As such, they will light a fire under
agents and publishers when you reveal them.
Not exact matches
As an example, I not only
agented this book myself to a major NYC - area
publisher, I brought in Jay
and his famous brand, I brought in Stephen M.R. Covey for the foreword,
and even wrote my own back cover (something most authors never get to do
when working with a major
publisher).
When it comes time to pitch the concept of your book - or a full length manuscript - make sure you get it into the hands of the
agents and publishers who would be most drawn to
and excited about your content.
When you're writing a query letter, you're basically asking book
agents and publishers to invest in you (their time
and money) as a «partner» to help your book become successful.
An author who finds an
agent and a
publisher quickly
and when her book debuts it hits # 1 on the NY Times Bestseller List
and then gets turned into a movie
and she becomes an overnight success story.
So unless you are talking with every one of your
publishers,
and know exactly
when every penny is coming to you
and how much, your «Perfect»
agent will stay in business on your back.
And,
when it comes to trying to get a book
agent or
publisher, talking about them.
And,
Publishers Marketplace only gives literary
agents 21 book genres or categories to choose from when specifying areas of interest (in contrast, our Directory of Book Agents gives you 116 book genres or categories to choose
agents 21 book genres or categories to choose from
when specifying areas of interest (in contrast, our Directory of Book
Agents gives you 116 book genres or categories to choose
Agents gives you 116 book genres or categories to choose from).
Me,
when I finally have a finished novel I will write it as many times as it takes to get a traditional
agent and a traditional
publisher, because that's the only way I'll ever know in my heart that my writing really made the cut.
Agents are slipping faster than traditional
publishers and will take a ton of writers» money with them
when they go down.
When you professionally self - publish
and build a following, you can get an
agent and publisher to come to you.
And according to
agent Meredith Barnes, some agencies are indeed charging way too much for the service — especially
when they pay themselves 15 % to «represent» the client to themselves as «
publishers» who get another hefty cut — often over 50 %.
When you enter the Directory of Literary
Agents ™, you'll also get free, instant access to our article
and audio library with additional information to help you get a literary
agent,
publisher,
and book deal.
Once
when all the money from publishing books starts going directly to writers (
and not various literary
agents and publishers), writing will become profitable enough
and more people will choose that as a profession.
«
When one considers the ever - increasing cost
and futility of chasing after
agents and publishers today, AMC Premium is certainly a worthwhile investment at pennies a day for those who choose to self - publish.
I applaud those who self - publish, but
when my book is complete I want to find an
agent and publisher.
«The world will have peace
when the last literary
agent chokes on the last query letter
and the last
publisher is strangled by the last thirty pages of double spaced manuscript.»
When I get paid for those, the money comes from the German
publisher to my
agent and then to me, instead of going through DAW.
When I talk to my friends who are
agents and publishers, they all say they give authors advice
and documents that walk them through the online marketing opportunities
and timelines.
When literary
agents and publishers give you advice about how to write a query, they can only give you their personal perspective.
She did become my confidante
and mentor,
and when the timing was right, I was thrilled that she jumped at the chance to present me to Lisa Hagan, literary
agent, who signed me on the spot (this was after I self - published my first three books, developed a large author platform, sexual abuse advocacy, signed with a (now - defunct) hybrid
publisher, wrote another book, directed an imprint,
and have two works in progress
and another series in the hopper).
Personally, I would advise paying for a professional edit or two to give your novel a leg up
when it reaches potential
agents and / or
publishers.
Third, you have to have a blurb ready
when you send the book to an
agent —
and your elevator pitch, etc. —
and some
publishers actually want an author's input on such things.
How to Secure a Traditional Book Deal by Self - Publishing (Jane Friedman at Writer Unboxed): «It's not any easier to interest an
agent or
publisher when you're self - published,
and since new authors are more likely to put out a low - quality effort (they rush, they don't sufficiently invest, they don't know their audience), chances are even lower their book will get picked up.»
When I was an active book
agent I got a full manuscript back in the mail from a
publisher with a rejection letter (yes, book
agents get them too)
and an apology... fourteen months after I submitted the manuscript.
▪ Michael J. Sullivan wrote the «Riyira Revelation» fantasy,
and when his
agent couldn't find a
publisher, he self - published through Ridan Publishing, a company started by his wife.
And the great news is, you don't have to have an
agent when querying most independent
publishers.
