Sentences with phrase «aggressive posture with»

Astorino used his time to chide the business community for not taking a more aggressive posture with Albany and state government when it comes to taxes and regulations.

Not exact matches

Clearly the two little guys have been instrumental in driving a higher level of competition among wireless carriers with aggressive promotions, and I fully expect them to maintain that posture.

* TRUMP PREPARES FOR WAR WITH MUELLER: The Post reports that Ty Cobb's exit from Trump's legal team signals a new, much more aggressive posture towards the special counsel, including perhaps dodging a sit - down interview:

You false civility juxtaposed with the name trading seems to evoke some passive aggressive posture.

As Trump's posture with North Korea becomes aggressive, others within the administration have called for a peaceful and diplomatic solution to the crisis.

It has a Swedish personality but with the design elements of other world class vehicles, that is, a broad - shouldered posture and high aggressive stance with an attractive, efficient and aerodynamic look.

And as you may suspect, even in a room filled with financial planners, achieving a more aggressive portfolio posture was, perhaps, the farthest from anyone's mind.

• decreased appetite • less alert and quieter than normal • hide to avoid being with other animals or people • stiff body movements and slow to move • abnormal posture to reduce its discomfort • panting, shaking, dilated pupils • becomes more aggressive • stops playing with other pets • inappropriate urination or defecation

If they feel you are threatened they will intervene with loud barking and an aggressive posture, no matter the size of the threat.

An aggressive dog's posture typically includes leaning or lunging forward, possibly bending the legs to put the belly close to the ground, and the tail level with the body, held still.

Typical body postures associated with fearful or defensive aggression are a combination of defensive signals (such as crouching, flattening the ears, tucking the tail, leaning away or rolling onto the side, and pupil dilation) and aggressive signals (such as hissing and spitting, piloerection, growling, swatting, biting and scratching).

The easiest way to recognize an aggressive posture is to note any changes from normal along with one or more of the signs listed below.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Executed in a similarly green palette, In the Park depicts a nude girl whose posture appears at once fearful and aggressive, and vies with the dramatic lighting for unlocking a narrative, which seems to hover between the subconscious and the conscious.

IMO, the unproductive and endless zero sum gain / scorched - earth rhetoric (i.e., same ol' same ol' battering each other upside the head with oppositional positions) lies in the all too huan psychological tendency to engage in identity - aggressive and identity - defensive posturing on heavily polarized issues that overlap social, political, and cultural identifications.

Furthermore, I believe a more aggressive posture by CREA with the CB might have delivered that message.