Not exact matches
A true
story about the 1973 tennis match
between Bobby Riggs (
age 55 at the time) and Billie Jean King (29).
Correction: This
story has been updated to reflect that 53 percent of Topgolf customers are
between the
ages of 18 and 34.
Because the
story he based on [Horus] didn't have any record of himself
between those exact same
ages.
It wasn't just about the subject matter — although it's tricky to write about such a tender and intimate time in a person's life, to tell your own
story while still holding space for
stories that are so different than your own, to attempt to shepherd people well in the liminal spaces of their faith journeys — but it was also just the season of life with being pregnant with our fourth and then giving birth and suddenly having four tinies
between the
ages of 9 and newborn meant I had a lot less time with a lot less energy (and even less sleep!)
Hauerwas and the other essayists are on firmer ground when they write of the importance of holding on to the Christian
story, which gives meaning to individual
stories and provides «rich resources to make possible friendship
between the elderly and, perhaps most important, becoming and remaining friends with ourselves as we
age.»
No less than other
stories in the Jacob cycle, it reflects the background of the patriarchal
age — frictions
between groups (Hamor and Jacob); a level of sexual morality beyond the reach of our judgment and in any judgment ennobled by the integrity of Hamor and the love of his son for Dinah; the effort on the part of both families to effect a peaceful settlement honoring the religious sensibilities of the abused; the despicable violation of the terms of agreement by two of Jacob's sons; and finally, in perfect consonance with the general character of Jacob, his sharp rebuke of his sons not on moral but on utilitarian grounds:
Both Hauerwas» understanding of the Christian
story and the relation
between the church and the world are illustrated by his appreciative remarks about George Linbeck's The Nature of Doctrine: Religion and Theology in a Postliberal
Age (AN 1 - 19).
In a report from the Sun, Mikel has revealed the dramatic
story of the transfer battle
between Man United and Chelsea which started when the midfielder was
aged just 15 - years - old.
Test your
story ID skills in Durham, make stone
age artwork in Raleigh, see a magic show in Wake Forest, and forge connections
between art and nature in Raleigh this week.
And, you will hardly find someone
aged between 9 months to 90 years who doesn't like
stories.
Generally speaking,
Story Land is geared to children
between the
ages of 2 and 12.
The plot finally thickens for children
between ages 2 and 3 now that they're old enough to follow
story lines.
The
age of the child on whom the
story centers is not specified; it could be a baby, toddler, teen or any
age in
between which makes this
story a great fit for adoptive families.
Between the
ages of 1 and 3, toddlers have triumphs and challenges, so it can help for them to hear
stories about other kids and how they managed fears about what's under the bed and tackled the challenge of using the potty.
Related links A longer version of this
story on Science's Science of
Aging Knowledge Environment (SAGE KE) SAGE KE article on the link
between such survival feats and longevity Burnell lab A. avenae information from UC Davis Parasitic Nematodes page from the University of Nebraska, Lincoln
Believe it or not, the majority of our success
stories come from men and women
between the
ages of 50 and 70.
The focus of news
stories about Cheryl and Liam's alleged romance has been the 10 - year
age gap
between the two... t...
Its many success
stories give hope to young romantics, as well as disillusioned daters, that the site can actually work and lead to meaningful relationships
between New Zealanders of all
ages.
The rules are simple: Children
between the
ages of 13 - 20 are asked to creatively tell their parents» love
story (who met on Match.com, of course) in a 1 - 2 minute video.
I'm a big believer that online dating does work, but where we draw the line
between exaggerating about weight,
age and height is different from complete misrepresentation, such as in the Manti Te'o
story.
But for the successful couples of The League, the average
age difference
between them was a modest three years, compared to an average of six years
between non-success
stories.
Relationships from the lifestyle editors at termining the
age of a canon lens using serial numbers, career, catch the latest dating relationships
stories, features from mfr when the media first began reporting marriages
between couples who had met.
The simmering rivalry
between Di and Fiamma, inflamed by the kind of glimpsed indiscretion that makes adolescent melodramas tick, explodes in a thriller ending that turns an observant coming - of -
age story into something resembling «The Lord of the Flies.»
Left on Purpose is a documentary film about the friendship
between an
aging anti-war activist who has decided that his last political act will be to take his own life and the filmmaker who is struggling to tell the
story.
In brief, there are no likable characters, the narrative is spotty and confusing, however, the show serves its purpose in that it only relates any kind of interesting
story or characterization to girls
between the
ages of 14 and 18.
WINTER»S TALE is set in a mythic New York City and spans more than a century, with the fantasy
story filled with miracles, crossed destinies, and the
age - old battle
between good and evil.
Pam Grady: Ostensibly the
story of an actress facing uncomfortable truths about
aging head - on when she agrees to play a role in a revival of the play that made her famous, Clouds of Sils Maria is more intriguing in its exploration of the relationship
between Juliette Binoche's star and the personal assistant (a dazzling Kristen Stewart in her Cesar Award - winning performance) she expects to fill her every needs — including the lonely void at the center of her life.
The
story takes place in the republic of Panem, where the United States has broken into 12 districts and, as a penalty for a failed uprising against the totalitarian government decades earlier, each district must offer one boy and one girl
between the
ages of 12 and 18 to participate in The Hunger Games, where the «tributes» must participate in a nationally televised battle to the death.
Indeed, we learn all we need to know about the innate resistance in some quarters to the
story from the dynamic
between Spotlight team member Rachel McAdams's impassioned Sacha Pfeiffer (pictured above) and her
ageing, church - going Nana, for whom ignorance on some fronts very clearly is bliss.
