Sentences with phrase «age film really»

Not exact matches

If you watch his film, he looked really good at times and looked bad at times at an age where most developmental type players would have been on the practice squad..

The film wasn't great, but I had a really lovely night, and would recommend some of the other outdoor movies the British Film Institute are screening this summer, especially if, like me, you grew up watching the film Grease with the iconic Drive - Thru movie date scene... something it's otherwise very hard to recreate, living in the UK in this day and age.

Coming of age films are a dime a dozen, and what it really comes down to is the stregth of the young actor or actress.

Witherspoon got one of her best roles in this film, and really does carry it despite her young age.

«The Angry Birds Movie» is not really a good film by any means, but for taking an app and turning it into feature film and trying to satisfy all ages, I think they did they best they could with what they were given.

The film is by no means terribly long, at least when you compare it to its 1969 musical counterpart, so it's not like storytelling drags its feet for ages, but make no mistake, the fact of the matter is that plotting's structure is something of a mess that meanders along repetitiously and, well, is to be expected, because, really, where does this story have to go?

You can't really make this 2D arcade classic much better than it already is, and it is a great title, but it shows it's age, and the fact that it is re-released more than any Star Wars film doesn't help.

Con it can be slow some times If you like coming age films, click flicks or really moving films, you should give this a try.

I feel that the film hasn't aged well, and though it's a great film to watch as a kid, later on you realize how stupid and pointless this film really is.

However, other then a clever way to tell a coming of age story, this film really lacked a spark.

The film leans heavily into the trappings of the Jazz Age, and really embraces the classic visual elements of the era.

While at its core, the film is a coming - of - age film, it never really plays as one.

Luckily, when Duncan meets Owen and the other weird employees at the local water park, the ball finally starts rolling and the film turns into a really sweet coming of age tale.

The film really gets started when the boys, now mature men with some age and life experience under their belts, return to Mississippi as psychologically damaged war veterans and slog their way through the challenges of civilian life in a postwar Deep South ruled by bigotry and ignorance.

We quickly realized that that Marty and De Niro really thought that the aging process was going to be a very important aspect of this film.

Nothing came along to really challenge Boyhood, a beautifully made film about the tender upbringing of a young man coming of age in a complicated country.

Kelly explored Donnie's pain and took in piercing glances at the more adult pain of the ensemble cast, but his film was really about seeing how great Katharine Ross looked at age sixty, and about laughing at the mere sight of Patrick Swayze.

Though as much as I say that it looks good, the film really shows its age.

But to really understand just how much Frances Ha is hers as much as it is his, you have to see Gerwig's wonderful, uproarious new coming - of - age film, Lady Bird (Grade: A).

Coming - of - age adventure follows 20 - year - old Lucy (Solo), a small - town girl from Ohio — who has never kissed a boy, never had a job and never really had friends — who discovers the delightfully bizarre films of the legendary Italian filmmaker and sets off on a journey across Italy to find him.

The real Sonora Webster, who really did pursue her career beyond suffering the tragedy depicted in the film's near - climax, died just a couple of years ago in September 2003, at the age of 99.

And it's really interesting how now, even at the age of 89, she can talk with great clarity about a film from «54.»

I expected a character drama and subtle coming - of - age type thing, but this trailer really makes the film seem blahhhhhh.

Strictly coming of age films haven't really won.

I can still remember being just the right age for the one - two punch of «The Player» and «Short Cuts,» two films that really allowed for a reappreciation of Altman's work, at least for the teenage me.

Hollywood will never be accused of having too many original ideas, especially in this age of sequels and remakes, but the well really seems dry when two different groups of filmmakers and studios race to release a film on the same topic.

I actually feel a little protective of The Devil's Rain; its failure is one more of incompetence than of cynicism, and that's really rather reinvigorating in an age where self - consciousness reigns supreme in horror films both good (The Texas Chainsaw Massacre: The Beginning) and bad (See No Evil).

Though Lady Bird is a coming - of - age story with familiar tropes such as prom night and a disappointing first sexual experience, it's really a film about teenage aspiration.

