Michie's collages featured fragments of ties, belts, suit jackets, and shirts
alongside photographs of people with their faces cut out.
Not exact matches
Henry Taylor's suite
of paintings (exhibited
alongside photographs by Deana Lawson) are both scruffy and bold; emotive evocations
of people cooking, looking at a horse in a field — or being shot dead in their car.
The project combines
photographs of the technical processes involved in cyronics,
alongside portraits
of the
people engaged in the quest to overcome the «problem
of death».