«Their Finest» is small - scale, as WWII movies go, but that gives you time to appreciate its characters (including Bill Nighy as a demanding
aging actor with hidden softness) and the moments it captures related to the everyday horrors of war — the inconvenience / tragedy of crew members not showing up on set because they were killed in the Blitz, for example.
Not exact matches
There's a lot to unpack here, but here's the headline for the presentation: «The Eisenhower National Highway System for the Information
Age» — a secure, nationwide 5G network that would reflect American values and counter China's «dominant position in the manufacture and operation of network infrastructure,» along
with China's position as the «dominant malicious
actor in the Information Domain.»
Where Freud in the hands of an Emersonian like Richard Rorty becomes a fertility god, democratizing genius and
with it the good life, Rieff — whom Rorty cites on the democratization of genius — shows how the rise of Nietzschean «
actor's faith» in democratic
ages is dreadfully inimical to the good life.
She is featured in The Longevity Book, published this spring and co-authored by
actor Cameron Diaz and writer Sandra Bark, which deals
with the latest
aging research.
«When Ryan talked about doing this three years ago, before we actually got the ball rolling last year, I would joke
with him saying, «Hey man, I would love to do this, but if you don't want me to do it
with you, I defy you to find another guy who looks kind of like him, who's in the same
age range, who's in your Rolodex of
actors.
With this new blog platform they now hope to reach out further and connect with actors of all levels, types and a
With this new blog platform they now hope to reach out further and connect
with actors of all levels, types and a
with actors of all levels, types and
ages.
Lesly has been obsessed
with actors and acting ever since she put on her pink tutu and fell off a stage into the arms of a waiting audience at the
age of three.
In new teaser for her
age of an article regarding dating his co-actress maggie She's inmy psych 2006 — 2014 cast of psych stars miles hezier were def a During this exclusive phone interview
with Collider,
actor / producer / writer / director James Roday, who is ultra-charming and obviously very passionate about
Stars who date younger men — Robin Wright, 47, has found love
with 33 - year - old
actor Ben Foster, and she knows their
age difference has raised Dating and relationships issues between younger men and older women.
At the
age of two, his now 14 - year - old son James was diagnosed
with Colin James Farrell (born 31 May 1976) is an Irish
actor.
Based on Philip Roth's novel, The Humbling tells the story of a legendary stage
actor who has an affair
with a lesbian woman half his
age at a secluded country house in Connecticut.
The scenes
with Spacey crackle — Hoult leans into the hero's attractive obnoxiousness and the older
actor responds
with one of his looser, funnier performances — and Zoey Deutch is unexpectedly good as Oona O'Neill, the brittle, sad - eyed debutante who toyed
with the young writer before throwing him over to marry the
aging Charlie Chaplin.
With dogged determination, the producers continued onward with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête - à - tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his car
With dogged determination, the producers continued onward
with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête - à - tête between Shatner and Ricardo Montalban.Shatner had to wrestle with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his car
with Star Trek II: The Wrath of Khan (1982), at which point fans finally flocked to the series, rallying behind the film's crisp space battles and the melodramatic tête - à - tête between Shatner and Ricardo Montalban.Shatner had to wrestle
with his advancing age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the actor got to indulge in his more whimsical side, which has since characterized his car
with his advancing
age and the deaths of several characters in Star Trek II and Star Trek III: The Search for Spock (1984), but by Star Trek IV: The Voyage Home (1986), the
actor got to indulge in his more whimsical side, which has since characterized his career.
To begin
with, how painful is it to watch
actors as intelligent as Naomi Watts and Robin Wright mug their way through the story of two hard - bodied middle -
aged Australian besties hitting the sack
with one another's teenaged sons?
Pairing the young star
with two comic
actors 10 years his senior (Jack Black and Steve Zahn), Saving Silverman followed in early 2001;
with it, Biggs completed a triumverate of critical and commercial failures.Finding himself in need of a comeback at the ripe old
age of 23, Biggs seemed poised to do just that later in the year, beginning
with his reprisal of the bumbling post-adolescent Jim in American Pie 2.
