She supported herself as a graphic designer, and her art practice, in turn, became increasingly design - oriented: She put her talents to use creating
agitprop for such groups as act up, Queer Nation, and Dyke Action Machine!
After graduating, Moyer fueled her energy into activism, creating
agitprop for groups such as ACT UP, Queer Nation, and DYKE ACTION MACHINE!
She has also created
agitprop for ACT UP, Queer Nation, and DYKE ACTION MACHINE!
Not exact matches
It is a strange and engrossing work, written in a manner that many have compared to Tolstoy: stories within stories, huge chunks of raw material gleaned from the newspapers and
agitprop pamphlets of the time, seemingly endless speeches by would - be rulers in the doomed Duma, and all against the background of a weak and ineffectual Tsar dominated by his wife and «our Friend,» Rasputin, with Lenin seething and scheming in Switzerland, waiting
for his time to come round at last.
In 1978 Carto founded the Institute
for Historical Review (IHR), a Los Angeles - based clearinghouse
for Holocaust denial and other
agitprop blaming the Jews (and to some extent the United States)
for most of history's wars and depressions.
New Haven prosecutors indicted Seale
for the torture and murder of a party member suspected of being a police informant, and the Panther supporters responded with
agitprop that directed attention toward general accusations of racism and oppression and hence away from the mundane question of whether Seale had committed the murder.
Leave aside the risible suggestion that Cornel West's
agitprop might be taken
for world - class philosophy, what's wrong with this is the hysterical self - dramatization laced with paranoia that refuses to let the strangeness of the Arendt - Heidegger tale remain strange.
In short,
for his 30th feature film, Hollywood's most successful commercial filmmaker has crafted a zesty piece of
agitprop — a call to resistance in the era of Donald Trump.
But I Am Not Your Negro is no mere piece of rabble - rousing
agitprop, nor is it heedlessly provocative
for the sake of «sending a message.»
The California Teachers Association's brand new «Call to Action» website is chock full of leftwing
agitprop that will appeal to anyone who has an affinity
for the chaotic and destructive 1960s.
MIDTOWN & UPTOWN & HARLEM Freak Flag curated by Kim Uchiyama / Morris / 29 E 32 (new, second location) / thru 12/13 Marina Abramovic; Jose Davila / Kelly / 475 Tenth Avenue @ 36 / thru 12/6 Emily Noelle Lambert; Lael Marshall / Dieu Donne / 315 W 36 / thru 1/10 Opening 11/20 Spencer Finch thru 1/11; CyTwombly thru 1/25; Etc. / Morgan Library / 225 Madison @ 36 Margaret Lanzetta / Heskin / 443 W 37 / thru 12/13 A Wicked Problem / EFA Project Space / 323 W 39 / thru 12/20 Inseparable Borders: Elisa Lendvay; Valentina Loseva curated by Nechama Winston / The 125 / 125 E 47 / thru 11/29 Opening 11/18 (6 - 9 PM) Anna Schuleit Haber / German Consulate / 871 United Nations Plaza @ 49 / thru 1/2 Opening 12/2 (6:30 - 8:30) Big Picture Show organized by the International Print Center / 1285 6th Avenue @ 52 / thru 12/5 R.Gober thru 1/18, H.Matisse thru 2/8, Sturtevant thru 2/22; J.Dubuffet thru 4/5; Etc. / MoMA / 11 W 53 Nina Tryggvadottir / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 12/6 Sarah McEneaney; Hannah Wilke / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 11/22 Andy Warhol / Hirschl & Adler / 730 Fifth Ave. @ 57 / thru 12/6 