Sentences with phrase «air painting experience»

Laureen believes the plein air painting experience to be most rewarding, being out in the wonderful changing elements of nature.

Not exact matches

Those experiences have inspired Lee to focus on studio and plein air landscape painting.

This Oregon artist often paints impressionistic landscapes «en plein air» or based on site experience, memories, sketches and photos.

Those experiences have inspired Lee to focus on studio and plein air landscape painting.

Teaching Experience Figure Drawing, Washington Art Association, Connecticut, 2007 • Figure Drawing, Washington Art Association, Connecticut, 2006 • Plein Air Painting, Washington Art Association, Connecticut, 2005 • Portrait and Figure Drawing, Washington Art Association, Connecticut, 2005 • Plein air Painting Workshop, The Gunn Memorial Museum, Connecticut, 2003 • Drawing, Syracuse University, 1983 -Air Painting, Washington Art Association, Connecticut, 2005 • Portrait and Figure Drawing, Washington Art Association, Connecticut, 2005 • Plein air Painting Workshop, The Gunn Memorial Museum, Connecticut, 2003 • Drawing, Syracuse University, 1983 -air Painting Workshop, The Gunn Memorial Museum, Connecticut, 2003 • Drawing, Syracuse University, 1983 - 85

While Morley's paintings invite the viewer to reflect upon the conflicts that have shaped humanity since time immemorial, they also echo the artist's personal experiences as a child during the Second World War, his cultural affinity with both England and America, and his lifelong fascination with models, from the plastic Air - fix kits of his youth to the paper cut - out varieties.

However, it was his summers (1949 - 50) at the Skowhegan School of Painting and Sculpture in Maine, whose teachers emphasized plein air painting and working from life, that were a transformative experience for the young artist, giving him, as he has stated, «a reason to devote my life to paintingPainting and Sculpture in Maine, whose teachers emphasized plein air painting and working from life, that were a transformative experience for the young artist, giving him, as he has stated, «a reason to devote my life to paintingpainting and working from life, that were a transformative experience for the young artist, giving him, as he has stated, «a reason to devote my life to paintingpainting.»

The inspiration for the painting came from Driggs» first experience flying in 1928, when she traveled from Cleveland to Detroit by air.

They included: the Irish - born George Frederick Folingsby (1828 — 91), who arrived in Australia in 1879 and became Master of the School of Painting at the NGS in 1882; the Swiss artist Abram Louis Buvelot (1814 — 88) who arrived in 1865 and taught at the Carlton School of Design in Melbourne; the English - born art teacher Julian Ashton (1851 — 1942) who settled in Sydney where he ran one of the best art schools in New South Wales; the English - born plein - air specialist A.J.Daplyn (1844 — 1926) who arrived in Australia in 1882 and shared his experience of Fontainebleau and the Barbizon School of landscape painting, before later writing a book entitled Landscape Painting from Nature in Australia (1902); the Italian - born painter Girolamo Pieri Ballati Nerli (1860 — 1926), influenced by the Macchiaioli group, who first lived in Melbourne before moving to Sydney in 1886; the Portuguese - born plein - air artist and Symbolist painter Arthur Jose De Souza Loureiro (1853 &mdashPainting at the NGS in 1882; the Swiss artist Abram Louis Buvelot (1814 — 88) who arrived in 1865 and taught at the Carlton School of Design in Melbourne; the English - born art teacher Julian Ashton (1851 — 1942) who settled in Sydney where he ran one of the best art schools in New South Wales; the English - born plein - air specialist A.J.Daplyn (1844 — 1926) who arrived in Australia in 1882 and shared his experience of Fontainebleau and the Barbizon School of landscape painting, before later writing a book entitled Landscape Painting from Nature in Australia (1902); the Italian - born painter Girolamo Pieri Ballati Nerli (1860 — 1926), influenced by the Macchiaioli group, who first lived in Melbourne before moving to Sydney in 1886; the Portuguese - born plein - air artist and Symbolist painter Arthur Jose De Souza Loureiro (1853 &mdashpainting, before later writing a book entitled Landscape Painting from Nature in Australia (1902); the Italian - born painter Girolamo Pieri Ballati Nerli (1860 — 1926), influenced by the Macchiaioli group, who first lived in Melbourne before moving to Sydney in 1886; the Portuguese - born plein - air artist and Symbolist painter Arthur Jose De Souza Loureiro (1853 &mdashPainting from Nature in Australia (1902); the Italian - born painter Girolamo Pieri Ballati Nerli (1860 — 1926), influenced by the Macchiaioli group, who first lived in Melbourne before moving to Sydney in 1886; the Portuguese - born plein - air artist and Symbolist painter Arthur Jose De Souza Loureiro (1853 — 1932).

After his first experience painting en plein air with Claude Monet and Pierre - Auguste Renoir in 1863 near the forests at Fontainebleau, Sisley fell in love with landscape painting, devoting himself to capturing the varying effects of atmosphere, mood, season, and light for the rest of his career.

With an air of sophistication, her paintings feel like they could be pages from a beloved book from childhood... the one where the plot might not be remembered exactly but the feeling of hearing and experiencing the story remains clear.

Looking at the paintings, which feature teenagers having sex in quotidian domestic settings or en plein air, the viewer is compelled to ask whether the process, which breaks down the barrier between seeing and touching, is an erotic experience for the seventy - something artist.

Krieger's large, abstract compositions are often painted en plein - air and reflect the experience of the «rambling, unplanned, chaotic nature of the landscape.»

At once spontaneous and contemplative, her paintings make the most passing phenomena tangible, evoking the common but impossible - to - articulate experiences of heavy air, oncoming night, and passing thunderstorms.

Those experiences have inspired Lee to focus on studio and plein air landscape painting.