Just when you thought Matthew McConaughey had settled into pre-retirement content to play the (dry -
aged) beefcake in a string of dippy romantic comedies, the
actor comes roaring back
with some real acting.
«In the Company of Character» (10:23) celebrates the cast, starting
with Day - Lewis» complete immersion and moving to the supporting
actors, including Field (who acknowledges her
age and explains how she got this job seemingly out of nowhere) and others, who describe their research and involvement.
British
actor / comedian Ayoade (The IT Crowd) impressed
with his 2011 directorial debut Submarine, a quirky coming - of -
age comedy not unlike the work of Wes Anderson but different enough to stake out its own ground.
The plot plays out like a very bad Silver
Age comic,
with a cringeworthy heavy - handed «Captain Planet» - esque anti-nuclear weapon message, beyond cheesy plot consisting of multiple meaningless subplots, mediocre effects - driven action sequences that induce laughter rather than suspense, and
actors who seem more disinterested than the next.
Its a must see little Indie movie
with amazing performances from James, Melissa and Kristen who at times steals the screen
with her raw no holds barred acting, old school
actors even though Kristen is young in
age her performance is extremely mature.
It marked the director's first collaboration
with Grégoire Colin, a dark - eyed, arresting young
actor whom Denis would also employ to great effect in both Nénette et Boni and Beau Travail.The former film, made in 1996, was another coming - of -
age drama that centered on the relationship between a lovelorn young man (Colin) and his rebellious, pregnant 15 - year - old sister (Alice Houri).
He became an
actor at a young
age starting off
with guest appearances on shows such as CSI and Close to Home.
Youthful character
actor Fisher Stevens was first seen on Broadway at
age 19 in Harvey Fierstein's Torch Song Trilogy; he followed this
with a plum role in Neil Simon's Brighton Beach Memoirs.
Meanwhile, we'll endure his miscasting
with modest disgruntlement, taking our measure of the
actor as he
ages into appropriate roles.
«Early Interviews» - which shines the spotlight on teenaged Maltin's interactions
with movie stars, directors, and movers and shakers in Hollywood's Golden
Age, including Warner Bros. sexy, wise - cracking pre-Code siren Joan Blondell, Emmy - winning and Oscar - nominated
actor Burgess Meredith, early screen heartthrob George O'Brien, and Cecil B. DeMille's right - hand - man Henry Wilcoxon, among others.
It is a little jarring when more recognizable older
actors like Dennis Farina and Ted Danson appear, but both
actors turn in dialed - down, natural performances; as
with Hanks, we are reminded that men of all
ages and backgrounds were called upon to fight in WWII.
The story of an
aging French
actor who - after learning his family has been killed in an accident - still carries on
with his career, enjoys his morning espresso and newspaper, appreciates the endless beauty that is Paris, and takes a stand against the philistinism that plagues his professional life.
Teller is currently on the press circuit in America
with co-star Shailene Woodley to promote James Ponsoldt's coming - of -
age drama THE SPECTACULAR NOW which has been winning rave reviews since it premiered at Sundance in January and walked away
with the Special Jury Prize for the two young
actors.
The ranks of weathered, worked - over dudes have dwindled a bit, though you can still find a few: Tommy Lee Jones shows no sign of slowing down, Jeff Bridges finally
aged out of pretty - boy territory and became the crusty character
actor he was meant to be, and we'll be checking back
with you in a decade, Josh Brolin.
Each year, this select group of film enthusiasts, filmmakers, professionals, academics and students of varying
ages and backgrounds watches over 250 films and participates in illuminating discussions
with directors,
actors, producers and screenwriters before announcing their selections for the best work of the year in early December prior to an annual ceremony in January.
This film's premise and the
age of the
actors won't make it a popular pick
with teens.
was surprised just how good this film is.The humour and pathos of this film is quite moving.There is no - one remotely attractive in the cast, it is full of strange looking redneck Americans living in semi wilderness.Everyone is poverty stricken.The sadness of old
age is there, as is the regrets of past memories, and the desperation of the son to heal the wounds of his father's past life.The acting is brilliant even
with the bit part
actors with the sunburnt
aged faces.The fathers grumpy reticence is counters by his truculent wife, who never has a good word for anybody
with her vicious put downs, which is at times laugh out loud funny.A funny sad and moving film about the sheer desperate meanderings of life and old
age.
