It's our job to provide the expert guidance and advice it takes to give your book its best chance of getting discovered in the marketplace — not only by readers, reviewers and retailers, but by
agents and publishers as well.
They keep lists of legitimate
agents and publishers as well as calling scammers on their scams.
A website has become the starting point for research by readers,
agents and publishers as they try to find out more about the author.
Just as it refuses to recognize there is a problem having
agents and publishers as members of a «writers» organization, they refuse to recognize that there is now more than one path to legitimate publication for writers.
However, there are some positive signs for our indie clients to appreciate their book - promoting service: they welcome EPUB and MOBI format of which most of you certain possess; they seem to speak to independent author directly apart from
agent and publisher as they leave one button for you to proudly present who you are.
Not exact matches
As an example, I not only
agented this book myself to a major NYC - area
publisher, I brought in Jay
and his famous brand, I brought in Stephen M.R. Covey for the foreword,
and even wrote my own back cover (something most authors never get to do when working with a major
publisher).
You don't have enough king James scripture verses in it for any Christian
publisher to be interested in putting it out (I've talked to Christian
agents about this,
and they are
as frustrated
as the writers at how boxed in to rigid rules Christian books have to be)
and that is a sad fact about book publishing today.
Whether you're pitching your proposal to
agents, waiting
as your
agent pitches your proposal to
publishers, or standing by
as editors
and designers
and marketing departments work their magic on your manuscript, the process is long
and the wait can be frustrating.
You might want to roll up the sleeves to expose a watch (even if it's just a large Swatch)-- that might help convey to any potential
agents /
publishers there that you are professional),
and go with jewelry that is
as funky / creative
as you're comfortable with.
Despite dutifully following the suggestions delineated in Writer's Market, widely accepted
as the bible of struggling authors, all I have to show for my efforts to date is a big pile of rejection letters from
publishers and agents.
Drawing on university training
and journalism experience
as a copy editor,
as well
as more than twenty - five years
as a professional writer, editor, photographer, designer
and videographer, I can give you the assistance you need to self - publish your book or get your manuscript ready to submit to
agents and publishers.
When you're writing a query letter, you're basically asking book
agents and publishers to invest in you (their time
and money)
as a «partner» to help your book become successful.
The struggle through
agent to
publisher to hard copy is becoming almost more than it's worth,
and with about
as much chance of getting there
as winning the lottery.
As a a literary
agent, I find talent using the Big Four networks,
and like many
publishers I also scout talent using keywords typed in the search box to find authors of interesting blogs.
Now I could go on
and on about the illusionary «support» traditional
publishers and agents say they give writers, but anyone who has dealt with that system for any length of time knows that's just gotten worse
as well in the last ten years.
Agents will have to became Writers Scouts, do their own research rather that being the writers search for the right Agent,
and Publishers should start thinking
as professional football teams, making their authors the best, supporting
and coaching them to become even better,
and marketing their authors like mad.
Dystel & Goderich Literary Management was founded in 1994 by Jane Dystel, who has been a respected figure in publishing for over 30 years — first
as an editor, then
as a
publisher,
and finally
as a savvy
and successful
agent.
And as the stock report for one major company came out and said, agents work for the publishe
And as the stock report for one major company came out
and said, agents work for the publishe
and said,
agents work for the
publishers.
Forums for authors with traditional publishing aspirations have long been peppered with threads about the query grind, the rejection letters
and emails that pile up from
agents and publishers,
and the desire to quit
and give up on the hopes of ever making it
as a writer.
Literary
agent Julie Gwinn of The Seymour Agency most recently served
as Marketing Manager for the Christian Living line at Abingdon Press
and before that served
as Trade Book Marketing Manager
and then Fiction
Publisher for the Pure Enjoyment line at B&H Publishing Group, a Division of LifeWay Christian Resources.
In this model, «
agents» (Apple, Barnes & Noble, etc.) act
as liaison between
publisher and consumer,
and they take a cut of the final retail price.
As you finish your work and get it ready to send to an agent or a publisher — or as you prepare to self - publish, I'll work with you on making your book grea
As you finish your work
and get it ready to send to an
agent or a
publisher — or
as you prepare to self - publish, I'll work with you on making your book grea
as you prepare to self - publish, I'll work with you on making your book great.
Me, when I finally have a finished novel I will write it
as many times
as it takes to get a traditional
agent and a traditional
publisher, because that's the only way I'll ever know in my heart that my writing really made the cut.
And according to
agent Meredith Barnes, some agencies are indeed charging way too much for the service — especially when they pay themselves 15 % to «represent» the client to themselves
as «
publishers» who get another hefty cut — often over 50 %.
Once when all the money from publishing books starts going directly to writers (
and not various literary
agents and publishers), writing will become profitable enough
and more people will choose that
as a profession.
