Sentences with phrase «against the colored form»

sewn in the same way as Suh's «hubs», these pieces are immersed in water, during which a gelatin tissue canvas leaves an impression of fabric threads that appear as a skeletal framework against the colored form of an object.

sewn in the same way as suh's «hubs», these pieces are immersed in water, during which a gelatin tissue canvas leaves an impression of fabric threads that appear as a skeletal framework against the colored form of an object.

Not exact matches

The group, a nonprofit advocacy organization formed in 2001 and historically funded by teachers unions, has long offered itself as a voice for parents and communities of color and, as such, has also been a thorn in the side of successive state and city governments, consistently pushing for more funding in the state budget to meet the needs of underserved schools and fighting against school closures and charter schools.

However there is no better time than winter to sport playful bursts of color in the form of a bright beret that will certainly stand out against the drab sea of winter greys.

In animals with vitiligo, antibodies are formed against pigment - containing cells that are responsible for nose color.

The houses of Mykonos Town, with their exuberantly colored wooden doors, windows, and balconies, line the narrow streets forming a typical Cycladic labyrinth town, and mixing with beautiful churches and chapels, purple bougainvillea displaying its blousy wares against the bright white walls.

- Iizuka has received a ton of requests from fans to have their own original characters appear in Sonic games - while that couldn't happen, Sonic Forces» custom character recognizes that fan desire - the avatar was created with the idea of «making straight high - speed action» - this time the concept is that all three styles (Modern, Classic, Avatar) would be high - speed based - make selections for the face, mouth, body color, and gender of custom characters - each species will also have their own unique skills, such as wolves being able to pull nearby rings - you can't change custom characters in the middle of the game - there is some sort of feature that's unlocked after you've cleared the game once related to this - the new avatar style will have a speedy and rhythmic style like Modern Sonic, but also different vectors from Sonic - this includes differences in timing for pressing buttons, or the Wisps giving the avatar trickier movements - the story aims to depict heroes that would feel like Sonic - by controlling different characters, the devs hope to show a story that extends to explaining the world setting as well - the story concept has been «Hero Army vs. Eggman's Army» from the start - when wondering who should be made playable among the heroes, the idea came up for Classic Sonic - the character setting for the avatar is a civilian in an area occupied by Eggman who stands up and fights together with Sonic - during stages, you'll hear radio contact from partners like Tails and Amy - Sonic and the rest of the gang form a resistance to stand against Eggman's army, so they relay information from headquarters - boss characters like Chaos and Metal Sonic will appear in Eggman's army - details on the new character (Infinite) are being kept secret - the main part of the storyline is that Eggman gathers strong enemies in the past to form an all mighty army - some people might be wondering why Shadow is on the enemy's side, but they can find out more by experiencing the story - the team thinks Japanese fans are taking a liking to the serious story and character customization features - there were some struggles with the new engine in early stages, but now they've moved to a smooth development process - the team knew they wanted to bring the game to Nintendo's new console before they even knew it was the Switch - the Switch info came to them during the middle of the game's development - SEGA knew Nintendo fans would want to play Sonic's new game, which is why they personally worked to bring it to Switch - SEGA plans to show the game in Japan at Tokyo Game Show 2017 in September - the team is also working on providing new information, including news that would be unique to Japan

The gallery materials state that «Working against convention, these artists are putting into practice an «abject expressionism» in respect to materials, composition, color and form, sharing a rogue sense of what constitutes beauty.

An initial question intrigued me on visiting the American modernist painter Beauford Delaney's Parisian show Resonance of Form and Vibration of Color: How did a black gay painter remain so full of light and joy during the struggle against racial and sexual bigotry taking place in the 1960s?

Partly a reaction against Abstract Expressionism, best known in the thickly layered paintings of American artists Willem de Kooning and Jackson Pollock, Hard - Edge emphasized angular lines, reduced forms, precise surfaces, and rich colors.

On top, against a field of bright white, sometimes scarred or stained with black and color, he placed a plainly geometric form.

Similarly, in Leaf and Line, vague pictorial plant references are placed among undulating free forms of shapes and color and all set against a dramatic expanse of yellow in the upper quadrant.

With such works as «Path II» (1960) and «Alchemist» (1960), dense pictorial dramas are unleashed, with colors and forms competing against one another in a storm of darkened strokes.

Positioned against luminous and darkly shadowed backgrounds, each phrase is spelled out more or less legibly in vividly colored letters of different sizes on scrolling ribbons, embedded in flurries of abstract gestures and in other forms.

A calligraphic leafed vine, painted in varying forms and colors against different grounds, is a recurring motif in the new work, which continues Amenoff's thirty - year exploration of an intense, romantic, physical, and densely woven semi-abstract landscape vision based both on observation and personal interpretation of the natural world.

His work depicts light and color through a variety of modes, be it free - floating forms, squiggles, and diamonds against textured backgrounds, or geometric and biomorphic shapes.

