In a 2000 interview with Women's Quarterly, the great critic displayed about as much indifference to the existence of God as is humanly possible; he had neither the commitment of a true believer nor the paradoxical loyalty of the atheist who
kicks against the pricks:
Stark and brutal, William Oldroyd's debut feature Lady Macbeth tells the story of a teenage bride kicking
remorselessly against the pricks of patriarchal oppression.
She knew I kicked
against the pricks.
Then again, she could just be kicking
against the pricks.
The best artists began to yield rather than kick
against the pricks.»