As you likely already know... it's extremely difficult to get an
agent or
publisher for a novella... short story... or collection of short stories... unless you're already a well - published
and / or award - winning author.
Anyone interested in what
agents think about social media should read Social Media for Authors — As It Relates to Literary Agents and Publi
agents think about social media should read Social Media for Authors —
As It Relates to Literary
Agents and Publi
Agents and Publishers.
INscribe Digital offers flexible
and scalable solutions for
publishers of all sizes,
as well
as agents and authors, to guide them through the constantly evolving digital publishing marketplace.
Most book manuscripts end up unwanted
and unread on
publishers»
and agents» slush piles,
and the majority of those that do make it into print sell fewer than 1,000 copies... It's not even
as if writing is that glamorous.
I don't need to pay a
publisher and agent more than I get, to do something I can do just
as well.
A seasoned team of book industry professionals provides strategic publishing advice;
and, through strong digital partners, INscribe offers flexible
and scalable solutions for
publishers of all sizes,
as well
as agents and authors.
As a literary
agent, I've negotiated 200 + contracts with more than 20
publishers,
and worked with more than 100 authors to bring their books to publication
and build their careers.
``... what I would say about
publishers and agents is two things: the first is that they act
as guardians of good taste in a way, helping get important (
and not - so - important) books out there...»
Mark is former literary
agent and former AAR member,
as well
as the former Marketing & Licensing manager of a well - known
publisher.
I had an
agent and wonderful editors, but the truth is that no one cares about your career
as much
as you,
and if you're not selling at the top of your game, a
publisher isn't going to expend a lot of time, effort,
and money helping an author raise that game.
Since you, the fiction writer, are not dealing with the
publisher directly
as you can do these days, your royalty statement
and any money with it FIRST goes to an
agent in the country of the
publisher.
They also discussed why gatekeepers such
as agents and publishers denied books.
For centuries,
agents and publishers have acted
as gatekeeper of the printed word that gives authors access to a potential audience of millions.
Assuming an
agent /
publisher's vetting, continue the print career (if you have one), while attempting to negotiate for your erights, or at least a higher ebook royalty... WHILE at the same time using ebooks to get out previous work, or recent work that went nowhere with your
agent but was considered salable (
as with my thriller SAVAGE NIGHTS, now on Kindle
and soon all the formats),
and also perhaps some new work targeted for ebook format only.
While I applaud your willingness to embrace self - publishing, what I would say about
publishers and agents is two things: the first is that they act
as guardians of good taste in a way, helping get important (
and not - so - important) books out there,
and secondly, they are crucial
as editors.
Completed reviews run on the BlueInk website, which has special features designed to help
publishers and literary
agents find promising new material
and to help librarians
and booksellers discover titles their patrons will be interested in, such
as those written by local authors or set in their regions.
As you noted above with
publishers, negotiability is going to depend on how badly the parties want the deal (i.e. if an
agent or
publisher really wants the work
and the author has options, then the
agent or
publisher is likely to be willing to negotiate the terms of the contract).
Prior to becoming an
agent Karen had 25 years of corporate publishing experience
as an editor, editor - in - chief
and publisher.
Traditional
publishers use editors
and agents as gatekeepers.
In addition to the five years he spent
as a literary
agent, Mark Malatesta also spent several years
as the Marketing & Licensing Manager of Blue Mountain Arts (the book
and gift
publisher that invented e-greetings, then sold their e-card division for close to $ 1 billion at the height of the dot com bubble).
As the Founder
and CEO of Literary Agent Undercover, Mark Malatesta is helping authors around the world, writing in all genres (fiction, nonfiction,
and children's books), get top literary
agents,
publishers,
and book deals.
The Christian Writer's Market Guide has an extensive list of
publishers that includes details such
as which ones require
agents and which are subsidy
publishers.
In 2008, she joined Literary Ventures Fund, where she worked
as a marketing, publicity
and foreign rights consultant with various authors,
agents,
and publishers.
Meet
as many authors
and editors
and publishers and agents as you can, take them to coffee if you can,
and ask them every question that you can (do not ask them to read your book, help you get a contract, or help you sell it — just ask them to share what they know,
and thank them with coffee
and a nice hand - written note).
«Apple decided to offer the
Publisher Defendants the opportunity to move from a wholesale model — where a publisher receives its designated wholesale price for each e-book and the retailer sets the retail price — to an agency model, where a publisher sets the retail price and the retailer sells the e-book as its agen
Publisher Defendants the opportunity to move from a wholesale model — where a
publisher receives its designated wholesale price for each e-book and the retailer sets the retail price — to an agency model, where a publisher sets the retail price and the retailer sells the e-book as its agen
publisher receives its designated wholesale price for each e-book
and the retailer sets the retail price — to an agency model, where a
publisher sets the retail price and the retailer sells the e-book as its agen
publisher sets the retail price
and the retailer sells the e-book
as its
agent.»