Nicholas Hoult: The script was the most original thing I'd read for ages but also that Flem role was the most interesting, with all the dynamics he had with each other character from the film, and I was fascinated by him, it was really well written.

With great performances by Paul Dano as the young Wilson and John Cusack as the aged version, the film flawlessly moves back and forth between decades without losing its audience and it really makes you feel like you are there watching the creation of the legendary music come out of his brain.

The once competitive studio, founded by the son of its namesake Golden Age producer, mainly exists on the fringe of the industry today, the Kirk Cameron megachurch marital drama Fireproof being their only film to really register on the public's radars this millennium.

This is the kind of film that was all the rage in the early «60s: aging male star, once a romantic lead, is cast as head of a really annoying family that puts him through absolute hell, until the denouement that insists that family life is in fact splendid and really the ONLY THING WORTH EXISTING FOR.

Taika Waititi's coming - of - age comedy is one of the most well - liked films of 2016, landing a stunning 100 % on Rotten Tomatoes and really working for everyone who has caught up with it.

I know I can't say that since I'm only half that age, but looking at this newly remastered edition, it really is hard to believe that the film looks so fresh.

There isn't really a defined plot to either movie except to claim they are «coming - of - age» films depicting men in their 20s who still haven't come of age.

An effort to capture how things really are, The Spectacular Now is an earnest coming - of - age film that avoids the glib reflexes symptomatic of the genre, and the sanctimony and staginess of overwrought addiction melodramas.

The couples in the film seem mated in captivity, and that goes double for the group dynamic, which is strained and awkward well before a New Age Frenchman (Jean Reno) and a Speedo - wearing Fabio - type make them look really uncomfortable.

(Both previous Avengers films were also longer than two hours and 20 minutes, although both we and Joss Whedon agree that the Thor - goes - swimming scene in Age Of Ultron really didn't need to be there.)

Dazed and Confused isn't really a traditional coming - of - age film, or even a definitive testament on its generation, but it does effectively capture many of the prevailing attitudes of the era, in fashion, music, and the rampant social irresponsibility.

for the digital age with a razor sharp crackerjack script, the film only really slips up in the way it ends, but it is a minor complaint at best.

Karyn Kusama's The Invitation is a variation on the «dinner party from hell» film, with the age - old question: is our protagonist paranoid, or are they really out to get -LSB-...]

You may enjoy seeing some of your favorite comedians portray some of your older favorite comedians in A Futile and Stupid Gesture, but David Wain, Jonathan Stern and Peter Principato really made the film to shine a light on Doug Kenney, the late great comedy writer who co-founded the National Lampoon magazine, and co-wrote the screenplays to Animal House and Caddyshack, then abruptly fell off a Hawaiian cliff and died at age 33.

Reitman's new film, Men, Women & Children (read Matt's review here), is a dark, dramatic tale of human relationships in the internet age, and while the technology angle is the hook, the film isn't really about that at all.

Deathgasm (Jason Lei Howden, 2015) New Zealand appears to be in the low budget golden age of invention and splatter that was promised by Peter Jackson's first three films but is only now really exploding.

Transformers: Age of Extinction had a reported budget of $ 210 million and while it managed to cover the bills with a domestic take of $ 245,439,076, this film really made its money on the worldwide market bringing in $ 1,087,404,500 thanks in part to its amazing success in China.

Really, though, what it comes down to is an intangible sense of longing in the film's second half, a quality amplified by Allen's own aged voice as the narrator.

This is the second lesson in an Ice Age theme designed for Winter Whole School Cross Curriculum Include film clip, group activities and scientific enquiry to really engage your learners Please note an ICE AGE font was downloaded to design this: https://www.dafont.com/ice-age-font.fAge theme designed for Winter Whole School Cross Curriculum Include film clip, group activities and scientific enquiry to really engage your learners Please note an ICE AGE font was downloaded to design this: https://www.dafont.com/ice-age-font.fAGE font was downloaded to design this: https://www.dafont.com/ice-age-font.fage-font.font

This is the first lesson in an Ice Age theme designed for Winter Whole School Cross Curriculum Include film clip, group activities and scientific enquiry to really engage your learners