Sentences with word «alizarin»
Alizarin is a red dye that comes from a plant called madder. It is often used in the making of color pigments for artists and in the textile industry. Full definition
Next take an acrylic brush and load generously with alizarin crimson, and sweep over the red areas in one single movement.
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Next, create ranges of violet, using each possible combination of the different blue and red co-primaries - start with alizarin crimson and ultramarine blue, which both have violet overtones.
The cadmium base was a bit too shocking, and so by removing excess paint and then softly scraping a layer of alizarin crimson over it, the colour is infinitely richer.
Endothelia were stained with alizarin red, examined under the microscope, and photographed at 5 different sites (microscope, × 100; digital magnification, × 2.83).
I used alizarin crimson «neat» on the edges for strong contrast — and to give the eye a three - dimensional effect.
Cadmium Yellow Light, Permanent alizarin crimson, Burnt umber, Ultramarine Blue and Titanium White.
Each canvas began with a grounding field of fluorescent pink, down which Howard methodically dragged strips of deep Alizarin Crimson oil paint, using a T - square to shape the precise edges.
Graebe and co-worker C. Liebermann discovered that a red dye called alizarin — then made from madder, a Eurasian herb — was a derivative of anthracene, a crystalline cyclic hydrocarbon.
The duo built on the discovery to invent a commercial method of synthesizing alizarin, which became one of the early products of the German dyestuffs industry.
Three of these sculptures (in bright red, deep metallic alizarin crimson and green) were offered between $ 350,000 and $ 850,000 by three different galleries at Frieze art fair in New York last week.
And still, it is not hopeless: the bodies are punctuated with lively alizarin nipples and bold yellow hair, and the support between the figures is poignant as they become one body instead of two.
Reds include alizarin crimson or cadmium red, and yellows cadmium yellow medium, cadmium yellow light, or lemon yellow.
Paint a composition in a complementary colour scheme, choosing a set of complementary colours, for example alizarin crimson and green.
19th Century Colour Palette Prussian Blue Cobalt Blue French Ultramarine Cerulean Blue Mauve Emerald Green Viridian Chromium Green Oxide Cobalt Green Zinc White Rose Madder Alizarin Crimson Cadmium Yellow Chrome Yellow Aureolin Zinc Yellow Strontium Yellow Lemon Yellow Indian Yellow Egyptian Brown (Mummy) Ashphaltum
In the corner of the annex sits Alizarin Crimson Corner Piece (1974), a painting made on canvas shaped to fit the three sides of a corner.
At a first glance, the images in Parsonage's paintings might seem somewhat incongruous; a bloated frog with a glazed expression named Alice; a volcano cast in alizarin hues, emitting hot lava and toxic fumes; a crowd of drinkers with gangly limbs painted in an acrid rose palette, not dissimilar to a flock of flamingoes.
The colors are recognizably named, such as alizarin crimson, ultramarine and yellow ochre.
Echoing deep and warm Alizarin Crimson tones with the rich and sophisticated scents of amber, vanilla and patchouli.
He also uses in his palette Ultramarine Blue, Permanent Alizarin, Viridian Green also Michael Harding's Naples Yellow and Michael Harding's Vermillion.
Most of Annie's colors are 18th and 20th century inspired but this one comes from the 19th century when the discovery of Alizarin Crimson made this color possible for the first time to a large number of people.
The result is a collection that is an explosion of red, think: cadmium red, carmine red, apple red, oxblood red, alizarin red, vermilion red, mahogany red, red ocher, english red, bordeaux red, spanish red, red violet, persian red, cherry red, iron oxide red, orange red, blood red, signal red.
Another canvas features a patchily painted column of dense and loamy greens, with alizarin and metallic gold marginalia.
Warm colour Cold colour Cadmium Red Alizarin Crimson Ultramarine Blue Phthalo Blue Cadmium Yellow Lemon Yellow Burnt Sienna Raw Umber
Colours: Titanium White, Cadmium Yellow, Yellow Ochre, Cadmium Red, Alizarin Crimson, Burnt Sienna, Sap Green Viridian, Cerulean Blue, French Ultramarine Blue, Raw Umber.
I love the names of the colours myself and to the non-artist these can sound wonderfully evocative... viridian, alizarin crimson, cerrulean hue, cadmium lemon... woven together to describe a piece they could sound rather poetic.
Colours: Titanium White, Yellow Ochre, Alizarin Crimson, Burnt Sienna, Burnt Umber, Cerulean Blue, Violet, Ivory Black, Cadmium Orange.
Colours: burnt umber, burnt sienna, ultramarine blue, turquoise, dioxazine purple, alizarin crimson, cadmium orange, cadmium red, sap green, yellow ochre, cadmium yellow, ivory black, titanium white.
