Sentences with phrase «agent or editor at»

Many of the most successful indie published authors didn't even consider submitting to an agent or editor at a Big 5 publisher because the math doesn't add up.

Address your letter to a specific agent or editor at a specific agency or publisher.

You snagged one of those valuable 15 minute appointments with an agent or an editor at the writers conference.

Planning to pitch to an agent or editor at the Wyoming Writers Conference in Dubois?

Not exact matches

I tell my clients to (temporarily) disregard the feedback in literary agent rejection letters, because, if I'm working with the author in a long - term program to help them get literary agents reading their work, I know their writing is at a high enough level that they should give the manuscript a chance before making radical revisions and / or hiring an editor.

Depending on what your publisher has planned for your book (which an editor often shares with you and your agent 6 months to a year before your book launches), and depending on your budget, a freelance publicist (who usually works on fewer books at any time than an in - house publicist) can supplement or enhance what your in - house publicist will be doing.

Many Powerful Connections vs. Not So Much: One reason some agents only (or primarily) pitch projects to smaller publishers (see Big vs. Small Publishers above) is they don't have connections with acquisition editors and executives at the big publishers.

At this point, you will spend a few years, if you are lucky, trying to get an agent or editor to actually read some of your work.

There are many excellent free - lance developmental editors out there... some are former agents and / or editors at the Big Six.

I've often blogged about the importance of conferences, but usually I've talked about the fact that you meet editors and agents there, you learn how to behave like a professional, you get great training, and eventually you meet exactly the right agent or editor and make exactly the right pitch at the right time and you get the break you need and suddenly you get published.

Those of us without agents or editors barking at us to finish the next ouvre can really benefit from having to crank out a chapter every (insert your schedule here).

Many authors make contact with an editor or agent at a writing conference.

For newbies you are right as every new author needs to write, write, write for at least four years, time it takes to get a PhD in Letters before even submitting material to an agent or editor, but once any writer KNOWS intuitively that his or her novel is as good or better than James Patterson (pretty easy to better this guy) and he or she has had the novel vetted by a good independent editor / ghost writer like myself, the ebooks are the way to go, period.

Agents are not writers, agents can't help you rewrite, and they only know about six or seven editors and nothing at all about the new world of indie publiAgents are not writers, agents can't help you rewrite, and they only know about six or seven editors and nothing at all about the new world of indie publiagents can't help you rewrite, and they only know about six or seven editors and nothing at all about the new world of indie publishing.

In today's publishing world, more and more people are using freelance professional book editors, people unencumbered by the responsibilities of selling your book like agents and publishing house editors — whether to book chains, sales teams, or (in the case of agents) editors at publishing houses.

And, at the same time, you just might attract the attention of an agent or an editor who loves that you already have a built - in audience for your message.

It seemed that the industry's gatekeepers agents and editors and publishers didn't even look at your work unless you had amazing pedigree or a publication list a mile long.

If you don't know the name of an editor or a specific agent at an agency, address your envelope or email if that's what they prefer) to the Submissions Editor, and art samples to the Art Direditor or a specific agent at an agency, address your envelope or email if that's what they prefer) to the Submissions Editor, and art samples to the Art DirEditor, and art samples to the Art Director.

Member - At - Large Membership JOIN NOW Established literary agents and editors; heirs, executors or trustees of the estates of deceased authors; or attorneys and accountants representing authors; or publicists or other publishing professionals.

And finally, there were stories from aspiring authors who were at the beginning stages of their writing project and had yet to develop a relationship with either an agent or an editor.

Constant rewriting my work according to what I'd read on an agent's blog or heard an editor say at a conference.

Agents or editors that can't get a book past their in - house review committees may see an opportunity to provide services to a project they like at the e-book level.

Generally this teaser is the first step to conveying your novel idea to an editor or agent, whether in a query letter, proposal, or during a pitch session at a conference.

Then, when the time comes for you to query literary agents or submit your writing to literary journals, you'll have a substantial author platform built for agents and editors to look at and admire.

If you're relatively new at writing fiction for publication, whether you plan to publish your novel yourself or query agents, it's a good idea (essential, really) to get your manuscript edited by a respected freelance fiction editor, preferably one who reads and edits your genre.

