Sentences with phrase «age film filled»

Not exact matches

The Jungle Book is a solid fun family film filled with comedy and is the type of film anyone of all ages will enjoy.
We don't see many films filled with grand, cinematic vistas from foreign lands, and in that regard The Way Back fulfills a much ignored genre in this age of virtual - everything imagery.
Flower by Alex Edeburn Max Winkler's coming - of - age film, Flower, is one which is filled with a number of confusing and... read more →
Taking the 1983 Vacation and thrusting it into the modern age of high - octane raunch comedy, Vacation (2015) is pretty much the result most would expect: Still filled with laughs, but ultimately a cheaper and more hollow echo of the original film, despite some inspired comedic performances from the cast.
Martin Scorsese's nostalgic family film fills every frame with gorgeous images of the golden age of silent cinema.
Of course, when a film is dealing with the end of the world, there is not a lot of wiggle room and even in this current age of motion picture excess, the fire - scorched landscapes, smoke - filled atmosphere and 200 - foot «Cloverfield» monstrosities seem way over the top.
Especially as we get further from Mother Teresa's death, at the age of 87 in 1987, the reason this sort of film works, is through filling in the gaps, letting a legend become a human.
Take every awful indie coming - of - age movie cliché, cram it into one film, fill it with terrible dialogue and bored - looking actors and you are starting to approach the disaster that is Gavin Wisen's Homework.
Similarly, it can't entirely hide the film's age, but the dialogue and music retain some vitality, while English SDH subtitles even positioned to align with characters» placement in the frame should fill in any potential blanks for your ears.
As familiar as the coming - of - age comedy may seem, «Lady Bird» is filled with so many charming surprises and brilliant performances, most other films of its type feel even more mundane by comparison.
The film stars Daniel Radcliffe in a career - redefining performance as the college - age Ginsberg; casting director Laura Rosenthal filled the screen around him with unfamiliar faces and used the faces of familiar actors in unfamiliar ways.
My pick for the year's best movie is this coming - of - age film starring the great Saoirse Ronan as Christine — or «Lady Bird,» as she's re-christened herself — and it's as funny, smart, and filled with yearning as its heroine.
Max Winkler's coming - of - age film, Flower, is one which is filled with a number of confusing and problematic plot turns.
Flower by Alex Edeburn Max Winkler's coming - of - age film, Flower, is one which is filled with a number of confusing and problematic plot turns.
It's also extended its recruitment efforts to children; in a film filled with images of real - life death and destruction, one of the most devastating clips shows a preschool - aged child cutting a teddy bear's throat as adults cheer for him offscreen.
The «Peter Pan» Diamond Edition Blu - ray ™ Combo Pack (Blu - ray ™ + DVD + Digital Copy & Storybook App) is a «must - own» addition to everyone's home entertainment collection, filled with high - flying bonus features for all ages that includes — the groundbreaking feature Disney Intermission, Growing up with Nine Old Men short film, never - before - seen Deleted Scenes and a never - before - heard Deleted Song.
What that means is, as on the recent films of Christopher Nolan, Age of Extinction alternates between the 1.78:1 aspect ratio (which actually measures 1.88:1 here, though overscan will probably still allow it to fill most 16:9 screens) and the blockbuster standard 2.40:1 aspect ratio used for the entirety of standard theatrical exhibitions.
As Drew Taylor said in his review, it was «the first great studio film of 2014, one that fills you with childlike wonder and awe, no matter your age
Taylor's blood and sweat fill the frame, and estrange the spectator whose voyeuristic position is further challenged by the aging of the film to allude to ethnographic documentaries of Aboriginal desert communities.
As the latter continue to expand both in terms of facture (higher - quality CGI, filming via drones) and how they're nested in the expansive installations he produces with Lizzie Fitch, Trecartin is branching out in other directions: this year, he cocurated the New Museum's Triennial, Surround Audience, which unsurprisingly was filled with artists negotiating the ravages of the digital age.
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