Sentences with phrase «all about any of these characters»

Say what you want about some of their characters, production, and whatnot.

I spent the first ninety minutes of this film depressed, but at the same time wondering why I could not bring myself to care about any of the characters.

The movie gives the viewer no reason to care about any of the characters.

I didn't care about any of the characters and to compare this to Tarantino like dialogue maybe the biggest joke in this movie.

All of which brings us back to arguably the biggest problem with Volume 2: we don't care about any of the characters, because they don't feel like believable people.

That said, my problem with the movie (which is much more superficial than most of these arguments) is that I just DID NOT CARE about any of the characters.

I don't really care about any of the characters after watching all 13 episodes and I

It's hard to care about any of the characters and the story has become so silly and very hard to believe.

This game is very underwhelming Gone Home was fantastic Tacoma is not its very boring did nt care about any of the characters the story wasnt

Rarely does so much talking say so little: Even after 30 - plus minutes of shocking pronouncements and sweeping exposition, no explanation has been offered for why we should care about any of these characters or anything that happens to them.

This game is very underwhelming Gone Home was fantastic Tacoma is not its very boring did nt care about any of the characters the story wasnt very good save ur money buy something else

The film's inability to give us a reason to care about any of the characters involved is its major downfall, since if we don't care whatsoever about any of these four miserable individuals, why would we want to learn about them?

And what I liked about this book particularly was that in the course of the story, when you learn more about each of the characters, you realize that, at its heart, it's a really humanist story about relationships.

You don't particularly care about any of the characters, everyone makes predictable decisions, no central figure is ever in true peril, and it pushes its PG - 13 rating by giving minor players some memorably gruesome ends.

There's nothing revelatory about any of the character's backstories and Kendrick's chemistry with Russell is the kind of bad that we just don't need to talk about.

The Bourne Identity offers no reason for us to care about any of the characters, so it's hard to root for either side.

That is what happens when I do not really care about any of the characters.

The idea of some answers to these mysteries could perhaps be enticing if I cared about any of the characters, anything about their world, or the film did anything to ignite an interest in its plot rather than offering up vague teases at answers that never come and do nothing but try to hook the bait in for the next entry.

Its success on a deeper level is dependent on the viewer and their personal investment in the Marvel Cinematic Universe — if you care at all about any of these characters, the movie is designed to hit consistently hard.

I don't really care about any of the characters or story beats, and I'm only marginally interested to see how the book progresses.

While Helgeland's script is too superficial to make us care about any of these characters as fully as he (and we!)

We never dig deep enough to truly care about any of the characters or even the plot twists.

Perhaps the humor would be tolerable if we're allowed to give a flying fart about any of the characters.

It may seem like a fun and innocent high school romp kind of movie, but then Greta Gerwig hits you about an hour when you realize how much you have come to care about all of these characters.

It's difficult to care about any of these characters, or their ridiculous situations, so it's tough to even try to make sense of it all.

Insult to injury, the overall script lacks real depth to give the audience a reason to care about any of the characters and the overuse of narration seems to cheapen the feel of the production further.

A better movie could be made about any of their characters, and mightn't need to include cringeworthy dialogue like «the West has gone weak, drunk on shopping and social media!»

The closest we ever get to actually caring about any of the characters is the wife at home, Queen Gorgo, and even she could have done with a few extra scenes.

It's a balance between leaving people wanting more and then giving them too much, but I would watch a movie about any of those characters you just named.

Now, we're just starting to introduce student accounts, and asking students questions about some of these character traits.»

The writing was choppy, the dialogue was stilted, and the author didn't make me care about any of the characters.

He made me truly care about all of the characters.

I read the first 78 pages and could not care about any of the characters, so I put it down.

But this debut novel rises to the top through its subtle shifting of focus to those who are «normal,» thereby throwing into doubt presumptions readers may have about any of the characters.

I never could care about any of the characters or the story line.

This is the Ultimate Star Wars guide (Phantom Menace) that will tell you about all of the characters in Phantom Menace - all the dark sides, light sides, and everything in - between...

At the end of the Gears trilogy I was all geared - out by it all, not really giving a shit about any of the characters courtesy of the terrible voice acting, crappy plot and just the general, been here, done that vibe I got from it.

I didn't grow to care about any of the characters either.

This lead me to not care about any of the characters, and any immersion I had in the game was lost every time a character spoke.

I couldn't find myself caring about any of the characters as their stories were very cookie - cutter and generic.

Unlike most collectibles which feel like something of a chore to hunt down, Nuggets of Truth feel like they're worth your time and effort as it's pretty fascinating to learn a little about some of the characters and events you've encountered along the way.

You'll see every double - cross coming from a mile away, groan at every cliché and quickly realise that you don't care about any of the characters.

I didn't care about any of the characters and I didn't feel very heroic after defeating Alduin either.

The dialog isn't much better, so I didn't care one bit about any of the characters aside from the Prince.

I sometimes feel like Nintendo doesn't care about some of their characters.

I remember feeling connected to the characters of Dom and Marcus from the original Gears games, and at times I may have even shed a tear for their struggles, but I never came close to giving a damn about any of the characters in Gears of War: Judgment.

She talks about some of the characters and classes in the game as well as a general overview on how to play Gigantic.

Not only did I not care about any of the characters who worked at the circus, but the solution to the murder was just so stupid and completely implausible.

While just about any of the characters can hold their own in a fight, there's going to be the odd occasion where an extra pair of hands (or flailing legs) could be just what you need to turn the tide of the fight in your favor.

Not exact matches

Michael Barbaro of the New York Times, for instance, had this to say about Trump's social marketing via Twitter: «Mr. Trump has mastered Twitter in a way no candidate for president ever has, unleashing and redefining its power as a tool of political promotion, distraction, score - settling and attack — and turning a 140 - character task that other candidates farm out to young staff members into a centerpiece of his campaign.»