We used the amazing (and new) Aquanamel ™ Waterborne
Alkyd Enamel paint from Pratt & Lambert for our white shaker cabinets and I couldn't be happier with the results!
We used Sherwin Williams ProClassic Interior water - based Acrylic -
Alkyd Enamel paint in semi-gloss.
I chose their Blue Water Marine Paint Mega Gloss
Alkyd Enamel.
«Following Helen Frankenthaler's precedent, Feeley thinned
his alkyd enamel pigment, except not to the degree that it soaks fully into the canvas like hers and acquires associations with bodily fluids and watercolor.
Ponce's signature style is created by pouring layers of
alkyd enamel paint at various levels of translucency.
If you have the Oil - Based
Alkyd Enamel then it will not work to make chalk paint.
He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called
alkyd enamels, which, at that time, was a novel medium.
He tried a variety of different paints, but particularly liked using household paints (
alkyd enamels) as they were more fluid than traditional oil paint.
«Our specific finish coat enamel paint of choice is one of the waterborne oil /
alkyd enamels from Porter Paints, Sherwin - Williams, or Benjamin Moore, typically in the semi-gloss sheen,» he says.
Not exact matches
Whether you are working with acrylic emulsion, acrylic,
alkyd,
enamel, or water soluble paint, you will be able to utilize this sprayer to get a smooth coat in no time.
Sooooo, Sherwin Williams» top of the line Pro Classic
Alkyd Interior
Enamel won.
We used an
alkyd semi-gloss
enamel paint specifically for cabinets because we wanted to be able to easily wipe off dirt.
It is fabricated from oil paint,
enamel paint, and
alkyd paint on canvas, etched magnesium, aluminum and fiberglass.
Fair use rationale for Image: La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil,
enamel and
alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).
Image: La scienza della laziness (The Science of Laziness) by Frank Stella, 1984, oil,
enamel and
alkyd paint on canvas, etched magnesium, aluminum and fiberglass, National Gallery of Art (Washington, D. C.).
The painting's surface, which features dense layers of
enamel,
alkyd, oil paint, twine, sand, and pebbles, had been dulled by dirt and grime that had accumulated over the years.
Gobba, Zoppa e Collotorto, 1985; oil, urethane
enamel, fluorescent
alkyd, acrylic, and printing ink on etched magnesium and aluminum; 137 x 120 1/8 x 34 3/8 in.
Each painting is six feet high and six feet eight inches wide,
alkyd or
enamel on plywood.
Oil, urethane
enamel, fluorescent
alkyd, acrylic, and printing ink on etched magnesium and aluminum.