Sentences with phrase «against the grain also»

Researchers who choose to go against the grain also risk offending the scientific establishment.

Not exact matches

I also can't get a close shave without going against the grain.
This not only helps to explain religion's primordial, irrepressible, widespread, and seemingly inextinguishable character in the human experience, it also suggests that the skeptical Enlightenment, secular humanist, and New Atheist visions for a totally secular human world are simply not realistic — they are cutting against a very strong grain in the nature of reality's structure and so will fail to achieve their purpose.
I also included a link in the recipe section to Grain Free Stuffing from Danielle Walker at Against All Grain (awesome blog!
I have been trying to figure out a grain - free onion ring for some time, and while I have nothing against frying foods in good fats, I also wanted something baked because I hate dealing with the mess of hot, splattering oil.
I've had great success using NY strip steaks, ribeyes, and sirloin for this salad, but you could also use flank or skirt steak cooked medium rare and cut against the grain.
These pigments protect against the damaging effects of solar radiation, but as Cook discovered, they also give cryoconite grains impressive ice - carving powers.
For philosophers like me, post-truth also goes against the grain.
«I am building this idea into their developing identity while also empowering them and giving permission to go against the grain for the good of a larger issue.
A diet high in whole grains like oats may also help protect against heart disease and high cholesterol.
Also, you can really mash the white goop against the side of a strainer while you're rinsing; the grains are pretty resilient.
Whole grains also contain antioxidants that may help protect against oxidative damage, which may play a role in cancer development.
But as a result of this mentality, it's also a lot more obvious when someone decides to go against the grain.
In an era where teenage girls are either relegated to dumb - but - cute socialites or objects of some other teenage boy's (and sometimes older man's) desires, the character of Mattie Ross not only goes against the conventional grain by being anything but those things, but also is infused with riveting determination and conviction by Steinfeld's captivating portrayal.
However, the love triangle felt unresolved at the end (which also, coincidentally, goes against the grain of Hollywood and its incessant need for happy resolved endings).
Going against the grain of its very premise, it also posits that anyone with a costume can be a superhero, as we see dozens, if not hundreds, of the foolhardy come out of the woodworks in order to be the next Kick - Ass, despite the fact that Kick - Ass himself seems to have learned few skills beyond that which we saw him perform in the first film.
She steeps porous open - grained cloth in paints or dyes, and also paints through fabric against the wall — allowing pigment to penetrate and mark the surface beneath.
«Sekula taught at Ohio State University in the early 1980s, where he not only produced key works, like Reagan Tape, but also published his influential book Photography Against the Grain in 1984.
Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?
Belzer's work is also currently featured in «Against the Grain» at the Museum of Arts and Design (through September 15th) and «Drawn to Nature» at Wave Hill (through June 16th).
His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).
The group also won't go against the grain of the Republican leadership when it comes to scaling up domestic oil and natural gas drilling.
The owner / directors also went for many years paying themselves as contractors, before the company accountants finally browbeat them into becoming T4 employees of their own corporation... something that went severely against the grain.
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