To reduce your bounce rate, you need to make sure your author platform is optimized to attract
agent and editor interest in those first critical seconds.
Agents and publishers are looking for various things, so when you look into attending a conference, make sure there will be
agents and editors interested in your genre.
Not exact matches
More important,
agents spend enormous amounts of time making
and cultivating trusting relationships with
editors, so they know just who would be most
interested in a particular type of work.
Here are my numbers: 37 queries
and submissions to
agents and editors, 36 eventual rejections, 10 expressions of
interest along the way, 4 writers» conferences, 2 years of trying to sell my book, 1 acceptance.
Since an
agent's main job is to become familiar with the
interests of acquiring
editors and executives at the major publishing houses,
and sell them books, it makes sense for most
agents to live in New York.
Of those 10 expressions of
interest 9 came from
agents and editors I met
and pitched at the Atlanta Writers Conference ---- only one came from a cold - call query.
Profiles of small publishers or
agents who are
interested in your genre (take them from websites — you don't have to bother the
agents and editors)
It's worth reading this sort of thing
and learning what
editors and agents are seeing too much of,
and what they're particularly
interested in acquiring.
I'm glad to see they are of
interest to
editors,
agents,
and publishers alike.
It will be considered «previously published» by the publishing establishment, so
agents and editors won't be
interested in it.
Writers» literary
agents are also intimate with the diverse
interests and backlists of
editors and publishers in your genre.
However, as I wrote HOPE ROAD
and worked with my
editor /
agent on editing it, I got more
and more
interested in the burgeoning ebook market.
Donald Maass, literary
agent and author of many books on writing, says, «Independent
editor Ray Rhamey's first - page checklist is an excellent yardstick for measuring what makes openings
interesting.»
If your
agent seems more worried about keeping their relationship with
editors and publishers than in looking after your best
interests, reconsider just who that
agent is serving.
Pro: Your short story collection can boost your author platform by generating
interest in all your writing projects, whether they're self - published or being submitted to
agents and editors.
Simply this:
Editors,
agents,
and readers of all ages are turning to the Internet
and social media sites like Facebook, Twitter, Tumblr,
and Pinterest to learn more about authors they're
interested in.
• Meet
and pitch new
agents and editors who will hopefully be
interested in receiving a query letter
and pages on my two novels
Writers hoping to catch the
interest of a traditional publishing house were being advised by
agents and editors and critique - group chatterboxes that a gigantic social media platform was an absolute necessity for success!
Traditionally published authors depend on it to gain the
interest of
agents and editors.
Be that as it may (
and don't start me down the Snooki path), presumably the literary
agents were gatekeepers of quality, who then passed their clients» wares to publishers, who further thinned the herd, resulting in a clumsy industry algorithm that spat out books at the opposite end of the sausage machine —
and the presumption was those books were competently written, would be of
interest to someone,
and were executed in a superior fashion; professional cover designers drew up art, professional
editors checked grammar
and punctuation
and spelling, etc..
Their support
and interest kept her writing, even in the years when
agents and editors sent back nothing but rejections.
Columbus is noted for O. Henry
and James Thurber, brooding gargoyles, «unicorns in gardens»,
and is home to a global community of authors,
editors, publishers, artists,
agents,
and others who share a serious
interest in fantastic literature
and art.
Integrating Tumblr, Twitter, Facebook,
and Pinterest into your website shows literary
agents and editors that you interact with fans
and can promote your writing to a built - in,
interested audience.
As literary
agents and editors read through your work, they might — if
interested — do a quick Google or Internet search on your name to see what comes up.
Most literary
agents,
editors,
and readers are
interested in getting to know the person behind the pen.
Agents have in - depth knowledge of the publishing industry
and will know which
editors / publishers are most likely to be
interested in your work.
Harder to land an
agent (many of whom won't even respond to queries they aren't
interested in anymore);
agents are flooded by queries; submissions from
agents take much longer to be evaluated by
editors; publishers are much more risk - averse
and seemingly chasing after the same trends.
Let potential
agents,
editors,
and readers get to know the real you: Share your
interests and -LSB-...]
EH: It's
interesting but when I started almost 20 years ago, there weren't so many
agents handling children's books,
and the YA / teen market was much smaller than it is now, so there were fewer kids book
agents and the author -
editor relationship was forged directly,
and there was a lot of intimacy in that.
Let potential
agents,
editors,
and readers get to know the real you: Share your
interests and inspirations.
An article in the March 12, 2008, Wall Street Journal describes Borders Bookstores decision to display books with front covers facing out poses several
interesting challenges
and opportunities for authors, literary
agents,
editors,
and publicists.
Many of the published authors I know have sought representation elsewhere, such as the US or UK, or have attracted the attention of
editors via competitions
and only become
agented once they have a publisher's
interest,
and yet several of these have become internationally best - selling authors — though their names continue to be barely recognised in Australia, except by devoted fans.
Finally, I must stress that the paths she enumerates are
interesting but if the writing is not good enough for someone to pay you, either the writing is not ready (almost universally the case) or it has not found the right
agent and editor.