These days, though,
agents and publishers expect a manuscript to be ready for market, and even agents will tell you to hire a reputable editor.
Due to the competitive nature of the world of bookselling, most literary
agents and publishers expect any writer they represent (including a debut novelist) already to have a platform, consisting of a website, a social media presence, followers and a «brand» — an image or identity already known, a message or business already defined.
Not exact matches
So, look favorably on
agents who: are willing to get on the phone; clearly indicate how they work
and what you can
expect regarding their communication;
and assure you they'll let you know which
publishers they've submitted your work to.
You see, a book needs to come to life with its author knowing what audience is
expected to read it, or else most
publishers (
and literary
agents) won't be interested in it.
3 — You
expect to land an
agent,
and once that happens, a
publisher will sign you, then you'll be making some serious money).
If the economics are getting better
and the pendulum is starting to swing back in the traditional publishing market so that a new author can have faith that they can interest an
agent / traditional
publisher,
and can
expect reasonable editing
and promotional assistance / training, then traditional publishing definitely has it advantages.
With most
agents, editors
and publishers expecting new authors to have an already established author's platform, it simply makes more sense to build that platform with real readers who enjoy your stuff before considering the traditional publishing route.
Bloomsbury, an independent
publisher whose home is the UK, has a wonderful Writer's Area with articles about how to submit materials, approach a
publisher, what you can
expect an
agent to do for you,
and even lists
agents from the US
and UK / Ireland.
As literary
agents and publishers begin to explore the options that digital reading has to offer, more ebook sales can be
expected.
Just mere hours ago I told another author «The days of
publishers and agents expecting writers to bend over backwards for their every whim are over.
But from what your
agent has requested I'd recommend that before sending anything back to him, you consider hiring a professional developmental editor to help you put together a proper proposal
and, most importantly, to work with you on revising the manuscript to develop the narrative arc, your character
and other elements as necessary to bring it to the level an
agent and publisher would
expect.
An
agent or
publisher will
expect the writer to know who will buy the book
and not the other way round.
· Check websites for
agents and publishers which often contain what is
expected in a query or submission letter.
If this is becoming the new norm,
publishers asking for more rights, paying smaller advances, taking forever to make a decision on buying a manuscript,
and delivering less marketing
and promotion then
expecting authors /
agents to pick up the slack, I'm not sure how I'm going to keep convincing my hybrid authors to stay the course with traditional
publishers when they are making more money self - publishing.
Usually writers were driven so crazy by
publisher -
agent - editor demands that the writers had to leave to maintain sanity... The writing to order happens in indie as well, but writers impose that on themselves... I never
expected, though, writers to burn out because they were learning
and trying so many things.