Sentences with phrase «against the gallery wall at»

Upon entering the gallery, the viewer is confronted by a fifteen - feet high and eighteen - feet long slab of what appears to be a concrete freeway divider propped against the gallery wall at roughly a 45 - degree angle.

Not exact matches

In this overdue exhibition, Toroni has cunningly hung twenty - five square paintings from 1987, each one marked with fourteen orange strokes, at the height of the gallery's mezzanine: in the main space, the canvases are a tick below eye level, while in the upper space they're propped against the wall, as they rest on the floor.

AT THE REAR OF RYAN LEE GALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery aGALLERY in New York, a 1966 painting by Emma Amos casually sits on the floor leaning against the wall between works by other gallery agallery artists.

1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum of Art, Waterville, ME (booklet) Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA Drawing the Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris

Made of components that are ubiquitously Japanese, comprised of the packaging material and other detritus of urban Tokyo, they are placed leaning against the walls and columns of the gallery space at varying intervals and heights.

At the Studio Museum in 2001, he supplied the very image of rebellion: for «Freestyle,» the first in the museum's five - year roundups of emerging artists, he contributed a mock donkey, its rear legs kicking up against the gallery wall.

Forever on the run In «Not / Normal» at Shulamit Nazarian Gallery, Steffani Jemison's short film Escaped Lunatic is projected against a long wall; it showed on a small screen at nearby -LSB-...]

Meanwhile, across the street at Tanya Bonakdar Gallery, ghostly shadows doubled and tripled against the walls of chapel - like, white - cube rooms as guests passed before projected lights chiseled by Olafur Eliasson, who appeared a bit more grizzled than usual and slightly dazed by the commotion around him.

Occupy Wall Street, Redux (2011), silent video for projection against the wall at the drinks bar at Canada Gallery, New Wall Street, Redux (2011), silent video for projection against the wall at the drinks bar at Canada Gallery, New wall at the drinks bar at Canada Gallery, New York

As if to generate an anxiety about the prospect of catastrophic submersion, the gallery has been transformed by a carpeted floor that rises like an enormous wave against the back wall, threatening at any moment to crash down and wash the visitor away.

Most recently in a 2012 exhibition at Michael Werner Gallery, New York, and in 2013 at Almine Rech Gallery, Brussels, Curry has silkscreened wallpaper that covered not only the walls (and, at Werner, the floor and ceiling) but also some of the sculptures and collages installed against them.

At 8:20 p.m., the body artist Chris Burden entered a large gallery of the Museum of Contemporary Art, did not look at his audience of 400 or more, set a clock for midnight, and lay down on the floor beneath a large sheet of plate glass that was angled against the walAt 8:20 p.m., the body artist Chris Burden entered a large gallery of the Museum of Contemporary Art, did not look at his audience of 400 or more, set a clock for midnight, and lay down on the floor beneath a large sheet of plate glass that was angled against the walat his audience of 400 or more, set a clock for midnight, and lay down on the floor beneath a large sheet of plate glass that was angled against the wall.

One haunting scene came at the end of the film, when R. B. Kitaj's works are shown leaning against the walls of Tate Gallery waiting to be installed for his 1994 retrospective.

Developed over eight months in three successions, New York — based conceptual artist Daniel Turner's (born 1983) on - site exhibition at Karma Amagansett recasts the conventions of bronze sculpture by burnishing bronze wool directly against the walls of the gallery.

At Morgan Lehman Gallery in New York, Schoultz created an installation of paintings against «brick» wall papering that creates a unique way to experience paintings.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Oldenburg exacerbated this deformation caused by gravity for his 1963 solo show at Los Angeles's Dwan Gallery, during which he propped Floor Cone upside down against a wall.

Part of the artist's solo exhibit, Against the Wall, at David Zwirner Gallery in NYC, opens Thursday at 6 pm.

In his 2014 exhibition «The Only Way Is Up,» at New York's (now closed) Hasted Kraeutler gallery, he arranged seven basketball hoops with 24 - carat gold - plated nets vertically against the wall in a way that he has said references Donald Judd's stacks of metal boxes.

As with all of Therrien's rooms and work, perspective is at play: ascending the gallery stairs, the viewer encounters an uncertainty of scale in the tables against the far wall.

During his second solo show held at Sonnabend Gallery, a reporter noted that with his asking price of $ 75,000 per sculpture Koons had «shoved his collectors against a wall.»

At Tripoli Gallery, the works on view range from Gran Twister, 2012, a majestic conflagration of loops that hover above the exhibition space as if in orbit, to Space Slipper, 1992, a diptych of fragmented ellipses that lean against the wall like errant surfboards.

Installation art was also popular with political activists; in Barbara Kruger's 1991 installation at Mary Boone Gallery in New York walls, ceilings and floors were covered with material relating to violence against women and minorities.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).