Sentences with phrase «age drama seen»

Coming - of - age drama seen through the eyes of two boys - Ellis and Neckbone - who discover and befriend a charismatic fugitive (Matthew McConaughey) hiding on an island on the Mississippi.

Not exact matches

I'm his20 years of age got ta his head on my shoulders and know what I want in life... I have one child I go to skool takeing up crime Justice io do wroked I don't drive at lest not yet... I do not do drama I'm later back fun loveing person but if u push me da wrong way I'll see other side of...
First was the part of an adulterous academic wife in Curtis Hanson's overlooked Wonder Boys; late that year she could be seen playing the well - meaning, yet unarguably overprotective mother in Cameron Crowe's critically successful coming - of - age drama Almost Famous.
You should see The Post because it's an engrossing and rewarding drama told exceptionally well by a fine ensemble cast and one of the great filmmakers putting out his best work in ages.
It's really quite puzzling to try to imagine what Richard Linklater, the director who spent 12 years making the intricate coming - of - age saga Boyhood, would see in well - meaning but entirely forgettable drama Last Flag Flying.
An indulgent ensemble exercise about the realisations that come with encroaching age, Little White Lies is — like its collection of protagonists — too caught up in its own dramas to see the bigger picture.
What You Need To Know: While we've faced apocalypses aplenty this year already, one thing we haven't seen so far is a coming - of - age, human drama - based take on the cinematic staple.
Xiu Xiu, which is rather broadly accessible for a coming - of - age drama about a teenage girl who is relocated to remotest China as part of a Communist initiative, was seen as a Miramax telling of its story.
Some of you may have seen his first two features — the teen - drama / time - travel film The Girl Who Leapt Through Time and the techno - apocalyptic dysfunctional family dramedy Summer Wars — but the director tops himself with his third and latest film Wolf Children, a stunningly beautiful, unabashedly sentimental, and surprisingly complex story that works as both a coming - of - age film and a study of the trials of being a single mother.
This week's «You Have to See...» is an Indian coming - of - age drama about creativity and identity.
I'm sure the book is lovely and poignant and the thought of an aging courtesan and the boy who can't get over her is sad, but if there are only a handful of people willing to shell out the bucks to watch it, then Hollywood declares «period dramas are dead» and in reality it's just another case of no one wants to see a boring stuffy movie.
Already boasting a Foreign - Language Oscar nomination for «Incendies» and a string of strong independent features, Villeneuve continues to prove his deeply confident footing in modern day cinema, bringing intelligence and muscular and mannered nuance to a somber and extremely tense studio drama that doesn't deign to ever spell things out (the ending is probably the most bold studio finale we've seen in ages and seemed to even puzzle some).
In 2009, prior to the Sundance debut of «An Education,» she called her mother in England after seeing a preview of the coming - of - age drama and said she was «terrible.»
After the eternal - youth drama The Age Of Adaline, Lively now stars in All I See Is You, a nebulously classifiable sort - of thriller - drama from director - cowriter Marc Forster.
But the point is, go back and watch these things now, and it's clear to see that it's not the high drama that your 13 - year old (or whatever age) self thought it was.
Take a company like BioWare: it makes great genre adventures like Dragon Age and Mass Effect but it would be fascinating to see the studio tackling a drama, something in the real - world.
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
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