Sentences with phrase «almost immaterial»

The actual numbers are almost immaterial here, as the devices run different software platforms.

Or perhaps it's better to say that the opportunities are all around us, but that given the imminence and magnitude of the threat, our means seems strangely abstract, almost immaterial.

The degree of the danger is almost immaterial.

In sharp contrast to Turrell's «weightless, almost immaterial work» are Bourgeois» highly personal marble sculptures exploring the body, some of them so heavy — around 15 tons — that they've never left her studio, he said.

Baltz's unique pictures are strikingly cool and emotionless, appearing technical, thin, and almost immaterial.

«Tim Etchells» artistic medium is almost immaterial, yet they transform the vitrine into a manifesto of perception.»

The sculptures have vulnerable and almost immaterial qualities that stand in contrast to the sand's rough surface.

Whether this was in the breed from the beginning, or whether it is widespread or principally one breeder's production is almost immaterial, as it appears it is in the breed now, and it might be detrimental to the clubs and to the breed if a purge were initiated.

Price hasn't been set but it's almost immaterial if it's $ 150,000 or $ 500,000.

Absolute speed is almost immaterial in this getting - to - know - you process.

ko») so transporting that the overarching plot becomes almost immaterial: Sometimes the middle matters.

What happens after the election is, rhetorically, almost immaterial.

It must also be remembered that at this heat level, the differences are almost immaterial.

Not exact matches

Composed almost entirely of immaterial gestures, Imhof's work exists at the intersection of contemporary dance and -LSB-...]

These objects in the installation almost act as a gateway from the physical world into this immaterial place.

Whether as anti-art, institutional critique, conceptualism, exploration of the immaterial or the dematerialization of the art object, the empty or near empty gallery has been a mainstay of contemporary art for almost fifty years.

Their strikingly vivid and immaterial backgrounds and clusters of colour are formed by an almost alchemical process, stemming from the artist's physical relation to natural elements and phenomena.

Thus, the objects gain a singular and almost otherworldly quality, appearing at once physical and immaterial through his application of color.