The three vertical panels, in addition to referencing the traditional triptych format, appear to be
horizontally subdivided into three regions: a relatively quiet area
along the top, bordered by a long squeeze of red paint that crosses the
surface from left to right; a densely layered strip across the center, where the majority of the collaged elements are concentrated; and a band of brightly colored stripes that fills the bottom.
Its meager painted elements consist of thin, mechanically crisp lines and bars of blue enamel, mostly
along the edges but also trisecting the
surface horizontally.