Not exact matches
In an
age where demographics and target audiences are everything, The Arbor is a
film which genuinely defies
genre.
As David, the son of Korean immigrants, navigates his nascent desire, the
film rests not on eroticism per se, but on the connective tissue it weaves among sexual and other identities: Spa Night recombines elements of the emigrant saga and the coming - of -
age story into a searching, fresh - faced portrait, highlighting in the process the
genres» keen correspondences.
We don't see many
films filled with grand, cinematic vistas from foreign lands, and in that regard The Way Back fulfills a much ignored
genre in this
age of virtual - everything imagery.
And the result is a mix of tones that works, with our review from the Venice
Film Festival declaring that, «while the
film flirts with a number of
genres genres — melodrama, comedy, coming - of -
age — it ultimately lands closest to being Green's first western by the time it reaches its conclusion.»
Damien Power's debut feature harks back to the golden
age of Australian
genre film but its approach to landscape is sadly ahistorical.
A golden
age of comic book movies may be dominating Hollywood right now, but over the past few years there have also been signs of an effort to turn around the thus - far lackluster
genre of video game - turned
film adaptations.
Today marks the 20th anniversary of Gregg Araki's post-apocalyptic coming - of -
age The Doom Generation, a
genre melting pot of a
film that...
The real laugh is that the
film's ostensible moral is to act your
age while virtually every joke is stolen from a
genre intended for stars and audiences ten - plus years younger than anyone involved, meaning all the sexual insecurity and juvenilia is infected with considerably more than the usual touch of the pathetic.
Avengers:
Age of Ultron is a grandiose
film for this
genre.
The
film brings fresh perspective to the
genre by focusing on an experience unseen in coming - of -
age tales: What high - school first love might be like if...
From a young
age, I was drawn to
films especially the horror and psychological thriller
genre.
After that, it's a wide open field that includes
genre films (Hereditary), animation (Isle of Dogs) and coming of
age dramedy (Eighth Grade).
Coming - of -
age films with a «
genre» twist were all the rage in 2016.
In addition to these coming - of -
age sequences, which display a childish whimsy you don't often find in the foreground of the
genre, the
film is a mystery.
WHY: Whether he's making poetic coming - of -
age films or pot - fueled buddy comedies, David Gordon Green hasn't allowed himself to be confined to a certain
genre, although he does seem to have an affinity for the kind of naturalistic, salt - of - the - earth dramas that he's returned to in recent years, including his latest movie, «Manglehorn.»
After all, its wildly inventive premise is one of the many things that separate «Wreck - It Ralph» from other
films in the
genre, and the fact that it appeals to video game fans of all
ages certainly doesn't hurt.
«Kingsman» doesn't get too caught up in trying to make any logical sense of it all, and that's perfectly fine, because in the
age of the overserious spy
film (see: Daniel Craig's Bond, the Jason Bourne series, etc.), this is exactly the bold, silly kick up the ass that the
genre needed.
But this isn't mere tribute to the
genre, it's a celebration of the style, the texture, the psycho - sexual atmosphere of the best
films, recreated in a triptych that could be a horror
film, a coming - of -
age story or a twisted Walter Mitty adventure from a Dario Argento fanatic.
by Walter Chaw A bona fide auteur in an
age of facile pretenders, Guillermo del Toro is the pulp
genre's Martin Scorsese, his
films filtering devout Catholic imagery through a lurid colour palette and obsessed with insectile machineries and mentor relationships between boys and old men.
An effort to capture how things really are, The Spectacular Now is an earnest coming - of -
age film that avoids the glib reflexes symptomatic of the
genre, and the sanctimony and staginess of overwrought addiction melodramas.
This fine coming - of -
age teen - girl drama hits all the storytelling beats you'd expect from a
film of that
genre but amounts to so much more.
When we reflect on the golden
age of the slasher
genre, we typically remember the
films that spawned a string of...
Jen's rage is complete — and complex — and the heavily
genre - influenced
film finds both its fun and shock value in her sudden evolution into a badass final girl for the
ages.
In a sense, though, Ride with the Devil simultaneously belongs to another
genre entirely: the coming - of -
age film.
The
film foretells the
age of the geek hero by at least ten years and sparked a fire for an entire
genre of meta madness, my
films included.
Animation is an incredibly tactical medium and
genre for
films that have always had the ability to hit audiences of all
ages.
In an
age where the science fiction
film genre has been dumbed down to a mere spectacle of loud explosions and special effects (like in Independence Day), Dark City stands out head and shoulders above the rest.
Kelly Fremon Craig's debut
film avoids
genre tropes to deliver a beautiful, sometimes abrasive, coming - of -
age story.
In an
age when the success of Chris Nolan's «Dark Knight»
films has been viewed as a mandate that all action pics be thematically and visually dark, «Need For Speed» is a beacon of silliness bursting through the
genre's gloomy landscape.
by Melissa Wellham «Attack the Block is a
genre film of the highest order, combining «sci fi,» «thriller,» «coming - of -
age,» and «teen
film where plucky youngsters triumph over adversity.
Michael Mann's 1995 crime thriller is one of the best
films in the
genre, and it's
aged remarkably well in the 20 - plus years since its release.
This one - page
film guide on the
film West Side Story the musical adaptation of the play Romeo and Juliet, set in 1950s New York, incorporates themes around street crime, immigration and the American dream, is designed to support pre - and post-screening discussions of character,
genre and the key themes of the
film for use with primary school pupils
aged 7 and over.