Sentences with phrase «age film done»

Yet most coming - of - age films don't have this cast: Steve Carell, Toni Collette, Sam Rockwell, Allison Janney, Maya Rudolph, Rob Corrdry, and Rash and Faxon themselves.

Not exact matches

(R - rated films on cable's various movie channels are easily available to children of any age who know how to program their VCRs, or whose parents don't care what they watch on cable.)

Along with volcanos, magic milk, and a lava lamp, film canister rockets are a must do science experiment for kids of all ages.

Capturing three generations in the one picture by taking a photo that features a grandmother, daughter and granddaughter for example, makes the age difference become quite clear and in doing so, creates a wonderful family memory on film.

So when Nestlé states in its report, «we also do not market complementary foods for children under six months of age», it is important to remember that it took many people monitoring and exposing Nestlé's contempt for the Resolutions, working for binding regulations and taking to the streets to force this change (the demonstration at Nestlés UK HQ was filmed by Swiss Television).

The flash - forward right at the end of the film, when Harry, Ron and Hermione are middle - aged parents waving off their kids at King's Cross, actually affected me more than anything they did in the previous seven films.

Witherspoon got one of her best roles in this film, and really does carry it despite her young age.

«The Angry Birds Movie» is not really a good film by any means, but for taking an app and turning it into feature film and trying to satisfy all ages, I think they did they best they could with what they were given.

This wouldn't feel so tone deaf and backwards if the film did a better job of making Thomas feel like a living, breathing human being rather than some misguided, coming - of - age hipster creep.

The film is by no means terribly long, at least when you compare it to its 1969 musical counterpart, so it's not like storytelling drags its feet for ages, but make no mistake, the fact of the matter is that plotting's structure is something of a mess that meanders along repetitiously and, well, is to be expected, because, really, where does this story have to go?

You can't really make this 2D arcade classic much better than it already is, and it is a great title, but it shows it's age, and the fact that it is re-released more than any Star Wars film doesn't help.

Strand released a few more mediocre films in 2015 than it did in the year before, but impressed critics with Céline Sciamma's coming - of - age drama Girlhood.

Whilst this film doesn't feel as kinetic as the original it provides us with a nice viewon ageing and what is does (or doesn't) do for us.

Don't get me wrong, I like to punk out on more than a few occasions, but it's interesting to look back at a time in which the talent was getting commercial promotion, because in this day and age, you have to go either underground or, well, bona fide prog - rock to find real quality music, though not necessarily quality film.

Indiewire's Eric Kohn believes Climax might be Noé's «best movie yet,» and Vulture's Emily Yoshida agrees, claiming it's «the best Noé has been in ages, and perhaps the most humane film he's ever done.»

But the film does confront the fact that particularly for women, pursuing desire in middle age is a fraught path.

Coburn (1877 - 1961), who didn't appear in film until the age of 56, also had roles in «Gentlemen Prefer Blondes» and Howard Hawks» «Monkey Business».

It could be accused of being cliche but, it's about time that there was a coming of age teenage film for young people that doesn't have a straight couple as the focus.

Moss» striking performance led many viewers to question where she had been all these years; like many other fledgling Hollywood actresses, she had done time as a model and an actress in second - rate films while waiting for her big break.Born in Vancouver, British Columbia, on August 21, 1967, Moss decided that she wanted to be an actress at an early age.

Unfortunately, the film sends the fragile characters on a far more traditional arc than does the book, culminating in a sentimental, «present - day» climax complete with tear - stained old - age latex makeup.

The short - statured, middle - aged Haven, who throughout the film is always dressed in white with rhinestones and gaudy designs, is distracted by the unauthorized entrance into the control room audience of a BBC journalist Opal (Geraldine Chaplin), a flea - market dressed, tattered, nit - wit, opinionated reporter who is «doing a documentary on Nashville» and lugging a tape recorder at her side.

Much like the kids in this movie who come of age, so too does Robert Kirbyson's skill as a writer - director in his debut film Snowmen.

Elizabeth: The Golden Age doesn't offer anything new, and it doesn't feel like it builds enough upon the previous film to be a worthwhile endeavour.

Besides Raleigh, there is a contentious, almost father - daughter relationship with her aging spymaster Walsingham, still ably played by Geoffrey Rush but with unfortunately not enough to do, and her reliance on her spiritual advisor Doctor Dee (David Threlfall), one of the few areas of the film that works completely in and of itself.

And, while I'm growing a bit weary of her, I enjoyed Leslie Mann as the mother of some of these girls, and she nails the modern day new - age philosophy of parenting «these type» of girls to a T. All in all this is a glossy and fun film that will satisfy, but doesn't leave a strong legacy like the kind the characters aspie to have, Regardless, I dug it and think you should check it out.

When I first saw it at age 6 or 7, there was a point late in the film where I was terrified of what might come next... The film had such an impact on me, that I didn't watch it again for quite a while.

