Sentences with phrase «age as a curator»

And the 80s was a time when I really came of age as a curator, so I was doing historical things, but also some contemporary things.

Not exact matches

The award doubled as a posthumous acknowledgement of William Becker, the co-founder who passed away last year, arguably the most important curator of what's now called the Golden Age of Arthouse Cinema.

Hours after Clinton conceded on the night of November 8, the gathering that would come to form the core of Halt Action Group — Gingeras and Bennett as well as artist Jonathan Horowitz, psychoanalyst Jamieson Webster, and curator Ariella Wolens — met for a hush - hush meeting at an art space in lower Manhattan to discuss how the art world should fight back during the age of Trump.

She worked for decades as a relative unknown — at one point using the roof of her townhouse as a studio — but championed by feminist artists in the Seventies, and by curator Robert Storr, she became well known and highly regarded in late middle age, making her the unofficial patron saint of unheralded midcareer artists everywhere.

As a curator, programmer, and educator, she aims to present cultural opportunities for people of all ages that reflect the eclectic and collaborative spirit of Austin.

Together with curators, librarians, and archivists, she works on broadening the scope of museum's collections, exhibitions and education programs beyond the western canon as a part of MoMA's research initiative C - MAP (Contemporary and Modern Art Perspectives in a Global Age).

Speakers will explore how our understanding of the Modernist ideal of the new presents special kinds of challenges to conservators and curators as artworks age.

Curator David Sylvester called this year de Kooning's annus mirabilis, writing that the works from 1977 «belong with the paintings made at the same age by artists such as Monet and Renoir and Bonnard and, of course, Titian.»

In order to produce a tight and informative show, curators by Mark God frey and Zoe Whitley have included important contemporary ephemera such as Black Panther magazines from the age of Malcolm X.

As associate curator at the Bard Graduate Center, Kang helped organize the current exhibition Charles Percier: Architecture and Design in an Age of Revolutions in collaboration with the Château de Fontainebleau in France.

«The palette knife has been used for ages to mix and move paint, but until Sonia's generation, the brush ruled as far as the mechanism to apply paint to canvas,» Marshall N. Price, the Nancy Hanks curator of modern and contemporary art at Duke University's Nasher Museum of Art, wrote in an email.

A new show, «As We Were Saying,» curated by Claire Barliant, curator of the Elizabeth Foundation for the Arts» EFA Project Space on West 39th Street, focuses on younger artists who, as Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»&raquAs We Were Saying,» curated by Claire Barliant, curator of the Elizabeth Foundation for the Arts» EFA Project Space on West 39th Street, focuses on younger artists who, as Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»&raquas Barliant puts it, are concerned with «Art and Identity in the Age of «Post.»»

Resnick was once described as a «Monet for the nuclear age,» and as exhibition curator Amy Brandt asks, is this canvas the quick rush of a hunter through a forest or the pounding heartbeat of the hunted?

The 45 paintings, prints, and photographs selected for this exhibition all focus on the human body because, as collection curator Don McNeil points out, the age - old need to understand the human condition is vital and the human form remains its most direct manifestation.

Not all of the artists fit neatly into the category of «post-internet» art as coined by artist and exhibition curator Marisa Olson, but each of them render, or «rasterize,» the digital age as experienced today.

Workshop Foundation achieves this by creating essential opportunities for emerging and mid-career artists of all ages and backgrounds, as well as curators, by providing space and time for exhibitions, residencies, arts education and public programs.

We delve deeper into these artists» practices to contemplate why they were considered worthy of inclusion by the curators of at least two of these major shows, regarded in turn as deeply thought - through statements about the state of the art in our day and age.

The show's curators provide such little context for the work, which didn't seem to age well in the first place, that I felt uncertain as to why his art had any currency at the time.

Hopps, who died March 20 at age 72, began his long career as a brilliant if unorthodox curator in 1957 when he and artist Edward Kienholz founded the Ferus Gallery in Los Angeles to spotlight progressive art by then unknown artists such as Robert Irwin, Frank Stella and Andy Warhol.

Nadim Samman — general curator of the biennial — suggests the theme reflects, like the work submitted to the open call, such cultural developments as «ecological collapse, the dissolution of distinctions between «nature» and technology, the inescapable topography of the network, and the interplay between transparency and opacity in the information age.»

Most contemporary art curators of a certain age — those who went to graduate school before curatorial programs became prominent — were trained as art historians.

In tandem with the exhibition, a Young Curators Council is developing public programming, in consultation with the artist, as part of a paid curatorial mentorship program for five selected participants, aged 17 - 21.

Co-curator (alongside Pamela Alper, Associate Curator at MCA Chicago, and João Ribas, Curator at MIT List Visual Art Center) Julie Rodrigues Widholm acknowledges the importance of this piece as a starting point, although it can't be represented in the exhibition: «Pica's references to childhood stem from an interest in how our imaginations are shaped from a very early age.

In 1968, Ron Clark, at the age of 25, established in conjunction with the Whitney Museum of American Art an independent study program (known as the ISP or sometimes the Whitney ISP), which helped start the careers of artists, critics, and curators including Jenny Holzer, Andrea Fraser, Julian Schnabel, Kathryn Bigelow, Roberta Smith, and Félix González - Torres, as well as many other well - known and influential cultural producers.