Sentences with phrase «allow for painters»

Not exact matches

It's much more durable than painter's tape and allows for more creativity in terms of shapes and patterns.

The painters and sculptors of the Italian Renaissance are most noted for their melding of religion and realism; the Romantic movement in England, appropriately, centered on the artist's individual feelings and motivations while still making the language accessible to the common reader; China's Tang Dynasty allowed art and poetry became more popular among the middle and lower classes than ever before, and while landscapes and nature remained the focal point of most art, increased contact with new foreign countries expanded their own artists» techniques.

Given his stature, and because it is for works other than these that Watteau is best known, this exhibition is especially rewarding since it allows for a clear - eyed appraisal of a painter on the cusp of making his greatest works.

Upon finishing college he was accredited as a painter by Burgoyne Diller, which allowed him to work from 1936 until 1940 for the WPA Federal Art Project, easel division.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

«My travels in Finland allowed the opportunity to create a portrait of a time and place where support for the arts has been strong, and the notion of the painter as a respected cultural worker is palpable,» said O'Brien.

«For painters, [the city] was a compost, [which allowed you to be] a citizen of a certain nation and [experience] currents of international activity.

An accomplished painter for many years, Yangyang's trust in her brushstrokes and confidence in her palette allow her work to expose a freshness that will not be contained.

The Korean - born painter and sculptor was a key figure in the avant - garde movement Mono - ha, in which representation was set aside for restrained abstraction that allowed a renewed focus on materials.

Abandoning for good his wood work, he now began to draw extensively, which allowed him to explore the automatism that Abstract Expressionist painters were boasting at the time.

Before joining the Art Academy, Polke trained as a glass painter so this site - specific work allowed him to apply that which he had learned as a young man in combination with his interest in various materials and fascination for the art history canon.

You can see this trend in the revival of the career of, for example, the 74 - year - old American painter Judith Bernstein, or the recent change in the Turner prize rules that allows artists over 50 to be shortlisted — meaning that Lubaina Himid, at 62, is this year's early favourite.

American Folk artist and Naïve painter, Steve paints in a primitive style as «an expression of optimism», allowing for the use of bright vivid colors, simplicity of forms, details and diverse subject matter.

London - based painter Tomma Abts, for example, is primarily concerned with precision, form, and illusion and has said she allows the image to develop from the process of creating itself.

The Italian painter Lucio Fontana also made a name for himself in the 60s with his «slashed» canvases, allowing the spectator to see through the picture plane to the three - dimensional space beyond, which itself becomes part of the work.

Brooklyn - based painter Keltie Ferris creates marks — smeared, sprayed and hand - painted — that solidify or dissolve into abstractions with a sense of perceptual depth that allows for multi-dimensional readings.

However, for some painters, and Diebenkorn is certainly among them, there is always one fundamental question: what is specific to painting, sovereign to painting, that allows it to find its own place in the world?

It could be that overt contemporaneity is essential for some painters in the sense that the new technologies in image manufacture, appearance and dissemination (Walter Benjamin's, The Work of Art in the Age of Mechanical Reproduction, is of course a key text) are programmatically allowed to impact on their practice — though I would argue that Auerbach's daily record of his interaction with painting his portraits and urban street views are as contemporaneous, and empirical, as you can get.

Londonbased painter Tomma Abts, for example, is primarily concerned with precision, form, and illusion and has said she allows the image to develop from the process of creating itself.

I think if she wants painted cabinets bad enough to save up for a professional painter, he should allow her to have them professionally sprayed.