Sentences with phrase «agents or editors in»

You may have to spend a decent chunk of change to go to a conference that features agents or editors in your genre, but you'll get so much more out of a face - to - face meeting than you will from sending a letter.

Add $ 29 — to secure a 10 - minute one - on - one meeting with any of our literary agents or editors in attendance.

-- Tips, steps, resources on traditional publishing: how to find the right publisher, how to find a literary agent; how to pitch an agent or editor in person or in writing;

I don't need an agent or editor in London (or New York or L.A.) to choose for me what I'm able to read, thank you.

Not exact matches

I tell my clients to (temporarily) disregard the feedback in literary agent rejection letters, because, if I'm working with the author in a long - term program to help them get literary agents reading their work, I know their writing is at a high enough level that they should give the manuscript a chance before making radical revisions and / or hiring an editor.

, comfortable clothes that still have a professional vibe (you never know when you may have the opportunity to pitch your book to an agent or editor — even in the line for a Starbucks!)

Depending on what your publisher has planned for your book (which an editor often shares with you and your agent 6 months to a year before your book launches), and depending on your budget, a freelance publicist (who usually works on fewer books at any time than an in - house publicist) can supplement or enhance what your in - house publicist will be doing.

In the unlikely event that we are unable to schedule you with your first choice agent or editor we will reach out for your second and third choices.

As for the precipitous drop in advances, ask anybody in the business: author, agent, or editor.

It's a brutal system, and rejection is woven into the seams of the publishing industry in general (whether it's agents, editors of publishing houses or readers in the Amazon reviews, someone is going to tear your book apart).

But I was also visualizing flap copy, which I know agents and editors like to have — a sense of a logline or tagline that will crystalize the story in a reader's mind.

Or that I sold Superman stories — to Julius Schwartz, the editor who was Ray Bradbury's agent — when I was in college?)

Even though most editors were still buying from writers without agents, or manuscripts from writers where the agent had not sent it in.

Most groups offer opportunities to hear from agents and editors in the field whether it be through articles, conferences or online chats.

The term first came from fan fiction, and it means a person who reads your work - in - progress (or «WIP») when you, the writer or «alpha,» are ready for feedback — before it goes into final draft to be sent to your fanfic page, editor, or agent.

Most professional writers (or editors or agents) can tell in about three paragraphs what your level of skill is.

As noted in last week's post, if a writer takes to social media to do a hatchet job on an agent or editor and doesn't back up what they are saying, well, that author comes across as a prima donna and only does himself harm.

• When ready to submit the proposal itself will be single spaced, but the sample chapters should be placed in the proposal retaining their formatting so the editor or agent can insure the manuscript formatting is ready to go.

Profiles of small publishers or agents who are interested in your genre (take them from websites — you don't have to bother the agents and editors)

For newbies you are right as every new author needs to write, write, write for at least four years, time it takes to get a PhD in Letters before even submitting material to an agent or editor, but once any writer KNOWS intuitively that his or her novel is as good or better than James Patterson (pretty easy to better this guy) and he or she has had the novel vetted by a good independent editor / ghost writer like myself, the ebooks are the way to go, period.

Some writer or editor or agent telling the young writer to do something as if that something was set in stone.

Editors, authors, agents, and publishers may submit more than one book, in the same categories or different ones, but an entry fee is charged for each book entered.

Each year, hundreds of veteran authors and those just learning the craft of Christian fiction gather in a setting like this to hear skilled instructors, inspiring keynoters... to gain from the insights of industry professionals... to interact with other writers... and to present their ideas to agents and editors looking for stories like theirs, or to mentors who can help them move forward in their writing career.If you write Christian fiction — or want to learn how — the ACFW conference is an investment worth making.

In today's publishing world, more and more people are using freelance professional book editors, people unencumbered by the responsibilities of selling your book like agents and publishing house editors — whether to book chains, sales teams, or (in the case of agents) editors at publishing houseIn today's publishing world, more and more people are using freelance professional book editors, people unencumbered by the responsibilities of selling your book like agents and publishing house editors — whether to book chains, sales teams, or (in the case of agents) editors at publishing housein the case of agents) editors at publishing houses.

If your freelance editor attends conferences or is a member of any of these organizations, it shows that he or she is in touch with editors, agents, and writers, and knows what the current trends are.

* Top literary agents have the ability to navigate any challenges that come up during the pre-publication, publication, or post-publication process without losing their cool or damaging relationships: i.e. editors that are difficult, fired, laid - off, or decide to retire; bad book cover designers; your book being cut from the publisher's list before it's even published; bad reviews or publicity; poor book sales; changes in the industry or marketplace; etc..

You say that «vetting» doesn't have to be done by editors or agents, and vetting in writer's groups counts, so why would you assume that «most» self - published writers do not belong to a writer's group?

If a title changes, is it the agent, editor, or someone in house who suggests the new one?

Like most writers, I had always wanted the validation of seeing my book in a physical bookstore and having an agent or editor tell me they loved and believed in my work.

And, at the same time, you just might attract the attention of an agent or an editor who loves that you already have a built - in audience for your message.

But in this case I'm not referring to just «anything,» I'm talking about submitting to an agent, editor or publisher.

I don't need to write a specific kind of story because of contract, or the kind of story my agent needs in order to interest an acquisitions editor.

In this process over the next five to ten years, the slush pile will almost vanish as we know it now and editors will go mostly to solicited novels, either from agents who have published their clients work or from indie publishers.

No matter what anyone tells you (like that agent you've been talking to in Wichita, KS), it's much easier for a New York literary agent to meet (or be introduced to) editors and publishers.

For two, three or four days, you gather with other readers, writers, librarians, book dealers, literary agents, editors, magazine publishers — all of whom are seriously in love with the mystery and crime genre.

Author background: (1 to 2 pages) In this section, you tell the agent or editor who you are and why you are the best person to write this book.

Book coaches often have experience writing their own book (s) and it is helpful if they also have experience working in the publishing industry either as a content editor, agent, or acquisitions editor.

Planning to pitch to an agent or editor at the Wyoming Writers Conference in Dubois?

The goal of the coaching relationship is to help aspiring authors reach their goals, navigate the publishing industry, and if desired coach them in the process of finding an agent or an editor.

Agents or editors that can't get a book past their in - house review committees may see an opportunity to provide services to a project they like at the e-book level.

You'll find designers, publishers, authors, marketers, agents, editors, and just about everyone else connected to self - publishing in one way or another that I follow.

Generally this teaser is the first step to conveying your novel idea to an editor or agent, whether in a query letter, proposal, or during a pitch session at a conference.

Would anyone (like literary agents, editors, family, or friends) be interested in going to your writer website?

It's you and your story packaged up in one page, sent off to that coveted publisher, editor, or agent of your choice.

If we're traditionally published, we might have help from our agent, editor, or publisher in coming up with the right messaging for our story (or we might not).

How to format your manuscript for an agent or editor so that it won't be tossed away on sight... in other words, how to use the industry standard to let people know that you mean business.

In the next month or two, we will write a blog post about how to write a strong non-fiction query letter that will get you noticed by agents and editors.

Pro: Your short story collection can boost your author platform by generating interest in all your writing projects, whether they're self - published or being submitted to agents and editors.

Just like with literary agents, it makes a big difference if a publicist has strong relationships with the editors they're pitching, since it can often mean the difference between ending up in the slush pile or being bumped up to top - priority.

When you sit down with an editor or agent (or ask to pitch them elsewhere at the conference), the opening salvo is a single sentence (or single breath) but after that — if the listener is interested in your work — there's going to be a conversation.