spot where it meets the wall.

In a lengthy 1977 song, the musicians proclaimed Cygnus X-1, an x-ray emitting object thousands of light - years away, a black hole where voyagers venture «through the void to be destroyed» — even though physicist Stephen Hawking had bet against the black hole's existence.

I mentioned above that isometrics has been a pendulum due to lack of quick results, but this is more in terms of not seeing gains in strength by either moving against an unmovable object or utilizing barbell lifts in separate sessions, where it might take more time to really see that the isometrics are making a substantial impact.

You have an AP sensor that will buzz when you're near an enemy but doesn't tell you where exactly they are; you have a motion detector that sweeps round in a circle around you highlighting pinpoints of movement, but is no use against a stationary enemy; and you have a sonar that you can use to ping out a pulse and detect enemy object locations (though potentially be found out from the noise).

In an era where teenage girls are either relegated to dumb - but - cute socialites or objects of some other teenage boy's (and sometimes older man's) desires, the character of Mattie Ross not only goes against the conventional grain by being anything but those things, but also is infused with riveting determination and conviction by Steinfeld's captivating portrayal.

I went from a trading desk at Lehman Brothers in the middle of Times Square to a psychiatric ward, where the usual precautions against sharp objects were taken.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

Flat Earth Games» Objects in Space is a space trading game where you must silently plot against space pirates and corrupt governments.

Yes, so that's a great trick we learned from the Last of Us guys, where they had ambient capsules that were approximating the shapes of the objects and they're just doing a screen - space raycasting against that to essentially get to soft ambient shadows, and then we do a multipass version of that, so we get just the direct normal occlusion and also a directional occlusion from the lighting model.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reObjects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text reobjects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

New liberating questions about sensual recognition and the objects» condition are incorporated in the artistic process, as a way out of postmodernism's language play against a visual turn, where close contact with materials, matter and the object are given attention.

He takes seemingly mundane objects and beings — a car, a camera, a bird, a poet — and holds them up against the light to reveal qualities that make them reflective of where we are now.

Luxury images of equestrian sports and wealthy leisure pursuits are repurposed, as are furniture ready - mades into new sculpture where an exchange between consumer image, domestic object and organic matter test the ubiquitous conventions of tradition against the unwieldy nature of the ageing process.

The combination of a green roof (unaffixed object), slope, and gravity imply the need to address physical containment and resistance to downward pressures exerted by the green roof against the parapet and mechanical fixtures of the roof especially in cold climate areas where ice crystals may form on the slip sheet / root barrier surface during winter.

It is true that, in a strict sense, a proceeding in rem is one taken directly against property, and has for its object the disposition of the property, without reference to the title of individual claimants; but, in a larger and more general sense, the terms are applied to actions between parties, where the direct object is to reach and dispose of property owned by them, or of some interest therein.

However, where the chosen court had discretion as to whether to transfer the case to another court, recognition or enforcement of the judgment may be refused against a party who objected to the transfer in a timely manner in the State of origin.