Sentences with phrase «alongside archive material»

This two - part exhibition presents the photographs of artist Gunnie Moberg alongside archive material and films by the influential filmmaker and writer Margaret Tait.

Not exact matches

It makes good use of archive material, with George Osborne's declarations that «we're all in this together» made to look increasingly ludicrous alongside footage of tenants facing eviction and low - paid cleaners toiling through night and day.

in Los Angeles has acquired the Joanie 4 Jackie collection (some 300 videos, documentation and press materials) from July, contextualizing the project within feminist and queer history, alongside the archives of, among others, the Guerrilla Girls and Robert Mapplethorpe.»

Sculptures made in steel and alabaster, each illustrating reoccurring themes in Chillida's work, will be shown alongside works on paper, and source materials from the archive of the artist.

Ideas of exchange, circulation and migration are considered through large - scale sculptural installations, painting, collage, video and textile works, alongside displays of archive material relating to John Robinson Whitley and an off - site billboard project which runs between the north and south of the city.

Alongside these the artist juxtaposes research material taken from northern archives and new film footage taken in the West Riding.

Other notable works in the exhibition are Swamp (1971, in collaboration with Robert Smithson), Locating # 2 (1972), Boomerang (1973, in collaboration with Richard Serra), Points of View (1974), a four - monitor installation and Revolve (1977), alongside materials from early moments of Holt's career that have been selected from the artist's archive, which has only now become available for exhibition and study.

The show, Parkinson writes, features «works by Andrew Bick, Stuart Elliot, Robert Holyhead, Clare Kenny, Maria Lalic, Karim Noureldin, David Rhodes, Cullinan Richards, Brandon Taylor, exhibited alongside a «museum» of printed matter related to British Construction and Systems Art... I have the sense of a past that is locked, only partially accessible via faded documents, memory and influence, as if the works on the wall are familiarly connected to the archive material or they can be interpreted as having evolved from a «constructive context,» some more consciously connected to the base than others, like the system formula that eludes my attempt to discern it, or like Noureldin's drawings wending their way through various permutations, continually repeating and changing, awareness of the past leading to an informed openness to an unknown future.»

Alongside the written history is an exhaustive visual retrospective, including game imagery, photographs, archive material, design documents and never - before - seen inklings of unreleased games — all packaged in a stunning high - spec book with a fold - out jacket.

Bringing together more than a decade of the artist's acclaimed work, this unique exhibition includes several of her largescale sculptural installations alongside paintings, works on paper and archive materials.

Alongside this, the artist presents fabric works and an installation of a large woven braid, continuing the theme of found materials — a sense of collective archive — which she creates in her wider oeuvre.

Other highlights in the exhibition include Swamp (1971, in collaboration with Robert Smithson), Locating # 2 (1972), Boomerang (1973, in collaboration with Richard Serra), Points of View (1974), a four - monitor installation, and Revolve (1977), alongside materials from early moments in Holt's career that have been selected from the artist's archive, which has only recently become available for exhibition and study.

Curated by Candice Allison, the exhibition includes recent and previously unseen work: photographic prints, drawings, oil paintings, video, and installation; alongside paintings from the National Gallery of Zimbabwe's permanent collection, material from the National Archives, and Chiurai's own personal archive of propaganda posters and vinyl records.

Alongside a substantial visual catalogue of Oursler's archive, organized by the artist, this publication gathers a large number of newly commissioned texts by scholars, historians and fellow enthusiasts for material that certainly lies outside the mainstream.

Alongside works from Australian and international collections, including the exhibition copy of Smithson's sculpture Enantiomorphic Chambers (1965/1999, illustrated above) from the collection of the Holt - Smithson Foundation, Time Crystals presents an extensive display of Smithson's manuscript and archival material drawn from the Robert Smithson and Nancy Holt Papers held at the Smithsonian Institution's Archives of American Art in Washington DC which was donated to the Archives by Nancy Holt.