«Fantasy,» a remarkably early
allover abstraction from 1936, is contemporary with beautiful, often sharply political, Social Realist works.
Perhaps most significantly, Schapiro's compositions are not
allover abstractions, and that not alloverness — the fact that each presents a figure on a ground — is the one element that could be interpreted as a subtle critique of the Greenbergian imperative to deemphasize figure and privilege the totality and immediacy of ground.
Since that time, through several further changes in vocabulary, Marden has continued to explore linear networks as the basis for ambitious,
allover abstractions.
Not exact matches
Abstraction is uniquely autobiographical for Channing Hansen, who composes vibrant knitted paintings determined entirely by an algorithm built from his DNA sequencing, and Zachary Armstrong, who will create a site - specific installation for Inherent Structure by covering the lower lobby wall in an
allover print based on his brother's childhood drawing.
Many of the artists were influenced in some degree by the «
allover»
abstraction of the 1970s, particularly the paintings of the Americans Jules Olitski and Larry Poons.
Drawing fluidly upon modernist and postmodernist approaches to
abstraction, Schuyff uses the language of paint to marry seemingly irreconcilable elements: biomorphic shape and algorithmic repetition,
allover flatness and tightly rendered drop shadows...
Influenced by both Henri Matisse and Jackson Pollock (he saw a show of Pollock's in 1951), Bluhm made his first mature
abstractions —
allover fields of transparent washes — in the early»50s, while living in Paris.
Influenced by both Henri Matisse and Jackson Pollock (he saw a show of Pollock's in 1951), Bluhm made his first mature
abstractions —
allover
The exhibition «Alex Katz - This Is Now» features 35 landscapes in which Katz utilizes a «grammar of
abstraction», which includes the expansive
allover treatment of his canvases, to capture what he calls «the present tense», or the simultaneity of vision and awareness.
The exhibition features 35 landscapes in which Katz utilizes a «grammar of
abstraction,» which includes the expansive
allover treatment of his canvases, to capture what he calls «the present tense,» or the simultaneity of vision and awareness.
Three years ago, Armstrong turned the image into a stamp, using this tool to create an
allover pattern and overlapping the figure to the point of
abstraction.
He experimented with the dominant and emerging styles of the late 1940s, particularly Abstract Expressionism and Surrealism, eventually developing a personal style of
abstraction focused on dripping, cell - like forms, an
allover instability, and sensitivity to color and light, as in Opposites (1950).
Although Ms. Freilicher (pronounced FRY - licker) studied with Hans Hofmann, the influential teacher and theorist of
abstraction, she put her expressionist style of paint - handling and
allover approach to the canvas at the service of recognizable images, a course that made her an outsider in an era dominated by
abstraction.