When they don't get gratification from
agents and publishers, they say the system is broken
and turn to VP.
A small break came in the impasse
when other groups besides
publishers and aggregators began making ebooks available to libraries, like authors, author groups,
agents, booksellers,
and smaller
publishers.
Sometimes it's enough to make you pull out your hair, especially
when you find an
agent (or
publisher or editor) who represents what you write
and is looking to build his or her list.
When you are preparing to submit to
publishers we recommend you join www.writing.ie as an Emerging Writer Member (only $ 35 per year)-- this gives you a webpage to link to in your submissions, it demonstrates how serious you are about writing
and it gives you exposure to the editors
and agents who regularly visit the site.
Worse, authors are social networking to connect with book designers, literary
agents,
publishers,
and others in the book publishing industry to move forward their book publishing project
when, unfortunately, their books aren't ready for publication.
When publishers and agents choose to blur the lines between the two sides of the industry, opponents begin grasping at straws to discredit the professionals who are working to put more books into the hands of the readers
and to further the careers of the authors.
Like more
and more
publishers, Amazon Publishing is taking a gamble on authors who've already enjoyed self - publishing success, a far cry from only a handful of years ago
when a history of self - publishing pretty much sealed an author's fate as far as traditional
publishers and literary
agents were concerned.
I definitely see myself as an entrepreneur now that I've gone indie, where as
when I was still querying
agents and publishers, I thought of myself as applying for a job.
Today more than ever before
agents and publishers are seriously looking to those who have an established platform or brand
and those already selling books
and this acts as a huge filter for them
when making decisions.
This is why I choose to self - publish... well,
and the fact that
when I wrote CICADA, most
agents and publishers were looking for vampire books.
When an
agent a number of years back got drunk
and pushed the
publisher of Bantam Books into a closet, over three quarters of her clients fired her the next day.
Or, if your
publisher is truly dropping the ball,
and you need someone to hold their feet to the fire, talk to your
agent — they should have a good idea of what can be reasonably asked for,
and when,
and how to make a request that maintains a good working relationship.
And a distinctive narrative voice gives writers a real edge
when they're trying to get a literary
agent, or their
agent is trying to get them a
publisher.
It still amazes me how
publishers and agents can cry foul
when Amazon — or any other entity for that matter — encroaches on what they see as their territory.
And when this entire agent - as - publisher started to come in with Richard Curtis back ten or more years ago, I warned anyone who would listen away from the idea, and when it started to pick up as agents got more and more desperate this last year and more agents said they would become publishers, I got more public with my warnings to write
And when this entire
agent - as -
publisher started to come in with Richard Curtis back ten or more years ago, I warned anyone who would listen away from the idea,
and when it started to pick up as agents got more and more desperate this last year and more agents said they would become publishers, I got more public with my warnings to write
and when it started to pick up as
agents got more
and more desperate this last year and more agents said they would become publishers, I got more public with my warnings to write
and more desperate this last year
and more agents said they would become publishers, I got more public with my warnings to write
and more
agents said they would become
publishers, I got more public with my warnings to writers.
So, you now have better access to editors for selling books, better access to overseas
publishers, no need for
agents on contracts
and negotiations,
and a way to get your books directly to readers
when you decide that's a good way to go with a project.
When the dust settles, I hope the result is more good books, but the pain of the recent years among authors,
agents and publishers is going to continue for a few more years at least.
I haven't given up trying to find an
agent to represent my novel to a big name
publisher (I have queries
and partials out) but
when I allow myself to read
agent statistics, I tend to question whether I ought to face those facts with my head rather than my heart.
As for the gatekeeper, the acquisition editors
and the
agents, that model imploded a long time ago
when the
publishers basically outsourced the slush pile to the
agents, thus turning them into freelance employees of the
publisher and away from being the advocate for writers
and their work.
Publishers and agents want to know
when they'll make back their investment in you
and your work.
I know there are many fantasy writers in the Writer Unboxed community,
and perhaps you wonder how your particular kind of fantasy can capture the interest of
publishers and agents in an age
when the market often seems flooded with competitors.
When most writers talk about publishing a book, they are usually thinking about traditional publishing — getting an
agent,
and then having your book sold to a
publisher for an advance.
Quite honestly,
when you write a book
and are seeking a book deal with a traditional
publisher, or you're trying to get an
agent, you're in the publishing version of Shark Tank.