Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of
color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them
against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed
against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people
falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
I love the cool, crispness in the air, snuggling with my honey under a fleece blanket, the beauty in the
colors of the trees
against the bright blue sky, the varying sizes, shapes and
colors of pumpkins and squash, slow car rides in the country to admire the hues of
fall, the smell of cinnamon and nutmeg as I bake apple pie and pumpkin bread, the sound of crunching leaves as we walk on the State Park trails, and looking forward to cozying up with my family in front of the fireplace to enjoy each
others presence.