Sentences with phrase «allow paint effects»

Not exact matches

The glowing sphere at the top of the controller contains LEDs in a full range of colors, allowing it to simulate effects such as the muzzle flash of a gun or the paint on a brush.

Daniel Barnz seeps into and out of the story like a fly on the wall, allowing us to take in his subject with all her scuzziness intact, not trying to paint a pretty picture so much as replicate the after effects of a fatal accident.

As such, where he allowed his actors to do almost all of the heavy lifting in The Conjuring, notably an award - worthy turn by Lili Taylor that was never given the recognition it deserved, here he gets obsessed with painting a lot of nonsensical visuals utilizing some rather shaky CGI effects.

In these works, the expressionist brush strokes of his early paintings are replaced by the effects of a vapor evaporator, a piece of specialized machinery that allowed Bell to apply subtle gradations of translucent color.

While each adjustment is undertaken to orchestrate and tighten the relation of each pictorial unit to every other pictorial unit, to secure formally the integrity of each painting as a whole, the overall effect of the process is also to enliven the space, to acknowledge its flatness while simultaneously allowing it visually to twist and warp and bend, to project and recede, to be positive and negative — and thus to explore and personalize what's become natural to pictorial space since Cezanne and Cubism radicalized it more than a century ago.

Seery no longer allows himself any painting for effect - not that he ever emphasized that, but it used to be an arrow in his quiver, and now, instead, he paints for energy.

Relying on the thinner quality of acrylic paint compared to oil, Nara creates each painting by adding and removing pigment until he reaches his desired effect: a canvas made up of suspended hues that allows the figure to emerge through layers of color, inviting the viewer to stand still and enter a moment of contemplation.

She gets these effects by allowing the paints to interact with each other: «I work in terms of transparencies, flood one color on top of another,» she says.

Værslev often themes and challenges the process of painting by allowing outdoor conditions to take their effect or by making use of untraditional painting implements, like defect spray cans or equipment used to paint roads and sports arenas.

You want to paint stunning images that friends and family marvel at but you don't have the time or patience to spend hours and hours on a painting... Marion's wet - in - wet method allows to create eye - catching effects in a fraction of the time.

Grosse's works» varying lines, shading, and spray paint use allows them to unfold in different ways, with blurred and unfocused pieces leaving a strong, indirect effect on the viewer.

Her transition to acrylic paint (largely in the 1960s) allowed for different kinds of color, and different edge effects, but the larger opportunities of surface and space and interrelationship continue.

Named after their place of origin, where the artist took a sabbatical year from teaching in 1962 - 63, these paintings embrace dark silhouettes that establish a haunting effect, allowing for a more direct relationship between the viewer and the painting.

Davis developed his hard - edge stripe paintings in the late 1950s to minimize the effects of brushwork and composition, allowing him to experiment purely with color.

In the exhibition catalogue, Carolyn Lanchner, retired Curator of Painting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a pPainting and Sculpture at The Museum of Modern Art, writes: Jaffe's manipulation of the visual takes the basics, lines, forms, colors, and allows them every freedom her extraordinary imagination can devise, while vigilantly suppressing any errant tendencies towards tactile effects on a uniformly flat surface without material density -LSB-...] Explaining her procedures, she once described how she holds off as long as possible choosing among the «myriad solutions» that occur to her during the making of a paintingpainting.

But in their catalogue essays, the show's organizers — Ann Eden Gibson, associate professor in the department of art at the State University of New York at Stony Brook and Jorge Daniel Veneciano, curator of exhibitions at the Studio Museum — present labored arguments to the effect that even in paintings other than the «Klansmen» compositions, black served Lewis as a metaphor for the African - American experience, allowing him to make political and social references without specifics.

Likewise, he often allows the physical properties of paint to dictate the outcome of a painting, frequently working «wet - on - wet,» which creates effects where different colors meet and blend, or allowing the length of a line to be decided by the amount of paint picked up by a brush.

Philadelphia has a very narrow street grid which - unfortunately - doesn't allow for ample room to paint bike lanes in many neighborhoods, but it does have the effect of producing streets where cars and bikes are sharing the road at a reasonable speed.

Painting beneath the dado height in a darker colour creates a cocooning effect, but choose a shade that allows the headboard to be the hero.

Allowing blue paint to drip down the walls has created a unique effect in this colourful living room.