Sentences with phrase «aged white couple»

The gang drove to the getaway van and piled into the back; the plan was that police would be looking for black robbers, not a middle - aged white couple driving a U-Haul van.
The pairing of act and music isn't so much farce as inane fodder for ensuring The House's removal from anything resembling genuine social commentary, but it also indulges the laziest form of cultural fantasy, where the awkward, middle - aged white couple is allowed to engage in cultural appropriation for a spell before returning to their dull middle - class lives, and all without consequence.

Not exact matches

Water - resistant film labels — white, clear, and metallised — are also ideal for wines destined for cellar storage, coupled with a long - ageing adhesive.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
Taking the fairly straightforward and eerily relevant story of a mixed - race couple met with hostility from one partner's small - town (and very white) community, Get Out combines Look Who's Coming to Dinner with The Stepford Wives, and sets things in the digital age.
Jackie is a tiny, but sassy, middle - aged, black and white beauty, who arrived at the shelter a couple of years ago with her two tabby kittens, Goose and Maverick.
Fronting a wonderful stretch of Nassau's world - famous Cable Beach, this lively resort appeals to active travelers, couples and families with kids ages 14 years and older with Super-Inclusive ® restaurants, bars and entertainment; an exciting rock climbing wall; convenient bicycle rentals; an upbeat disco and pristine views of white - sand beach and sparkling blue water stretching as far as the eye can see.
Also present were his son and daughter, both very attractive and in their thirties, along with a gathering of people of mixed ages — a little girl pushing the giant inflatable balloon - ball that marked the entrance, hip youngsters admiring the «trippy» patterns in the artist's work, elderly couples looking at prices or simply enjoying the bursts of colour inside the white gallery space — a testimony to the vitality of his work.
Using national data on white ever - married women under forty - five, differentials in marital instability are examined for several of the wife's characteristics at first marriage and for the couple's combined age, education and religion.
-- Gay Men Lesbians Bisexuals Transgender Adolescents Transgender Men Transgender Women Genderqueer / Non-Binary Adults Gender Non - Conforming / Gender Creative Children / Adolescents Parents of GLBTQ Children Men Women Older Adults Adolescents Infants / Pre-schoolers Elementary / School - Aged Children Middle School / Pre-teens Young Adults Middle Aged Adults Parents Childfree Adults Immigrants Refugees African - American / Black Latino / Latina / Latinx / Hispanic Southeast Asian Asian / Pacific Islander Arab / Middle Eastern Mixed Race Adoptees Foster Children Foster Parents Christian Muslim Jewish Buddhist Hindu Atheist / Agnostic Spiritual New Age Indigenous / Traditional Religion Military First Responders (Police, Paramedic, Fire Fighter, etc.) Disabled / People with Disabilities Mixed - Orientation Couples Mixed Religion Couples Mixed Race / Cross-Cultural Couples Homeless Adults Homeless Children / Families Working Class / Blue Collar / Tradespeople White Collar Workers Therapists / Counselors
This is of interest given that age heterogamy is more prevalent among Hispanic and Asian couples relative to their White counterparts (Vera et al., 1985).
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