And that's exactly what's great about it: I never felt like I knew where it would go, or that it was straining to fit a traditional narrative structure; I just became absorbed in the daily (and nightly) struggles of this one human life,
an almost invisible man in New York City.
Not exact matches
... one can change human institutions, but not
man; whatever the general effort of a society to render citizens equal and alike, the particular pride of individuals will always seek to escape the [common] level... In aristocracies,
men are separated from one another by high, immovable barriers, in democracies, they are divided by a multitude of small,
almost invisible threads that are broken every minute and are constantly changed from place to place.
This is important for all guys who want to build a powerful - looking chest, and it's especially important if you have
man boobs, because a thick, muscular upper chest can make your
man boobs
almost invisible!
I see older people with disabilities all the time, particularly
men, they live a subsistence level life and it's
almost as if they are
invisible, no one even sees them yet alone pays them any mind.
While maybe not the imperative at the time, the exhibition reveals that indeed this phenomenon has happened to a number of the key works, such as Longo's «
Men in the Cities» (1979 — 82) and Sherman's «Untitled Film Stills», which are now so familiar that they have become
almost invisible as art works and symbols of our visual culture.