Sentences with phrase «allegorical painting»

Featuring a libretto to a musical score, created with fellow artist and poet Heather Phillipson, Edwin Burdis» installation and performance centres on an allegorical painting which depicts, with great absurdity, how we use and abuse our fruits and resources on this planet to fulfil our own desires.

While Martha Mayer Erlebacher has certainly studied the history of art, and has looked hard at the rich tradition of allegorical painting, she is neither a neo-Classicist nor a rigid adherent of any theory of contemporary narrative painting.

There is no accompanying press release or sneak preview of what is to come, however we can expect a usual dose of the Berlin - based artists» surreal and allegorical painting installations.

The piece is centred around an allegorical painting that depicts how we on Earth use and abuse fruits and resources to fulfil our own desire.

West Gallery & Off Site: Christopher Columbus Headquarters Toronto artist Brian Scott will erect a walk - in allegorical painting / relief within a tent.

In a fiery allegorical painting by Mr. Price, Old Glory appears to be losing its stars.

Jones and Roa seek to advance these dialogues into the future, yet they are also keenly aware of art historical precedents, including allegorical painting, gestural painting, anti-art and performance art.

Hugh Steers (1962 — 1995) was celebrated for his allegorical painting that captured the emotional and political tenor of New York in the late 1980s and early 1990s, particularly the impact of queer identity and the AIDS crisis.

A highlight of this section includes an astonishing allegorical painting of David which has been traditionally considered to be a self - portrait (Melbourne, National Gallery of Victoria).

This allegorical painting illustrates Revelation 3:20: «Behold, I stand at the door and knock.

Among the paintings are portraits, still lifes, landscapes, and allegorical paintings, while the objects include sculptures, commercial signs, furniture, and household objects.

Ged Quinn specializes in allegorical paintings that include contemporary images in idyllic scenes based on classical paintings such as the pastoral works of Claude Lorrain and Caspar David Friedrich.

Modeling her CG animations on the allegorical paintings of Casper David Fredrich, Fu continues her aspirations in the sublime from her painting background into experimental digital media, exploring the nature of physical and metaphysical limits, as the work also mirrors the fundamental aspect of Chinese Traditional Landscape Painting, which often presents a type of virtual space where the significance of the individual and linear perspective is blurred into a voluminous landscape.

This style, with its decorative patterns and colors, departed from the artist's earlier experiments with Duco industrial paint, as well as his previous volumetrically rendered allegorical paintings.

Rather than producing cold or slick abstractions, his are self - described «figurative, narrative, and allegorical paintings» that are highly emotional.

Bizarre and beautiful, Laurie Hogin's allegorical paintings raise issues of consumerism, sexism, and environmental degradation.

Highlights include Jan Brueghel the Younger's 17th ‐ century allegorical paintings of the five senses that invite visitors to consider their own experiences of the world.

As a young artist, Guston made politically charged allegorical paintings that looked back to Italian Renaissance painters, particularly Piero della Francesca.

Although Velasquez drew a lot as a child, he did not consider becoming a professional artist until he took a painting class at Palo Alto College taught by Lloyd Walsh, one of San Antonio's most respected artists who is known for oddball allegorical paintings of weird animals or quirky still life subjects.

Thoroughly educated at Ruskin in Oxford, the Slade School of Art in London, the Kunstakademie in Dusseldorf, and the Rijksakademie in Amsterdam, Quinn has created throughout his three - decade - long career rich and often polemical allegorical paintings with as much intellectual weight as emotional depth.

In his upcoming exhibition «Strange Math» at Roq La Rue Gallery in Seattle, Viner offers a cinematic narrative in a series of new allegorical paintings.

We understand that you berated our nominator at some length following the article for utilising anecdotal and circumstantial evidence, even though such data - for example allegorical paintings by Breughel - are frequently used by scientists such as Phil Jones and Professor Brian Fagan to usefully illustrate the deterioration in the climate in the 16th century.

Not exact matches

A more pictorial and naturalistic but no less conceptualized variation on this approach is the popular painting by William Holman Hunt, The Light of the World (1851 - 1853), in which Christ knocks at the allegorical door of the heart, waiting to enlighten it with his lamp of truth.