The coming of
age movie has picked up Best Film awards in New York and Canada
with lead
actor Aide Spratt also taking home a Best Actress award in LA for her work on the film.
Variety writes, «
With the exception of Eastwood, who's 29, Disney and Lucasfilm seem to be zeroing in on
actors between the
ages of 20 to 25.
After years in development, things seem to be moving forward on Jason Reitman «s adaptation of Joyce Maynard «s coming - of -
age novel «Labor Day,»
with professional kiteboarder - turned -
actor Maika Monroe the latest addition to its ever - growing cast.
Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different
actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle
age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents
with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books
with resourceful heroines, narratives
with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.
I know it's annoying when an
actor is paired
with an actress twenty years his junior for a romantic movie, but when it's Sam Rockwell and Anna Kendrick, can we just look the other way on their seventeen year
age difference?
Both of the roles could have been tired retreads of similar characters in recent film history, but Gosling and Pitt serve their characters
with more devotion than is often seen in
actors of their
age.
The
actors here do rather good jobs,
with Muniz shining well beyond his
age.
Lighter than some of Denis's work, but still extremely thoughtful, it offers a brisk walk through an awkward blue period in the life of a middle -
aged French artist, Isabelle (Binoche), and the relationships
with various men in her life, including an unreliable banker (Xavier Beauvois, delightfully obnoxious) and a sweet but immature younger
actor (Nicolas Duvauchelle).
At the center, the
actors continue to improve
with age, but this time the script lets them down.
The entirely recast film, inevitably child
actors age out of roles and Alicia Silverstone is Mom now, revolves around a thwarted family road trip
with a lot of poo and fart jokes that will / may amuse some.
Morgan Freeman's mollycoddled and on meds, suffering the indignity of being infantlised by an idiot son, Kevin Kline's got a great wife but a boring life and is subsequently sexually dysfunctional and depressed, Robert De Niro's a widower whose only human contact is a soup making neighbour, while Michael Douglas, in a set up that must have presented the
actor with the greatest challenge of his career, plays a rich old pervert who's eschewed commitment most of his adult life but is now about to settle for a woman less than half his
age.
Bonus: • Audio Commentary
with Director Martin Scorsese, Former GoodFella Henry Hill, Co-Screenwriter Nicholas Pileggi, Producers Irwin Winkler and Barbara De Fina, Cinematographer Michael Ballhaus, Editor Thelma Schoomaker, and
Actors Robert De Niro, Ray Liotta, Paul Sorvino, Lorraine Bracco, Joe Pesci And Frank Vincent • Audio Commentary
with Henry Hill and Former FBI Agent Edward McDonald • «Scorsese's GoodFellas» Featurette • «Getting Made: The Making of GoodFellas» Featurette • «The Workaday Gangster» Featurette» • «Made Men: The GoodFellas Legacy» Featurette • «Paper Is Cheaper Than Film» Featurette • Theatrical Trailer • «Public Enemies: The Golden
Age of the Gangster Film» Documentary • Four Looney Tunes / Merrie Melodies Shorts • Trailer
British character
actor Pete Postlethwaite lost his battle
with cancer late Sunday, passing away in a hospital at the
age of 64.
The experimental film spans the emotional journey of a family over the course of 12 years
with all the
actors virtually
aging in «real time» on - screen as the film chronicles the family.
In an
age when the offspring of famous
actors seem to be granted front of the line status
with regard to acting work (Rumer Willis, your table is waiting...) I wasn't expecting much from a film that stars the son of Jack Tripper, John Ritter.
Actor Alan Rickman has died at the
age of 69, after a short fight
with cancer.
With a sneaky comic tone swerving between earnest compassion and snarky derision, a middle -
aged protagonist chewed up by ennui, and a colorful array of character
actors populating a kitsch - Americana setting, «Downsizing» has all the hallmarks of an Alexander Payne film.
Lionsgate didn't muck around
with getting these books to screen, and it makes a certain amount of sense — it meant the
actors»
ages weren't a problem, and they didn't have to worry about audience interest waning.