Balcomb Greene's pure geometric style of juxtaposing hard edge shapes and lines
against planes of color made the 1930s one of the most important periods in American painting, thus leading the way for the Abstract Expressionist painters who followed in the 1950s.
Not exact matches
It's as if with line from the loom - Weaver knife and weaver brush Stitch
color thick into Diamond and terrace, into
Planes black as wool tied by Stripe and cross, all falling in The warp and weft
of weave, Patchwork tricksters playing «till Depths fill with ring and bell Purple
against the harvest moon.
She turns up the retinal volume again and again in the grounds
of her paintings — vast seas
of cerulean blue edged by crisp white lines, or enveloping acts
of domestic violence; equally riveting cadmium reds, oranges, and crimsons saturating the picture
plane beneath angry gorillas, dancing Chubby Checkers, and kissing lovers; Day - Glo yellows that push up
against sharp blacks as «bad guys» in black suits point guns and walk up and down staircases — and employs unusual compositional strategies to draw our attention to these expanses
of high - key
color.
The delights
of color here isn't just for it's descriptive pitch accuracy, or even for the many satisfying moments where you feel the rightness
of the sensations
of one
color plane vibrating
against another.
His ectoplasmic figures strain like savage forces
of nature
against shallow fields
of intense
color and strict armatures that bind them to the picture
plane.
Elizabeth Livingston's most recent body
of work evokes all the same cinematic emphasis on visual scrutiny, moments
of false security, and entrapment by employing hyper - detailed patterns
of juxtaposed fabric to adorn her subjects
against stark
planes of color and narrative light.
Cézanne's solid
planes of color insist on the surface
of the painting as a flat field
against which the painter acts.
Aware
of predecessors such as Karl Benjamin, and John McLaughlin, and their interest in landscape and the environment, the artist moves hard edge towards a more Pop language; flat
planes of intense
color merging and moving
against another, shifting stratas
of atmosphere and light echo the intersections
of urban culture and nature.