Sentences with phrase «age tale like»

A coming - of - age tale like you've never seen, Julia Ducournau's «Raw» left me intrigued, mildly nauseated and extremely curious about what passes for recreation at French veterinary schools.

Not exact matches

That anyone actually believes in fairy tales like heaven and hell shows how ignorant people still are in this day and age and also shows the capacity for religion to mass brainwash people.

Americans sure love their big book of fairy tales... seems like we are stuck with brain dead followers of myths for some time to come... oh well... one day, humanity may evolve beyond the bronze age...

As long as a «righteous man», as Jesus supposedly called him, like Lot can offer an unruly crown his virgin daughters so that they can have their way with them there is no way that I would ever take advice from these moldy books or anyone that follows these Bronze Age fairy tales.

In mainline theological schools, divinity students are told a familiar tale about the church in modernity that goes something like this: The present age is «secular» or «post-Christian» and the church is in decline.

Waititi does an excellent job of balancing the sweet and humorous moments with the more poignant bits (like Bella's heartbreaking death scene), but what separates the movie from the typical coming - of - age tale is the unique brand of humor that's become synonymous with the director.

Sam Elliott's visceral appeal is legend by now: the oak - aged baritone that suggests a creaking porch with a pleasant view, the cigarillo frame that's just imposing enough, and a mustache that looks like it could tell its own tales.

Without the stone - age shredding that was once this band's life purpose, Used Future is just nostalgic affectation, with the added anti-bonus of pushing frontman John D. Cronise's Ozzy - lite enunciations and corny lyrics — like those of the vixen - fearing cautionary tale «Deadly Nightshade» — into the unflattering limelight.

Honest, hilarious and horny, this tale of growing up in a modern age has been winning support like Daenerys liberating Slavery's Bay.

I liked Driving Lessons, a sharp, engaging, and amusing comedy / drama that does well as a coming - of - age film, family drama, and unlikely friendship tale.

From the outside, this tale of two elementary - aged friends who convert their mean principle into an underwear - clad caped crusader in order to fight a villain known as Professor Poopypants seems like a mindless onslaught of potty humor.

It is framed as a coming - of - age tale, in which case Grint's character feels like a younger, British version of a different Ben, The Graduate's Benjamin Braddock.

The coming - of - age tale, starring Saoirse Ronan, is increasingly looking like a major contender, boasting the most widely reviewed 100 percent fresh Rotten Tomatoes score in the website's history.

While no information was divulged on the budget size for this rom sci - fi (which sounds like a nerdy cautionary tale for the tinder age a la I Origins), we're fairly certain that if Doremus has had time to insert any sci - fi special effects, it could land an acquisitions friendly slot.

And while that doesn't really match with Murray's age, a) it's a movie, b) Wes Anderson's time periods have always been fluid (see the fairy tale New York in «The Royal Tenenbaums» which is set in «modern times,» but feels more like the 1970s).

With his initial output, from moody drama Shotgun Stories to coming - of - age tale Mud, director Jeff Nichols didn't initially appear like he belonged in this category.

The film brings fresh perspective to the genre by focusing on an experience unseen in coming - of - age tales: What high - school first love might be like if...

Countless movies (and books and songs and TV shows) plumb the agony and elation of teen romance, but «Love, Simon» brings fresh perspective to the genre by focusing on an experience unseen in coming - of - age tales: What high - school first love might be like if you're gay.

Partisan marks the feature directing debut of Ariel Kleiman, who made the short films Young Love and Deeper than Yesterday, and this coming - of - age story looks like a compelling tale.

That relative infancy of filmmaking is regarded as a golden age for genre features, a period that gave birth to such cinema landmarks as King Kong and Universal's horror tales like Dracula, Frankenstein, and The Mummy.

What at first seems like a children's film with an appropriately light plot becomes an entertaining tale for all ages, as certain gags might go over the heads of children, while others are a little disturbing.

It looks like Christina Hendricks might be starring in another Coming Of Age tale as it was revealed that she is in negotiations to...

That's what makes It Felt Like Love so transfixing — using our expectations of the genre, looking upon a coming - of - age as some sort of fairy tale (that's how Lila sees it herself), when it is actually realistic in the worst way possible.

1932 Tatra Type 57 — Zoe Harrison tells the intriguing story of the car that came here from Austria in the 1970s / 1911 Albion 16hp — The tale of this Scottish expatriate now enjoying an active life in Australia is told by Dennis Harrison / Ice and Snow Rally 1991 — Malcolm Elder explains what it is like to take part in the Rallye Neige et Glace in the French Alps / Early 20s Fox light car — The story of this Anglo - German enterprise is uncovered by Michael Worthington - Williams / Another Golden Age of Motoring — Brian A Meulbrouck argues that the period following WW2 should be considered worthy of this accolade / 1928 Alvis 12/50 — The Editor enjoys his excursion this month in this sporting open tourer / Epps Bros. coachbuilders — The history of the London - based family firm is recalled for us by James Taylor / 1924 Turcat - Mery SG limousine — In the second part of his article Finbarr Corry writes about his impressions of driving a 1924 limousine / 1930s «graveyard» — Ray Cattle pictures a sad collection of thirties cars left in the open to rot.

- La Razón «David Trueba has devised a complex tale about our present: about old age, about lost illusions, about illness, about what it's like to be an immigrant... There's no lasting bitterness in Learning to Lose.

But as I said, I felt like this book is more like a compilation of fairy tale - like stories, written for today's fast - moving information and digital age.

The interface isn't quite as easy as the «swipe» screen on other books, since you have to use «arrows» to turn the page, but it's unique in it's search capabilities — you can search by categories like animal characters, imaginary creatures, nonfiction, fairy tales, and age range or length of book (you can even search by color of the cover!)

Of course PS Now is already home to a fantastic selection of indie games for PS4 and PS3, including such games as Helldivers, Broken Age, Journey, Dead Nation: Apocalypse, The Vanishing of Ethan Carter, Flower, Resogun, The Unfinished Swan, and interactive adventures from Telltale Games like The Walking Dead, The Wolf Among Us, Tales from the Borderlands, and Game of Thrones.

It's a coming of age tale kind of like Kiki's Delivery Service, if Kiki got into some kinky mishaps instead of transporting baked goods.

The Civil War crossover, though a more recent event in the Marvel Universe, manages to carry as much emotional weight as stories like The Age of Apocalypse, Days of Future Past and any of the other amazing tales from the past 60 years.

Super Lucky's Tale looks like it could be fun for all ages, Ori and the Will of the Wisps will pull tears out of all of us, and the Iga - Vania title Bloodstained: Ritual of the Night should scratch an itch we've not scratched since it's 2D inspiration so long ago.

Like Grimm's Fairy Tales (actual title: Children's and Household Tales), our wildly imaginative games are accessible by children, but they also function on a deeper level where adults may unpack metaphorical connections to themes that challenge and captivate us, no matter our age.

Featuring a story largely based around dialog choices and mini games that put a spin on mundane tasks, like carrying boxes up the stairs and eating perogies, Night in the Woods is a timeless coming - of - age tale.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Or you might be distracted by wondering why things like rebrandings are touted as «coming - of - age tales» or what exactly a bits - and - atom theme is, but in any case you can get the story behind it.

For some of you this may sound like a tale out of the Stone Age, but for many job seekers 40 and older this describes the resume they used maybe 2 or 3 jobs ago; and unfortunately many are updating this same outdated version in 2013.

As I often reference, like the Charles Dickens» title: «A Tale of Two Cities» opening lines as offered in google copy — «It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we...»