REMARKABE EXPEDITION With Tony Oursler's singular,
almost living objects, we are presented with an untraditional exhibition of video art focusing on the interaction between public and work.
Not exact matches
Science also studies
living organisms, but this is
almost exclusively a study of organisms as
objects and not as subjects.
In
almost every lecture, but especially in the lectures on Conversion and on Saintliness, we have seen how this emotion overcomes temperamental melancholy and imparts endurance to the Subject, or a zest, or a meaning, or an enchantment and glory to the common
objects of
life.
I know its a structure made from cement and steel etc. but to me stadiums are
living, tactile,
almost breathing
objects.
The exhibition hints at a uniqueness,
almost individuality, of
objects when their «
life story» is recorded online.
As animals have increasingly become family members who
live inside with us, often sleeping with us in our beds, and as we incorporate our companion animals into
almost every aspect of our
lives, including eating out and travelling, and as we take steps to provide for our «fur babies» in our wills, treating them as inanimate
objects just doesn't jive with their status under most laws.
Investigating photography's relationship with reality, Letinsky began by photographing people but shifted to focusing
almost exclusively on
objects in the form of the still
life.
The project has its roots in the prescient
life's work of William S. Arnett, an Atlanta collector who devoted decades to assembling thousands of
objects by
almost 200 artists from the Southeastern United States.
SYNTHETIC SEDUCTION explores how technology is striving to bridge the gulf of the uncanny valley (the notion that humanoid
objects that appear
almost, but not exactly, like real human beings elicit uncanny feelings of eeriness and revulsion in observers) to make personal devices as
life - like as possible.
Seeking to give weight and volume to everyday
objects, Cézanne, during the course of four decades, created
almost 200 paintings of still
life.
The still
lifes imply narratives: in Still
Life # 60 (1973), a huge six - part work measuring
almost thirty feet in width, the
objects, which appear to be the contents of a woman's purse, suggest a human presence; a visitor who has placed her belongings on a bedside table.
However, his paintings are
almost always based on miscellaneous
objects and visual information that he gathers from everyday
life: the accumulation of lint on an old comforter; random images seen online; or the geometric patterns on a package of sponges.
«The floating, colorful everyday
objects merge into a single entity, an
almost living organism that modulates, attempting to find a poetic balance between space, electricity, and relationships.
Almost any type of material or media can be utilized, including natural or man - made
objects, painting and sculpture, as well as recent media such as film, animation, various forms of photography,
live performance art (including happenings), sound and audio.
It was a new academy
almost, it took the position of academic art, and I gather you feel that in part the Pop artists, whoever they may be, were responding or reacting against that, beyond any involvement with
life and commonplace
objects, these being tools or whatever they may be, that in fact they were responding within a fine arts context to what was then being held up as the way, the correct way to do something.
Then again, one roomful of minimal sculpture makes
almost as much sense in «Still
Life,
Object, Real
Life» as another does in «Nude, Action, Body.»
Abstracted figures and
objects come together in Technicolor scenarios that hint at an
almost surrealist sensibility, while still based firmly in the realm of physical space as rooms such as kitchens or
living rooms become concretized.
Bits and Pieces transforms the gallery into an
almost living organism through the choreographed movements of ordinary
objects.
These include: JMW Turner (a painter arguably 50 years ahead of his time); Claude Monet (the first revolutionary of modern painting); Ilya Repin (the first painter to capture the authentic detail of
life in Russia); Picasso (for his mastery of figurative and abstract art in
almost all media); Marcel Duchamp (the pioneer of Dada and
Object Art, from which Conceptual Art emerged); the husband and wife team Christo and Jeanne - Claude (empaquetage, or packaging); Andy Warhol (the first and arguably greatest postmodernist); Gilbert & George (
living sculptures); Damien Hirst (art's greatest self - publicist) and of course the graffiti terrorist Banksy.