Pablo Picasso / Pace / 32 E 57 / thru 1/10 Black & White: Vince Contarino; David Rhodes; Joan Witek; Adolph Gottlieb / McCoy / 41 E 57 / thru 12/12 Will Barnet / Alexandre / 41 E 57 / thru 1/10 Opening 11/20 (5 - 7 PM) Joseph Montgomery / Blum / 20 W 57 — floor 2 / thru 12/6 Nicolas Carone / Washburn / 20 W 57 — floor 8 / thru 1/17 John Baldessari / Goodman / 24 W 57 — floor 4 / thru 11/22 Dorata Jurczak / Jancou / 24 W 57 — floor 6 / thru 12/6 Ruud van Empel / Stux + Haller / 24 W 57 — floor 6 (new location) / thru 12/20 Bernardo Torrens; Anthony Brunelli; Antonio Caroria / Bernarducci - Meisel / 37 W 57 / thru 11/26 Richard Estes; Tom Otterness / Marlborough / 40 W 57 / thru 11/25 Kiln: A.Angell; R.Kneebone; W.O» Brien; A.Shechet; J.Smith; J.Wine curated by T.Zabludowicz / Heller / 43 W 57 (new, second location) / thru 12/20 An Albers Legacy: Artists at Yale in the 1950's curated by Francis Frost / 57W57ARTS / 57 W 57 -1206 / thru 12/20 Marcel Eichner / McKee / 745 Fifth / thru 12/20 Alexander Kaletski / Boone / 745 Fifth / thru 12/20 Assenting Voices:
Agitprop Art from North Korea / John Jay CUNY / 860 Eleventh Ave. @ 58 / thru 1/23 New Territories thru 4/6, Etc. / Museum of Art and Design / 2 Columbus Circle @ 59 Joel Carreiro / St. Paul / Columbus @ 60 / 9/30 thru 11/29 Leo Villareal / Gering / 14 E 63 (new location) / thru 1/10 ZERO in vibration — vibration in ZERO / Moeller / 35 E 64 / thru 1/9 Please Enter curated by Beth Rudin Dewoody / Franklin Parrasch / 53 E 64 / thru 12/20 Something Beautiful curated by Khary Simon & Nicolas Wagner / Boesky / 118 E 64 / thru 12/20 Five From Fourteen: James Case - Leal, Anna Glantz, Ali Harrington, Heidi Howard, and Alyssa Piro / Bernstein / 21 E 65 / thru 12/12 Ha Chonghyun / Blum & Poe / 19 E 66 / thru 12/20 Jasper Johns / Dickinson / 19 E 66 / thru 12/12 Miyoko Ito / Baumgold / 60 E 66 / thru 12/20 Douglas Gordon / Park Avenue Armory / 643 Park @ 66 / $ / thru 1/4 Opening 12/10 Terence Gower / Faria / 35 E 67 / thru 1/10 Opening 11/20 Gego; Gerd Leufert / Hunter / West Building, 68 & Lexington (SW corner) / thru 11/22 Freezer Burn organized by Rita Ackermann / Hauser & Wirth / 32 E 69 / thru 12/20 Ray Johnson / Feigen / 34 E 69 / thru 1/16 Ishiuchi Miyako / Roth / 160A E 70 / thru 11/21 Nam June Paik / Asia Society / 725 Park @ 70 / thru 1/4 Food
for Thought curated by H.Cohen & M.Falcaro / Marymount / 221 E 71 / thru 12/4 Maurizio Cattelan curated by Adam Lindemann / S - 2 / 1334 York @ 71 / thru 11/26 Local History: Castellani; Judd; Stella curated by Linda Norden / Levy / 909 Madison @ 73 / thru 1/3 Claude Rutault / Perrotin / 909 Madison @ 73 / thru 1/3 Opening 11/20 Jasper Johns / Starr / 5 E 73 / thru 1/23 Richard Diebenkorn / Van Doren Waxter / 23 E 73 / thru 1/16 Art in the Making / Freedman / 25 E 73 / thru 1/31 Duane Hanson / Gagosian / Park & 75 / thru 12/3 Jan Maarten Voskuil / Geranmayeh / 956 Madision @ 76 — floor 3 / thru 12/10 Berend Strik; Henk Peeters / Tilton / 8 E 76 / thru 12/19 Robert Raushenberg / Castelli / 18 E 77 / thru 12/20 Mario Schifano / Luxembourg & Dayan / 64 E 77 / thru 1/10 Carlo Mollino / Gagosian / 976 Madison @ 77th (new location) / thru 12/20 Blair Thurman; Walter De Maria / Gagosian / 980 Madison @ 77th / thru 12/20 Letha Wilson / Higher Pictures / 980 Madison @ 77 / thru 12/20 Opening 11/20 Sigmar Polke / Nahmad / 980 Madison — floor 3 / thru 1/15 Maurizio Cattelan curated by Adam Lindemann / Venus Over Manhattan / 980 Madison @ 77 / thru 1/10 Enrico David / Werner / 4 E 77 / thru 1/24 Chris Martin / Half / 43 East 78 / thru 12/13 El Anatsui / Mnuchin / 45 E 78 / thru 12/13 Roy Lichtenstein / Mitchell - Innes & Nash / 1018 Madison @ 78 / thru 12/19 Wayne Thiebaud / Acquavella / 18 E 79 / thru 11/21