Colours: Lemon Yellow, Gold Ochre, Cadmium Orange, Light Red, Sepia, Sap Green, Perylene Green, Cerulean Blue, Winsor Violet, Prussian Blue, Indigo, Cadmium Red, Alizarin Crimson.
Cadmium Red and Cadmium Yellow (for the fruit) Ultramarine Blue & Prussian Blue (for the cloth and floor) Violet & Alizarin Crimson (for glazes at the end) White (to make the colours cooler) Raw Umber (to bruise the fruit) Black (for the outlines)
Make sure your alizarin crimson is clean before going in for the next sweep.
Colours: Lemon Yellow, Cadmium Yellow Medium Hue, Yellow Ochre or Raw Sienna, Burnt Sienna, Ultramarine, Phthalo Blue or Indanthrene Blue or Process Cyan, Cadmium Red Hue, Permanent Rose or Alizarin Crimson, Dioxazine Purple, Viridian or Emerald Green, Cadmium orange (optional), Quinacridone crimson (optional), Titanium White, Transparent or Mixing White (optional)
On the lower area I used the Alizarin Crimson solution, but with a far softer brush - a large squirrel - hair watercolour brush.
Colours: Burnt Umber, Alizarin Crimson, Titanium White, Cadmium Yellow, Cadmium Red, Ultramarine Blue, Lemon Yellow, Cadmium Orange
Colours: Titanium white, liquid white, cadmium yellow, yellow ochre, cadmium orange, alizarin crimson, cadmium red, sap green, turquoise, ultramarine blue.
Colours: Titanium White, Yellow Ochre, Raw Umber, French Ultramarine (Blue), Prussian Blue, Violet (Winsor Violet or Ultramarine Violet), Lemon Yellow, Cadmium Yellow (or Indian Yellow), Viridian, Cadmium Red, Alizarin Crimson, Burnt Sienna.
Colours: Yellow Ochre, Alizarin Crimson, Cerulean Blue, Burnt Sienna, French Ultramarine, Burnt Umber, Cadmium Red, Sap Green, Cadmium Yellow
Fill two egg - cup sized containers a third of the way with turps (or white spirit) add a pea of alizarin crimson to one and a pea of violet to the other and dissolve the paint fully (preferably with a different brush to the one you will be using).
Oil - white, phthalo blue, ultramarine blue, cadmium red, magenta, alizarin crimson, cadmium yellow, lemon yellow, violet.
Colours: Titanium White, Cadmium Yellow, Cadmium Red, French Ultramarine, Alizarin Crimson, Prussian Blue, Lemon Yellow
Colours: French ultramarine, burnt sienna, viridian, new gamboge, permanent mauve, permanent rose, alizarin crimson, white gouache
Colours: Lemon Yellow, Cadmium Yellow Medium Hue, Yellow Ochre or Raw Sienna, Burnt Sienna, Ultramarine, Phthalo Blue or Indanthrene Blue or Process Cyan, Cadmium Red Hue, Permanent Rose or Alizarin Crimson, Dioxazine Purple, Viridian or Emerald Green, Titanium White, Transparent or Mixing White (optional), Cadmium orange (optional), Quinacridone crimson (optional)
Colours: burnt umber, ultramarine blue, cobalt blue, alizarin crimson, cadmium red light, red oxide, cadmium yellow medium, naples yellow, titanium white
Colours: Titanium White, Cadmium Yellow, Yellow Ochre, Lemon Yellow, Cadmium Red, Magenta, Alizarin Crimson, Burnt Sienna, Leaf Green, Sap Green, Viridian Green, Cerulean Blue, French Ultramarine Blue, Raw Umber.
I use lamp black as a dramatic accent as well, placing the pure black in a part of the painting that is already devoted to very dark mixed blacks (alizarin crimson and phthalo green or ultramarine blue and burnt umber for example).
I still use pretty much the same palette I used when I first started painting, with a few additions over the years: Cremnitz white, raw umber, ultramarine blue, cobalt blue, quinacridone blue, burnt sienna, lemon yellow, cadmium yellow, Indian yellow, cadmium orange, cadmium or other warm green, Veronese green, vert Aubusson or pthalo green, a purple, cadmium red, alizarin crimson.
Alizarin Crimson and Pthalo Green sit side - by - side, as do Ultramarine Blue, Burnt Sienna and Burnt Umber.
The demonstration in the book was broken down into twenty - five easy - to - follow stages, which began with roughly sketching the outline to my watercolour paper, then laying down several washes of cobalt blue and alizarin crimson for the sky.
Above, the plums in the center are more luminescent because an initial layer of cadmium yellow was followed by a very thin glaze of cad orange, which was then followed by a thin layer of alizarin crimson.
These include the powerhouse reds, such as Carmine and Alizarin Crimson.