Sentences with phrase «aging paint on walls»

Not exact matches

Cave wall paintings, of unknown age, on the entrance of Wonderwerk Cave near the edge of the Kalahari Desert.

She grew up with his paintings prominently displayed on the walls of her family home and understood from an early age that the art connected her to a legacy from «the old country»: Poland.

Painted in 1990, only two years before she died at the age of 34, it is balanced on a small tree trunk, rather than hanging on the wall.

In the decades up until his death in 2015 at the age of 92, the East End - based artist continued to paint huge ebullient abstracts with ever more vigour, the results a fixture on the walls of the RA's Summer Exhibition.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

In the Art in the Age of Altamira exhibition catalog, Jill Cook wrote that, after his cave visits, «Miró's preference for working off the easel on larger format works painted against a wall or on the ground, as well as his use of ochre pigments and earth tones developed.»

In a Turner prize exhibition unusually free from video or film, traditionalists will also be intrigued to discover that one of the shortlisted artists, Richard Wright, has created a painting on one of the gallery walls using the painstaking, age - old fresco techniques of the old masters — drawing a cartoon, tracing it on the wall, then painting over it and finally gilding it.

The works are made up of repurposed wood made into panels and painted on both sides, as well as wall - hung painting conglomerations that combine new age - y imagery with his idiosyncratic painting style.

I've seen new construction homes that didn't sell because the color used to paint out the main floor walls turned buyer's off, and when the color was changed they sold, quickly; likewise for homes that were staged badly — but, having unfiltered ``... access to data such as days on market...» now that's what «is critical» for making «purchasing decisions in an age of comprehensive data access» — before someone heads out on the old buying trail.

Wall art, $ 0: Heather painted a «5» (the number of people in her family) on found wood and sanded it for an aged finish, which helps it pop against Benjamin Moore's Intense White that covers the wWall art, $ 0: Heather painted a «5» (the number of people in her family) on found wood and sanded it for an aged finish, which helps it pop against Benjamin Moore's Intense White that covers the wallwall.

Our Acanthus Damask Stencil is painted in aged gold on silver leafed walls.

When we moved into our «as is» 1930s house, we had a couple of dozen large old fashioned heat registers on the walls that were showing their age from layers of multi-colored flaky paint.

The owners used the tumbled parquet flooring for its aged appearance, and painted the walls, overmantel mirrors, candlesticks and junk - shop chests for a white - on - white look.