Sentences with phrase «age film titled»

Gravitas Ventures has released an official trailer for an indie coming - of - age film titled All Summers End, from new director Kyle Wilamowski, making his feature debut.

Oscilloscope Labs has just released the first official US trailer for a coming - of - age film titled Summer 1993, which is Spain's official entry into the Best Foreign Language category at the Academy Awards this year.

Not exact matches

A middle - aged Don Juan (Douglas Fairbanks, Sr. in his final film appearance) returns to romantic Seville to try to hang on to his title as the world's greatest lover.

Perhaps most fascinating is that while the title suggests the film is centered on revenge, it's also a coming - of - age dark fairytale

You can't really make this 2D arcade classic much better than it already is, and it is a great title, but it shows it's age, and the fact that it is re-released more than any Star Wars film doesn't help.

Sony Pictures Classics has unveiled the first trailer for a film titled The Comedian, from Oscar - winning director Taylor Hackford, starring Robert De Niro as an aging stand - up comic.

«Women of all ages are enthusiastic about this film,» said Sony Pictures Classics co-president Michael Barker, whose company picked up the title out of Sundance in January.

The film, written and directed by Marc Abraham (Flash of Genius), stars Tom Hiddleston (Crimson Peak) in the title role, with Elizabeth Olsen (Avengers: Age of Ultron), David Krumholtz (Numb3rs), Cherry Jones (24) and Bradley Whitford (The West Wing) co-starring.

Like Age of Ultron (which some have argued is the best Avengers film), this is one of those Marvel movies where the title bears little resemblance to the actual comics event where it originated.

With some 10,000 entries, including hundreds of titles we never covered in our annual guide, this is the perfect companion for anyone who watches TCM or dotes on silent films, European classics, and the golden age of Hollywood.

Nick Park, the creator of Wallace & Gromit, doesn't try to reinvent the wheel in Early Man, a prehistoric underdog sports spoof that pits dumb - as - rocks Stone Age cavemen from what is now the English soccer mecca of Manchester (yes, the title is a pun) against Bronze Age Euro snobs, indulging some of the silliness that made his short films such classics.

«Brazilian writer - director Daniel Ribeiro expands his award - winning short film I Don't Want To Go Back Alone into this full - length coming - of - age drama, whose original title translates as Today, I Want To Go Back Alone, a subtle difference that reflects a shift in focus between the two films.

After 27 days, the title's cumulative box office has reached # 39.8 m — ahead of the lifetime total of every Marvel film accept Avengers Assemble (# 51.9 m) and Avengers: Age of Ultron (# 48.3 m).

Other notable films that will screen at TIFF include Tom Ford «s «Nocturnal Animals,» with Jake Gyllenhaal and Amy Adams; «Whiplash» director Damien Chazelle «s musical «La La Land,» with Ryan Gosling and Emma Stone; Peter Berg «s «Deepwater Horizon,» a true - life drama about the oil spill, starring Mark Wahlberg and Kurt Russell; Werner Herzog «s «Salt and Fire,» a drama in which Michael Shannon and Gael Garcia Bernal face ecological disaster in South America; Ewan McGregor «s Philip Roth adaptation «American Pastoral,» the actor's directorial debut; Denis Villeneuve «s sci - fi drama «Arrival,» formerly titled «Story of Your Life,» with Amy Adams and Jeremy Renner; Juan Antonio Bayona «s «A Monster Calls»; «Denial,» Mick Jackson's drama starring Rachel Weisz as a historian sued by a Holocaust denier; Irish director Jim Sheridan «s «The Secret Scripture,» with Vanessa Redgrave and Rooney Mara playing two different ages of a woman who keeps a diary of her time in a mental hospital; and «Mascots,» Christopher Guest «s comedy about the world of sports mascots.

Marvel released this extended movie trailer titled «Uncover» for the upcoming film «The Amazing Spider - Man» aka Spider - Man 4 from writers Steve Ditko and Stan Lee by director Marc Webb (The Office, (500) Days of Summer, Lone Star) stars Emma Stone (Zombieland, The Croods, Friends With Benefits), Andrew Garfield (The Imaginarium of Doctor Parnassus, The Social Network), Rhys Ifans (Notting Hill, Neverland), Martin Sheen (Stella Days, The Double), Sally Field (Forrest Gump, Brothers & Sisters), C. Thomas Howell (Chupacabra, Red Dawn, The Outsiders), Denis Leary (Ice Age: Continental Drift) and Julianne Nicholson (Brief Interviews with Hideous Men).

The brackets that enclose the film's title in its credit sequence and poster design reinforce the sense of enclosure provided in the first and last scenes: in the former, the black Mercedes pulls into a garage whose door closes behind it; in the latter, by this time living at a New Age retreat in a stretch of New Mexico desert that looks uncannily like southern California, Carol shuts herself in a hermetic, porcelain - lined igloo.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

The film will be titled American Honey, and it's reportedly a «coming - of - age drama» about a teenager who runs away from home and starts selling magazine...

I'd say the effect was like zapping between TV channels, but that metaphor is probably meaningless to the target age demographic that film addresses: it's more like surfing between websites on a low concentration threshold, or rather like leafing through a few pages of a comic, before tossing it aside and skimming another from the same giant stack, then going back to your first title again, before eventually realizing that all along you've been reading parts of the same vast, wildly complicated story.

The film saw a middle - age, malcontented Stiller attracted to the Gerwig's young dog - walker, and while the film does tend to take on the title character's bitterness, Gerwig brings a sweet / sad energy to the film.

This time he's telling the coming - of - age story of boy obsessed with ping pong in a film titled Ping Pong Summer, starring John Hannah, Susan Sarandon, Lea Thompson and Amy Sedaris.

Personal Shopper's expert balancing of late Kieslowski metaphysics and European thriller trappings, with a hint of Kiyoshi Kurosawa chills and a haunted grace that is all Assayas» and Stewart's, turns a curiously mundanely - titled film into a spine - tingling ghost story for the digital age.

Our Team produced top quality assets for live - actions blockbuster films Dark of the Moon and Age of Extinction as well as for Transformers: Earth Wars the mobile title from Space Ape Games and Backflip Studios.

The title is inspired by a 2011 independent film directed by Victoria Mahoney, which leads the audience through a young girl's coming of age, discovering herself and the world around her through trial and error.

Focusing exclusively on art -, music - and culture - related movies, Arthouse Films («Where art and film collide») produces and / or distributes around 15 to 20 titles a year, from documentaries about specific artists (c: The Radiant Child) or other figures in the art world (Herb & Dorothy, on art collecting duo Herb and Dorothy Vogel) to in - depth looks at specific movements (Beautiful Losers, a tribute to the»90s DIY movement) or communities (The Cool School, about the Ferus Gallery and its role in bringing the L.A. art scene of age).

The exhibition takes its title from Luis Buñuel's 1977 film of the same name, in which the middle - aged protagonist is repeatedly seduced, frustrated, and abandoned by a mysterious and unpredictable woman.