The columnar and pyramidal forms of the «buildings» float and turn against a vivid blue sky, with paired complementary colors such as blue and gold, or triads of orange green and blue, that are more absorbing mixed tones than the factory colors of a Rubik's cube, even if some of that idea of shifting through permutations is present.

She began to make use of single stains and blots of solid color against white backgrounds, often in the form of geometric shapes.

These paintings are characterized by discreet cloudlike forms of clear, and intense color set against a white or an off - white background.

Drawing from the four pillars of design — shape, form, pattern, and color — each artist in the exhibition uses various medium and technique resulting in a range of works that expand upon thought - generative concepts that push against assumptions of design.

Mintz writes that Piotrowski's works «approach the possibility of narrative, though the artist deftly pulls back just in time» Conefry, Mintz notes, investigates «painting as object, something constructed and assembled,» while in Cohen's paintings «organic shapes lean against geometrics to create a push - pull of color and form.»

Employing an experimental approach to ceramic sculpture, she tests the limits of gravity, color, and texture by pushing against the boundary of classical techniques, sometimes fusing her kiln - fired creations with complex plinths formed of wood, steel, and concrete.

Using a limited range of colors and basic geometric shapes to heighten the interplay between figure and ground, she simultaneously imbeds the forms into and places them against a white field.

Conversely, Steven Frost's assortment of embellished sex toys — protests against traditional notions of good taste — become investigations of abstracted color and form in their ornate departure from the norm.

Delicate, gently bowed branches or stalks of bamboo adorned with brightly colored bulbs and funnels and bits of mesh, and displayed leaning against the gallery walls, these improvised forms with found objects suggest fantastical fishing poles or butterfly nets.

In both cases colors are tonally so close — wine - purple against deep rose, gray against lighter gray — that geometric form and background seem to fuse.

A form defined by color and texture that in Untitled from 1999, with yellow - green against blue, olive and brown, characterizes the brutal forces of metamorphosis.

The elegance and wit of the unexpected, delicately colored forms will look marvelous silhouetted against the undulating green carpet of Central Park.»

His Park Place colleagues worked with and against his influence, usually with more streamlined forms or brighter colors.

Other paintings such as Rousseau Giving Love and Lions consist of monochromatic colors such as light green stripes that are horizontal on the bottom and form a curved arch shape at the top, against a black background.

During this time Gilliam experimented by taping and pouring colors, folding and staining canvases, and literally folding a still wet canvas against itself to imprint vertical, angular, and axial forms.

In Joanne Greenbaum's energized yet controlled abstract paintings, vivid colors and contorted forms float against white backgrounds — they have drawn comparisons to the work of artists such as Elizabeth Murray and Donald Judd.

In Joanne Greenbaum's energized yet controlled abstract paintings, vivid colors and contorted forms float against white backgrounds — they have drawn comparisons to the compositions of artists such as Elizabeth Murray and Donald Judd.

In Joanne Greenbaum's energized yet controlled abstract paintings, vivid colors and contorted forms float against white backgrounds — they have drawn comparisons to the compositions of major artists such as Elizabeth Murray and Donald Judd.

Exploring the interplay of color and form, the works of the Abstract Expressionists look at the effects of the color red against different spatial relations and unique painting techniques.

Composed of sixteen panels portraying the duo, it is a stunning example of their highly sought - after work which features the singular color palette — trademark of their early artistic practice, in form of cool black and white set against a vibrant red.

«I set curves against straight lines, patches of color against plastic forms, pure colors against subtly nuanced shades of gray.»

This balance makes up her definition of Hard Edge painting — wherein color forms are positioned against each other, alternating between being a positive or negative space.

Similarly, the luscious swaths of scarlet are juxtaposed against the radiating emerald form, altogether resulting in a poetic and dynamic exploration of how color and form can expose the unlimited space between imagination and memory.

Form is challenged throughout the exhibition — pieces such as Venn Diagrams (under the spotlight), where slightly overlapping theater lights with red and blue gels are projected onto the wall, or Eavesdropping, where a series of different colored vintage drinking glasses are inserted into the wall, as if suspended, are cheeky, playful, and adventurous — going against the expectation of conceptual art as an exclusively stark monochrome, while remaining sparse and poignant.

The colors formed where the lines overlap were then matched against colors from Maerz & Paul's Dictionary of Color (1930) and their names were recorded in pencil on the drawing.

Months afterwards the results of Martinez's stylistic shift — near mural - sized canvases of primary colored forms set against open white backgrounds — are shown on exhibition at The Journal Gallery in Brooklyn.

In contrast, the ogres splayed against its sides are half - formed, mud - colored monstrosities.

Bringing together different powerful solar manufacturing technologies and giving them flesh and bone in Superhero form, the story of solar's battle against established fossil fuel generation, like coal, oil, and gas, is depicted in vivid color.