Luckily, there's plenty of allegorical beef for everyone, as Grau paints a vivid picture of Mod Madness in steady, deteriorating orbit around the entropy and hedonism of the time — sprinkling it liberally with a disdain for dictatorships Grau no doubt nursed whilst working under the heel of Francisco Franco's regime.

Love And Death is Woody Allen's tribute to the world painted by Russian literature, a world that is harsh, allegorical, philosophical and very serious.

Opie has posed Streb against a black drop cloth and uses theatrical lighting to create a formally classical portrait that recalls seventeenth - century painting with allegorical dimensions.

EUROPEAN and AMERICAN paintings framed by Gill & Lagodich include (in alphabetical order): Milton Avery, Conversation in Studio, 1943; Jules Adolphe Breton, The Song of the Lark, 1884; Elbridge Ayer Burbank, six Native American portraits, Kah - Kap - Tee / Moqui, Wick - Ah - Te - Wah / Moqui, Ko - Pe - Ley / Moqui, Pah - Puh / Moqui, Shu - Pe - La / Moqui, Ho - Mo - Vi / Moqui, 1898; Gustave Caillebotte, Paris Street; Rainy Day, 1877; William Merritt Chase, North River Shad, c. 1910; Thomas Cole, New England Scenery, 1839; Jasper Cropsey, Blasted Tree, c. 1850; Gustave Courbet, Reverie (Portrait of Gabrielle Borreau), 1862; Thomas Doughty, Coming Squall (Nahant Beach with a Summer Shower), 1835; Thomas Eakins, Study for «William Rush Carving His Allegorical Statue of the Schuylkill River», c. 1876 - 77; DeScott Evans, The Irish Question, 1880s, Marsden Hartley, The Last of New England — The Beginning of New Mexico, 1918/19; George Hitchcock, Flower Girl in Holland, c. 1887; Winslow Homer, Peach Blossoms, c. 1878; Edward Hopper, Nighthawks, 1942; George Inness, Crossing The Ford, 1848; George Inness, Summer in the Catskills, 1867, George Inness, The Mill Pond, 1889, George Inness, Early Morning, Tarpon Springs, 1892; George Inness, The Home of the Heron, 1893; George Inness, After A Summer Shower, 1894, Joshua Johnson, Mrs. Andrew Bedford Bankson and Son, Gunning Bedford Bankson, 1803/05; Otis Kaye, Heart of the Matter, 1963; Fernand Leger, Reclining Woman, 1922; Fernand Leger, Still Life, 1926; Edouard Manet, Still - Life with Carp, 1864; Edouard Manet, Bullfight, 1865/66; Julius Gari Melchers, Mother and Child, c. 1906; Jean - Francois Millet, In the Auvergne, 1866/69; Jean - Francois Millet, Bringing Home the Calf; Jean - Francois Millet, The Shepherdess; William Sidney Mount, Bar - Room Scene, 1835; Camille Pissarro, The Place du Havre, Paris, 1893; Severin Roesen, An Abundance of Fruit, 1860; Albert Pinkham Ryder, The Essex Canal, 1896; John Singer Sargent, Venetian Glass Workers, 1880/82; John Singer Sargent, Thistles, 1883/89; John Singer Sargent, The Fountain, Villa Torlonia, Frascati, Italy, 1907; Elihu Vedder, The Fates Gathering in the Stars, 1887; Charles Wilbert White, This, My Brother, 1942; Hale Woodruff, Twilight, 1926; and more...

Green's paintings celebrate plant forms enveloped in darkness, but illuminated by starry skies; migrating butterflies driven by their near mythic celestial navigation systems; and African Weaver Birds displaying their spectacular nest - making skills in surreal and allegorical settings.

This discussion will probe the allegorical as a function within painting and photography, and specifically in relation to the mythological and psychological resonances within Charlesworth's own practice.

His April - May 2009 exhibition at Postmasters Gallery presented five projects based on the same concept (one of them a video), and made over the last several years, with the selection of sites alluding to Thomas Cole's series of allegorical landscape paintings (at the New - York Historical Society), «The Course of Empire.»