The Elizabeth A. Sackler Center
for Feminist Art at the Brooklyn Museum 200 Eastern Parkway, Brooklyn, New York 11238 December 15, 2015 — August 7, 2016 Now on view at the Brooklyn Museum,
Agitprop!
One can hardly look away or take it all in, and I could forgive you, along with Michael Kimmelman in The New York Times,
for dismissing it as «
agitprop.»
Such photos are exhibited with artist zines, kitschy trinkets decorated with high art («Paperweights»), souvenir
agitprop (No Drones), mural - sized tracings of her own photographs («Traced»), and JPEGs stretched to span odd - shaped walls («Adjusted to Fit»)-- all of which shows Lawler's multifaceted, usually brilliant approach
for reclaiming images that have been taken away.
Conjuring a range of references, from studies
for Soviet
agitprop posters to semiabstract landscapes to concrete poetry, they fill in the background of his reticent, radical objects with a kind of illuminating white noise.
Jesse Darling's #neoliberal
Agitprop Poster (2014) acts as a rallying cry
for those marginalised by a political and economic system that seeks to punish anybody displaying signs of physical or mental illness.
For the past hundred years, the term
agitprop, a combination of agitation and propaganda, has directly reflected the intent of this work.
From 2011 to 2016, she was Assistant Curator at the Elizabeth A. Sackler Center
for Feminist Art at the Brooklyn Museum, where she organized the Museum's presentation of Wangechi Mutu: A Fantastic Journey, curated Chitra Ganesh: Eyes of Time, and co-curated
Agitprop!.
became well known
for its witty
agitprop that inserted lesbian images into commercial media formats.
Barbara Kruger abandoned her wall - hangings (a nod to «women's craft»)
for agitprop text - based slogan work that famously called attention to gender inequalities.
John Dugger's maquette
for his Chile Vencera banner — first hung in Trafalgar Square, London, in 1974 — is on show in the exhibition
Agitprop!
The Compound Gallery (CA), Call
for Applicants:
AGITPROP Residency Program Submission Deadline Dates: December 1st, March 1st, June 1st, September 1st From their call: The
AGITPROP residency is designed to give a concerned individual the opportunity to create art with a... Continue reading →
Inserting
agitprop feminist art into a downtown pleasure dome was the Guerrilla Girls» way of skewering the Palladium
for owning a collection of art produced exclusively by men.
When Stefan Wolpe (1902 - 1972) began «Battle Piece» in 1942, it was to have been the first of a series of works
for solo piano titled «Encouragements,» intended as a composer's contribution to the struggle against Fascism; part of the genre Kampfmusik that had earlier included chamber operas, theatre music, and
agitprop songs.
Unless you are Frank Luntz & co., in which case you cultivate a reputation
for manufacturing whatever belief or disbelief, acceptance or denial, your paymaster payrolls, you should hope to be known better
for other skills than
agitprop.
And to rely heavily on
agitprop groups like Greenpeace and WWF should tell everybody that the IPCC is no relyable basis
for sound politics.