The film definitely tries to cover as much ground as it can (It begins when Charlie is 5 in a London music hall and plows through the rest of his life, ending shortly before his death in Vevey, Switzerland, on Christmas Day 1977, at the age of 88) but in doing so abandons depth and development — so much so that the film inevitably feels like a bunch of glossy broad strokes.

This must be the age of bliss for Harry being he loves absolutly every movie he sees... it's fairly obvious he's being paid off, after the Batman And Robin fiasco (back when the site was pure) studios realized how powerful this kinda site can be so they decided to give knowles a wad of cash to give their films a good review... Only reason Star Trek Nemesis didn't get a good review was because Moriarty and others bashed Rick Berman so much he didn't wan na give them Money he was so insulted... everyone do a favor and goto http://www.corona.bc.ca/films it's a real movie lovers site withreal reviews and NEWS... no shit about how they got the news or that they think the film reminds them of from their youth, just news..

Some films don't age well, and no doubt Brief Encounter had more of an emotional effect in the social climate of post-war Britain.

The film opens with a middle - aged woman Christine (Nicole Kidman) waking next to a man she does not recognize.

It leaps straight into the main point of the film and doesn't drag on for ages.

The Addams Family is one of the few dark comedies that is considered to be a family film, and it does play to every age group quite well.

Like a lot of adolescent protagonists in modern coming - of - age films, Christine talks too often and too blithely, but Marion is a formidable sparring partner: «How did I raise such a snob?»

We don't see many films filled with grand, cinematic vistas from foreign lands, and in that regard The Way Back fulfills a much ignored genre in this age of virtual - everything imagery.

The film looks good for the age, not amazing, but the photography was never meant to be crystal clear, so the soft focus stuff looks good, but doesn't crackle with the same authority as some films of the period.

His newest film sweeps the corners on the ages not covered by those two films, focusing on the unlikely friendship between a college freshman (Lola Kirke) and a woman hovering around 30 (Greta Gerwig)-- and in doing so, Baumbach and Gerwig cook up what may be his flat - out funniest movie of the past decade.

Other notable films that did not make the shortlist include Romania's «Sieranevada,» Egypt's «Clash,» Italy's «Fire at Sea,» Finland's «The Happiest Day in the Life of Olli Maki,» South Korea's «The Age of Shadows» and the UK's «Under the Shadow.»

From actress turned writer / director Marielle Heller (A Walk Among Tombstones) comes the latest new - age, post-modern, feminist movement film that doesn't accomplish much more than Aubrey Plaza did with raunchy comedy The To - Do List.

A coming - of - age film that is a perfect example of how it's done.

Telling the story through the eyes of a child is something of a genius stroke, absolutely making sense of the heightened reality in a way that some of the more recent films didn't, and the tender (but never quite precious) burgeoning romance and coming - of - age aspects are beautifully drawn.

However, it doesn't take long to accept him in the role, despite the physical differences and not altogether convincing aging (or lack thereof), as he delivers a quality performance that carries the film through some very dark patches.

Aside from the obvious fact that no - one looks as if they've aged a day, it serves no real purpose in the film, and does nothing to dilute my general hatred of tacked - on «and then this happened» scenes to close out a movie.

Oddly, the respective films of Hawks's late western trilogy don't continue the same story so much as they recapitulate it, refine it, and inflect it with diverse intimations of aging.

Fantastic Beast does deliver on the whimsy that we come to know from the Wizarding World, the film also seems to show an aging process.

It is tempting to draw parallels between the aging rocker and the aging actor, but while not all Pacino's films can be considered classics it would be churlish to say he «sold out» his artistic credentials as Danny clearly sees himself as doing.

Yes, I've seen some happy films this year, some of which were incredible, but films like Toy Story 2 was ground into a form that could be accessible to all ages (for the record, I actually do think that Toy Story 2 is the superior film), and The Straight Story was too serene to ever be thought of as having much zeal.

I liked Driving Lessons, a sharp, engaging, and amusing comedy / drama that does well as a coming - of - age film, family drama, and unlikely friendship tale.

I don't know why it's getting panned by critics, though, needless to stay, it's good that at this day and age, even regular audience members can give their two cents and it's pretty obvious that this film doesn't warrant all the negative CRITIC reviews.

Her and Bardem's chemistry is strained, and it doesn't help that the film brings up their age difference — «She's your wife?

He doesn't so much have supporting players in the film as he does an extended family of cherished guests who he invites to stay for a while, relax and soak up the ambience: French it girl Léa Seydoux has a part as a maid which may as well be non-speaking; Owen Wilson plays one of M Gustave's concierge brethren and gets a line (if not a laugh); even Tilda Swinton makes a flying visit to Wesworld, caked in gristly prosthetics as an ageing dowager who drops dead after her first and only scene, her passing acting as deus ex machina for an elaborate art heist involving the whereabouts of the apocryphal, priceless chef d'oeuvre, «Boy With Apple».