An adaptation of Patricia Highsmith «s «Carol» (also known as «The Price Of Salt «-RRB-, penned by Phyllis Nagy («Mrs. Harris «-RRB-, the»50s New York - set tale follows the
story of two women — one a 20 - something girl working in a department store while harbouring bigger dreams, the other a middle -
aged wife trapped in a money - driven, loveless marriage — and the relationship that brews
between the two.
It's very much a coming of
age story and one that allows players to switch freely
between its two fascinating protagonists.
But after all this window dressing, it's a standard - issue coming - of -
age story with the hero Luke Shapiro (Josh Peck) flip - flopping
between the girl of his dreams, Stephanie (Olivia Thirlby) and his closest friend, his shrink Dr. Squires (Ben Kingsley, in yet another show - offy performance).
This nuanced coming - of -
age story tells of a first romance
between the shy Anne and the athletic Sasha (Brianna Hildebrand of «Deadpool»).
And film projects hardly get more ambitious than this independently funded, $ 100 million project, which tells six discrete
stories in six timelines, using a cast of stars who shuttle
between genders, races, and
ages.
It also features a surprisingly heartfelt
story about the strength of relationships
between parents and their kids as well as
between friends - no matter their
age.
While there are clear similarities
between Baumbach's creative types going through personal crisis, he manages to never repeat himself, particularly as he alternates
between telling
stories about young adults, children, and people entering middle
age.
Call Me by Your Name is a fairly straightforward coming - of -
age story that's at its finest in moments when the relationships —
between Elio and Oliver, but just as crucially
between Elio and his archeologist father — take on larger meanings than their literal context implies, and Guadagnino finds evocative aesthetic expressions for them.
Adapted by screenwriter James Ivory from a 2007 novel by André Aciman, the sexy new film — a coming - of -
age story of first love that has already racked up multiple awards — has been criticized in some quarters for its central relationship, a summer tryst
between Elio (Timothée Chalamet), a 17 - year - old boy, and Oliver (Armie Hammer), a 24 - year - old man.
Alan Rickman stars in this simmering early 20th - century love
story about a triangle
between an
aging factory owner, his young bride (Rebecca Hall) and his handsome protégé (Game of Thrones» Richard Madden).
Their
story picks up where we last saw Thor — zipping
between dimensions, trying to make sense of his weird visions (remember that really strange pool scene in Avengers:
Age of Ultron?)
MILLER»S GIRL by Jade Bartlett The
story of a young precocious writer who becomes involved with her high school creative writing teacher in a dark coming - of -
age drama that explores the often blurred lines of connectivity
between professor and protege, child and adult.
Luca Guadagnino's Call Me By Your Name is pulling in rave reviews for its honest depiction of a coming - of -
age love
story between two young men.
His men, anachronistically called «knights» (knights won't actually become a thing for another 500 years or so, after the Norman conquest; this is an example of an acceptable anachronism, especially since the Arthurian legends, composed in the
age of chivalry, have already imposed knighthood on the historical
story (if there was one, more about that later)-RRB- are Sarmatians, drafted into Imperial service as part of a 3rd Century surrender agreement
between their people and the Empire (not historical: the Sarmatians remained a power in the Ukraine and Balkan regions through the end of the Western Empire, though there is a theory that the Arthurian legends are influenced by or even sourced in, similar Sarmatian
stories (notably one about a lady with a sword in a lake), the influence purported to have come from a community of Sarmatian veterans in Lancashire).
Creative transitions
between scenes and times add a stylish element to a
story that is ultimately about human relationships,
aging and loneliness.
The
story is of a group of people with all different skill sets coming together, it's set in a very agrarian pseudo-futuristic middle
ages timeline, you spend a lot of time talking to people in towns, all travel is basically on foot
between points A and B, and the battle system is very basic and turn - based, with a passive style.
I saw films with
stories about finding happiness even with cancer (Me and Earl and the Dying Girl), the struggles of addiction (I Smile Back), transgender women in Los Angeles (Tangerine), post-apocalyptic love triangles (Z for Zachariah), a teenage girl's sexual awakening (The Diary of a Teenage Girl), relationships
between interviewer and interviewee (End of the Tour, True
Story), washed up Olympians (The Bronze), two kids who go for a joy ride (Cop Car), psychological studies (The Stanford Prison Experiment), lesbian lovers coming - of -
age (The Summer of Sangaile), being a single parent (People, Places, Things), and geeky kids learning how to grow up (Dope).
I'd say the effect was like zapping
between TV channels, but that metaphor is probably meaningless to the target
age demographic that film addresses: it's more like surfing
between websites on a low concentration threshold, or rather like leafing through a few pages of a comic, before tossing it aside and skimming another from the same giant stack, then going back to your first title again, before eventually realizing that all along you've been reading parts of the same vast, wildly complicated
story.
Although dramatically flat, Greta Gerwig's coming - of -
age directorial debut covers its Mumblecore tracks with jabs of humor and a breeze of earthy authenticity.Set in Sacramento, California (Gerwig's hometown), the
story focuses on the fraught relationship
between Lady Bird (a.k.a. Christine — played by Saoirse Ronan) and her overworked mother Marion (Laurie Metcalf), whose emotions run hot or cold.
Transmedia storytelling — telling a single
story across multiple media platforms — as a means to help students engage with challenging cultural issues of civic responsibility, diversity, and social justice can be an important tool in the classroom, especially in an
age where students are finding it increasingly difficult to see over the wall
between their school lives and their «real» lives.
For two years, I traveled around the country interviewing forty men and women
between the
ages of fifty and seventy - five who saw themselves as «new learners,» who were eager to reflect on their experiences, question their motives, celebrate their achievements, and tell their
stories.