Saw this film a few months
ago at a film festival and was taken away by how wonderful it is.
Not exact matches
(Writer - director Abel Gance was honored
at the Telluride
film festival a few years
ago for this
film.
This is from the same filmmaker who made the cult horror hit The Loved Ones, and the
film first premiered
at festivals a few years
ago.
Lars von Trier) Cast: Charlotte Gainsbourg, Stellan Skarsgård, Shia LaBeouf, Uma Thurman, Jamie Bell Even aside from the whole persona non grata that resulted after his ill - advised comments while promoting «Melancholia»
at the
festival two years
ago (and there have been some suggestions that Lars von Trier «s work is still welcome
at the
festival, just not so much the filmmaker himself), it's very unlikely that von Trier's latest will be on the Croisette this year, for the principal reason that it's not ready: the
film's producer indicated that the two - part movie just wouldn't be prepared in time to screen for contention.
However he does admit that things were
at the worst a couple of years
ago, when Toronto decided to drop any
films from the popular first half of its schedule that had premiered anywhere else — but now, he says, the ban is over and it is more relaxed, and there is now less competition between the three
festivals.
«We are thrilled to return to a country, place and
festival that has always been so close to our hearts, not only because my first
film, «Strictly Ballroom,» was screened there 21 years
ago, but also because F. Scott Fitzgerald wrote some of the most poignant and beautiful passages of his extraordinary novel just a short distance away
at a villa outside St. Raphael.»
Hopefully, one of the
films in the
festival's back half will be its true salvation (Holy Motors hadn't screened yet
at this time two years
ago; nor had Only Lovers Left Alive last year), but this one will do for the moment.
Baltasar Kormakur found acclaim
at film festivals with 101 Reykjavik, but this was 15 years
ago.
This is as true for this year's LA LA LAND and MOONLIGHT — two
films that were not on the Oscar radar before their world premieres
at the Venice and Telluride
film festivals just a few months
ago — as it has been for so many other lauded
films of the last six years.
Last night,
at the Closing Night screening of Alex of Venice
at the Castro Theatre, Cowan addressed the crowd from the same podium he did when
festival began two weeks
ago, thanking Programming Director Rachel Rosen and her team for putting together a fantastic lineup of
films, thanking the
festival staff and volunteers for their hard work, and thanking the audience for partaking in the festivities.
Arguably one of the most anticipated events of this year's NYFF wasn't a premiere
at all but rather a
film that had its world premiere
at the
festival a decade
ago, Wes Anderson «s «The Royal Tenenbaums.»
The Palme d'Or went to Michelangelo Antonioni's brilliant Blowup
at the end of the
festival (a
film we tried to interest y» all in a few years
ago to crickets.
One year
ago at the Sundance
film festival, Zach Braff's indie dramedy Wish I Was Here debuted, accompanied by a fair amount of pre-screening hubbub.
World Premiere Notable: Campos» first
film since the bidding received «Simon Killer» debuted
at the
festival four years
ago.