Sentences with phrase «age films form»

Coming - of - age films form a central part of cinema; especially in Japanese cinema.

Not exact matches

Combined with its protective film forming effects, Oat beta glucan helps to reduce the visible signs of ageing.

Film reviewer who was raised from an early age to love the art form, I was watching films with the family before I could walk.

At the film festival: Bruce LaBruce's subversive masterpiece, Gerontophilia, a lovely rom - com in which everybody fucks one another across all age and gender borders — desire shall bind us together; Juno Mak's Rigor Mortis, a touching albeit grim look at loss and damnation in the form of a Chinese hopping - vampire movie, with many a nod to the subgenre's clichés and conventions; Jealousy, Philippe Garrel's latest tale of love ground down by the mill of daily life, raw and naked even by his ascetic standards; Hayao Miyazaki's troublesome The Wind Rises, which frames the story of a fighter - plane designer as a grand romance of struggle and failure, with animation's supreme living master contemplating the price mankind can sometimes pay in the name of one dreamer's self - fulfillment, and the willful blindness and egocentricity it takes to realize one's vision; and finally to Yorgos Lanthimos's Necktie and Athina Rachel Tsangari's 24 Frames Per Century, their contributions to the Venice 70: Future Reloaded omnibus, not to mention the untitled pieces by Jean - Marie Straub, Monte Hellman, Amit Dutta, and Haile Gerima.

Yes, I've seen some happy films this year, some of which were incredible, but films like Toy Story 2 was ground into a form that could be accessible to all ages (for the record, I actually do think that Toy Story 2 is the superior film), and The Straight Story was too serene to ever be thought of as having much zeal.

On the contrary: in adapting André Aciman's 2007 novel, Guadagnino and screenwriter James Ivory have produced a film that simultaneously analyzes and dramatizes issues of sexuality, religious identity, and, once again, privilege — with enough well - read bourgeois lazing about in the sun to give Michael Haneke hives — and yet without straining against its clearly marked narrative boundaries as a coming - of - age romance, or exploding its form as an accessible, fundamentally pleasing upper - middlebrow entertainment.

STEVE NORWOOD Programming Director A poet, writer and film reviewer, Steve has been consuming cinema in its many forms for decades, from impressionable - aged childhood viewings of LATITUDE ZERO, ROLLERBALL and THE MAD ADVENTURES OF RABBI JACOB, to a modest adult obsession with all things Johnnie To, Paul Thomas Anderson and Nicolas Winding Refn.

By the time we meet one of Miss Peregrine's colleagues in the form of a dowdy Judi Dench, the film creates more questions than it answers about these women, such as the disparity in their age, and why, exactly is their kind always female?

The lyrical lad of film - making, in the form of Irish writer - director John Carney (who gave us the wonderfully musical drama in 2007's «Once»), is at it again as he brings the continued inspiration of music and motivation in the engagingly festive coming - of - age musical melodrama Sing Street.

This smart and funny film is a raucous coming - of - age tale about three teenage girls who form a punk band in»80s Stockholm.

Every now and again, a film comes along that is so delicately crafted that it reminds you that cinema is an art form, rather than simply a vehicle for aging celebrities to nab a paycheck.

His introduction to the film industry came in the form of coming of age stoner comedy, Dazed and Confused.

Both she and the film express the frustrations and excitement of coming - of - age in perfect pop form.

It's an old - school form of filmmaking that befits the film's middle - aged protagonist while also making a clear distinction between itself and the jittery, youth - oriented style of most indie cinema.

Where the film gauges more interest and earns its stripes as a coming - of - age picture are with the dynamics between Eric and his would - be authority figures, namely Rupert Friend's amiable psychoanalyst Oliver, Sian Breckin's cruel warden and Ben Medelsohn on typical terrifying form as head - con Neville who also transpires to be Eric's estranged father.

SPC is looking to women across age ranges to form the film's core audience, in addition to people who «like traveling abroad or aren't able to travel abroad,» according to Barker who added: «You're on this trip step by step... and Diane Lane is just luminous.»

Co-written with her brother Sven, who was himself a successful DJ, the film looks to be a sort of «Almost Famous» for the EDM age, following a fictional DJ act formed alongside Daft Punk.

But taken together, these three films form a bit of a trilogy about finding one's identity in a world that expects you to have it all together once you reach the age of 23.

A global movement that encompassed a wide number of art forms, including film, theater, poetry, and literature, Surrealism came of age with poet André Breton's formal declaration in 1924.

He developed an early interest in multiple forms of visual art — drawing, sculpting, taking and developing photographs, and shooting film all before the age of fifteen.

This terrifyingly relevant group show of art in the nuclear age — featuring paintings by Adolph Gottlieb and Robert Rauschenberg, films by Bruce Conner, and photographs by Miyako Ishiuchi — examines how artists have given form to the unimaginable, from Hiroshima to Fukushima and, we pray, not beyond.