It was also in New York that Thompson quickly arrived at his mature style, taking Dody Müller's advice to heart by reworking the compositions of European Masters such as Piero della Francesca, Nicolas Poussin, and Jacopo Tintoretto into simplified, abstracted forms painted in threatening and seductive tones that were hot and violent or deep and dark — seizing on the dynamism of these classical scenes and often transforming them into contemporary allegorical nightmares.

Bortolami is pleased to announce Fortune, Jutta Koether's second solo exhibition with the gallery, coinciding with a reprint of the artist's 1987 novella f. On view from May 9 through June 6, 2015, this exhibition presents a new series of paintings that both reference and depart from the allegorical figure of Fortune's wheel.

While the paintings thematize everyday leisure on the NYC streets in the seventh decade, certain allegorical motifs so typical for OSGEMEOS's work, the sound installation titled White Carnival depicts the brothers in a formation similar to a choir.

Paladino's figurative paintings are invested with emotive religious, and spiritual imagery, which form allegorical tableaux.

Their relationships to social, political and philosophical expressions of feminism are as diverse as their work in sculpture, painting, drawing, video, installation, collage, assemblage and the wearable — yet all six directly consider the literal and allegorical ways in which the female body occupies both physical and semantic space in the modern world.

It is rendered in a graphic, illustrative manner, and could be a relic from the 1980s, when neo-expressionism and a revival of allegorical figurative painting was prevalent.

But that reality is translated as «iconographic and allegorical; it evidences Masamvu's ongoing interest in the narrative potential of painting, this in spite of his increasingly abstracted painting style.»

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

In other paintings we are shown hospital interiors featuring institutional corridors that Bartlett portrays in precise detail (note the handrails and wall - phones) even as she transforms them into vibrant, near - allegorical visions.»

In his more recent body of work, titled Flat Screen Nature (2012 — current), Goode uses an industrial hand saw to cut through sheets of painted fiberglass, creating allegorical landscapes of jagged edges and menacing peripheries; the artist's visual vocabulary comes full circle to represent our environment's vulnerable sky, land, and sea.

His boundary - blurring, confident fluency in a range of urban and atelier vernacular modes of narrative, allegorical, depictive, expressive painting and sculpture, as well as bold architectural siting, yield an engaged, active scholarliness with shades of Noah Purifoy, Leon Golub, Barry McGee, Robert Rauschenberg and Romare Bearden.

Many of the allegorical elements in and around Gortner's primary figures are parts from other artists» paintings; segments that Gortner cuts out, arranges, staples and glues as a foundation upon which he paints.

The setting is loaded with allegorical details to rival any Hans Holbein painting: patterned fabrics, posters for Chris Ofili and Lauryn Hill, photos of musicians and pop stars, and ads for Ultra Glow and Dark and Lovely.

The 16th - century Low Countries painter Pieter Aertsen pioneered a new genre of large - scale art: the market scene, which combined the virtuoso rendering of materials prevalent in still life paintings with a human element that often had an allegorical subtext.

Through allegorical representation, my paintings portray shared dramas experienced by humans and animals alike — survival, deceit, wonder, anxiety, aspects of change, and transition.

Paul Pretzer paints scenes depicting fabulous creatures engrossed in absurd acts with allegorical still - life arrangements.

Reflecting on the Parsons exhibition, Rauschenberg was unusually self - critical, admitting «how completely indulgent» he had been when he started painting.47 He acknowledged that the works were youthful attempts at producing «allegorical cartoons, using abstract forms.»

Dennis Rudolph is a German artist who creates landscapes, portraits and allegorical scenes in oil paint and graphics.

Additional paintings reflect upon lived and imagined experiences the artists share, including allegorical motifs such as water and the moon and stars, which have long appeared in their work, rendered vividly to conjure a lucid dream state.

In addition to the formal, art - historical reference found in her paintings, Schulnik draws inspiration from the works of Hans Christian Anderson and The Brothers Grimm, interweaving the dark realities of iconic stories in to her own «allegorical odyssey.»