Sentences with phrase «air landscape paintings as»

Pamela Thomson will show plein air landscape paintings as well as still lifes of fruit, vegetables, flowers and objects painted in the studio.

One lovely summer day, an iconic vision comes to mind: you see yourself seated at your easel in a field of flowers, working peacefully on a plein - air landscape painting as clouds float above and bees pass by, humming in a friendly manner while searching for nectar or creating honey or whatever.

Not exact matches

Leaves are about to fall and change as bright bold colors paint the landscape of all the trees, the first hint of chill is in the early morning air as summer turns into fall.

His quotes report about his plain air painting trips with artists Monet and Cezanne, (painting together) in open air, to catch the landscape in the atmosphere of the moment and right color - tones as well.

In Le Havre, on the North Coast of France during the late 1850's the then teenage Claude Monet who had become adept as a political caricaturist began developing the art of plein air landscape painting (under the tutelage of Eugéne Boudin) perhaps as a response to and a logical outgrowth of the then popular Barbizon School.

You can bolster the atmospheric effects when painting the sky, as Richard McKinley did, in this overcast landscape, Malheur Rain (en plein air pastel, 11 × 14).

Grau's work is grounded in the history of plein air painting, an in - situ practice of landscape painting based on direct observation that was initiated by artists such as Claude Monet, Pierre - Auguste Renoir, and Camille Pissarro in the latter half of the nineteenth century.

Still explains the «ascending verticality» and «aspirational thrust» of his canvases throughout his career as taking root in his early landscape painting which he described as «records of air and light, yet always inevitably with the rising forms or the vertical necessity of life dominating the horizon... And so was born and became intrinsic this elemental characteristic on my life and my work.»

Plein air yet performative paintings of dense forest landscapes from Northern Florida and Georgia as well as the Cascades Mountains in Washington State.

The sweeping views of the dreamy surrounding landscape and villages that have caused Civita Castellana to become an epicenter of plein air painting for more than 300 years have now served as Hershberg's source of inspiration for the works in this new show.

As its European father, the American Impressionism saw different artists gathering and following in its footsteps regarding the depiction of the everyday modern life and the tradition of the en plain air, started with Monet's landscape paintings.

Each of these painters interpreted the Matunuck landscape in a personal way, yet among them they encompass most of the major trends defining American painting of the late nineteenth and early twentieth centuries — the Barbizon School, Impressionism, Post-Impressionism, Tonalism and plein - air painting — as well as the creation of the era's predominant artistic institution: a summer school.

His use of the watercolor as an ideal medium for plain air paintings and the production of the startlingly atmospheric and expressive paintings of the English countryside anticipated the Impressionist movement by over 50 years and turned landscape painting into a vital discipline.

The very essence of nature's yin - yang is now at her wrist as she couples the formalism of landscape plein air painting with evocative abstraction.

As an artist - in - residence at 24 HR MART, Trowbridge spends her time collecting color «data» from the landscape in the form of plein - air paintings.

Steven's landscapes have been well received by collectors and his paintings are part of several private collections such as Hilton Hotels, the Boy Scouts of America, Dominion Resources, Virginia State Department, the National Parks Service, and the United States Air Force.

Nature was an important subject for Romantics, and the style is exemplified, by the English School of Landscape Painting, the plein air painting of John Constable (1776 - 1837), Corot (1796 - 1875) along with members of the French Barbizon School and the American Hudson River School of landscape painting, as well as the more expressionistic JMW Turner (1775 Painting, the plein air painting of John Constable (1776 - 1837), Corot (1796 - 1875) along with members of the French Barbizon School and the American Hudson River School of landscape painting, as well as the more expressionistic JMW Turner (1775 painting of John Constable (1776 - 1837), Corot (1796 - 1875) along with members of the French Barbizon School and the American Hudson River School of landscape painting, as well as the more expressionistic JMW Turner (1775 painting, as well as the more expressionistic JMW Turner (1775 - 1851).

NOTE: Despite the dominant reputation of 19th century French landscape painting, as exemplified by the Barbizon School, it is worth remembering that the English painters John Constable (1776 - 1837), JMW Turner (1775 - 1851), and Richard Parkes Bonington (1802 - 28) exerted a major influence over Barbizon and other plein - air painters.

Inspired by pioneers like John Constable (1776 - 1837) and Richard Parkes Bonington (1802 - 28) from the school of English landscape painting, as well as Theodore Rousseau (1812 - 67) and Jean - Francois Millet (1814 - 75), and initially linked with the Naturalist and Realist movements, which were themselves a reaction to the social changes caused by the Industrial Revolution, the principles of plein - air art later formed the core of Impressionism - specifically Impressionist landscape painting - as practised by Monet (1840 - 1926) during the last 30 years of the century.

Influenced by Turner as well as the Barbizon School of landscape painting, Streeton was also strongly drawn to the loose brushwork and light - focused approach of French Impressionism, as well as its focus on plein air painting directly from nature.

Just like the Impressionists» plein air paintings of the bourgeoisie, Los Angeles - based artist Joshua Nathanson begins his work by sketching the city's landscapes such as the shopping malls and public parks on site.

Inspired by the flat East Anglian landscape with its big skies, Norfolk Broads and rivers, and by 17th century Dutch Realist painters such as Meindert Hobbema (1638 - 1709) and Jacob van Ruisdael (1628 - 82), Norwich School artists included amateurs as well as professionals, many of whom practised the avant - garde method of plein air painting.

Committed to plein - air painting, he ranks with Claude Monet (1840 - 1926) and Alfred Sisley (1839 - 1899) as one of the best landscape artists of the late 19th century.

Photography was also employed by landscape artists - notably the French Impressionist painters, as an aid to plein - air painting.

Other leading members of this plein air painting movement included members of the school of English landscape painting, such as John Constable (1776 - 1837) and Richard Parkes Bonington (1802 - 28), as well as French painters like Theodore Rousseau (1812 - 67), Camille Corot (1796 - 1875), Narcisse Diaz de la Pena (1808 - 1876), Charles - Francois Daubigny (1817 - 1878), Jules Dupre (1811 - 1889), Joseph Harpignies (1819 - 1916), Constant Troyon (1810 - 1865), Charles - Emile Jacque (1813 - 1894), Antoine - Louis Barye (1796 - 1875), Albert Charpin, Felix Ziem and Alexandre De Faux.

During his stay at the artists» colony, he took to landscape painting in the open air as he absorbed the ideas and plein - air methods of the Barbizon and Impressionist landscape school, all of which were high fashion at the time.

Furthermore, even if most of his landscapes do have an Irish flavour, they fall squarely within the European plein - air painting tradition of the likes of Nathaniel Hone the Younger (1831 - 1917), Augustus Nicholas Burke (1838 - 91), Frank O'Meara (1853 - 88), Roderic O'Conor (1861 - 1940), Walter Osborne (1859 - 1903) and John Lavery (1856 - 1941), as well as Newlyn artists Stanhope Forbes (1857 - 1947) and Norman Garstin (1847 - 1926), to name but a few.