For each amazingly handled book that went through that process, there were probably 100 books of the same calibre that didn't make it past the initial stages of securing an agent or getting their work looked at by acquiring editors.

However, agents and editors who seek authors with a platform do sometimes say quite pointedly, and even arbitrarily, «Well, we need to see at least 10,000 Facebook likes and 100,000 blog visits every month, or it's not worth us considering.»

When you sit down with an editor or agent (or ask to pitch them elsewhere at the conference), the opening salvo is a single sentence (or single breath) but after that — if the listener is interested in your work — there's going to be a conversation.

From misguided agents to cruel or absent editors to the callous slashing of midlist authors and backlist titles, the longer a writer is in the publishing world, the more chance of encountering at least one of these major (and sometimes career - freezing) hurdles.

Or worst of all, maybe the author drunkenly groped the agent / editor at a conference.

The ones with handwritten notes or encouragement to resubmit from editors and agents, and I had 7 full requests out at the time.

The key is sending the right editor or the right agent the right book idea at the right time.

When I started writing A Promise of Fire over five years ago now, there was a good chance this manuscript would end up like my other works of fiction: perhaps unfinished, never seen by anyone but me, definitely never presented to agents or editors and using up space on my hard drive in a folder with a misleading enough name that hopefully no one would ever open it and stumble upon my first (and sometimes hilarious) attempts at writing a novel.

Because their script was plucked off Amazon by the professional readers for publishers / agents, into the new slush pile and passed onto the senior or junior editor at an agency or publishing house.

If you have a self - published work you want to pitch or get critiqued but aren't sure whether the agent (s) / editor (s) you have in mind would be receptive, contact Atlanta Writers Conference Director George Weinstein at [email protected] and he will ask for you.

Admittedly, fewer people are being published at the moment in the same way as fewer houses or automobiles are being sold but that doesn't mean that the days of agents and publishers» editors are numbered.

And if — as many amateur or fraudulent agents do — the agent uses obviously unprofessional methods (submitting substandard or inappropriate material, «blitz» submitting to a dozen or more editors at once, using form letters, using the client's own query letter, including a «marketing» plan with a novel submission, «bundling» several queries in a single submission... the list goes on) the editor will immediately tag them as questionable and toss their submission aside.

At some conferences, you can even schedule time with an agent or an editor and get feedback on a few pages of your manuscript!

My first book is called «Dead and Buryd», and when I was writing it and had it at the finished stage (by that I mean I was finished with it — I couldn't go any further without the input of an editor or agent), I started looking around at my options.

At Edit Resource, we can take feedback from a developmental editor, agent, or in - house editor and turn a book around so it meets a publisher's needs.

For the uninitiated, a pitch is an author's brief, face - to - face verbal presentation to an agent or an editor like me, (usually at a writers conference) of what's wonderful, original, and saleable about your book and why you're the best person to write it.

It is much, much harder to get an editor to look at your book proposal or manuscript if you don't have a book agent.

For those writers seeking a traditional book deal, however, pitches may still be directed at an agent or acquisitions editor, either in writing or at face - to - face writers conferences with blind - date or ask - the - pro sessions.

You will have difficulty in getting an editor to look at your manuscript or book proposal if you don't have a literary agent.

When an agent, editor or other user comes to your website for the first time, you have about 10 seconds of their time before they decide to look at one of your links or simply move on.

Once the final meeting is over, I recommend author's try to look at their query letter and synopsis from the point of view of an editor or agent who doesn't know anything about the piece.

«Look at it from the viewpoint of a publishing consultant,» Ioannou says, «or freelance editor or designer or agent who has an author with a great project.

According to Margaret Fortune, in an article at Writer's Digest, the «synopsis [summary] is about one thing: Convincing an agent [or editor] to read your book.»

Midnight Publishing is an editing company based out of Phoenix, Arizona, and we've worked with writing clients around the country and internationally to assist in all manners of the writing and publication journey, from organizing your book's outline at the very beginning to a final proofread before self - publishing or querying agents, Midnight Publishing's editors and ghostwriters are here to help you in any way we can.

If you want your book to be published by a traditional publishing house, it is much, much harder to get an editor to look at your book proposal or manuscript if you don't have an agent.