Sentences with phrase «almost as collages»

The vast interiors are the best things here: strangely surreal spaces, their planes of acrylic oddly textureless and appearing almost as collages.

Not exact matches

never married got tattoos and after collage i went got my mr peanut tattoo and now ive got 5 tatts and ive been in col for almost 11 yrs now just paid off my house and as of now yes im still the wild child

Unfixed inside the cassettes loose leaf, so to speak, the material is subject to the same provisionality and indeterminacy known to characterize the sculpture, and as such, functions as unstable elements of what could almost be considered living collages.

The brilliance of Untitled [black painting with portal form] is that one can simultaneously appreciate the artist's complex handling of paint across an array of uneven surfaces while acknowledging the ways that the artwork, in its use of newspaper as a formal and almost sculptural element, bridges painting, collage, and assemblage.

By that time, she had spent almost two decades collaging found images to expose and manipulate the ideological structures that underpinned photography, crafting series such as «Modern History,» 1977 — 79, for which she excised the text from the front pages of newspapers so that the size and position of the remaining images — of statesmen or a solar eclipse or a masked Sandinista guerrilla — laid bare a visual grammar of power.

As for Synthetic Cubism, typically characterized by the incorporation of collage and papier colles into the painting, Leger avoided this almost entirely, favouring instead an increasingly abstract art, featuring conical, cube - like forms within rough areas of primary colours plus green, black and white, as exemplified by Contrast of Forms (1913As for Synthetic Cubism, typically characterized by the incorporation of collage and papier colles into the painting, Leger avoided this almost entirely, favouring instead an increasingly abstract art, featuring conical, cube - like forms within rough areas of primary colours plus green, black and white, as exemplified by Contrast of Forms (1913as exemplified by Contrast of Forms (1913).

This piece fit perfectly next to Michelle Stuart's square works on paper from the Codex series, that use earth from a locale at their center for an almost painterly core surrounded by C - print photographs that, like Beard's collage, act as a colophon surrounding the central mass.

The artist wryly refers to her compositions as «arranged marriages» in which imagery is painted, repainted, and edited directly on the canvas, an almost masochistically longhand form of collage that is at odds with the speed at which we consume images today.