Sentences with phrase «alongside seminal works»

On view in both Dominique Lévy and Galerie Perrotin's spaces at 909 Madison Avenue, the exhibition introduces fourteen recent paintings from the artist's ongoing Outrenoir series alongside seminal works created in the 1950s and 1960s.

In this major exhibition is presented for the first time, the works of such artists as Henri Rousseau, André Bauchant, Séraphine Louis, Martín Ramírez, and Bill Traylor alongside seminal works of modern and contemporary art by Honoré Daumier, Paul Gauguin, Pablo Picasso, and, more recently, Blinky Palermo and Mike Kelley.

Not exact matches

Designed by Jake Kazdal, who worked alongside Tetsuya Mizuguchi on the seminal shooter Rez, it's a good - looking game too.

Expect the work of Coco Capitan, Charlie Engman, Johnny Dufort, Marton Perlaki and Zoe Ghertner amongst others, alongside seminal, specially commissioned editorial images from the magazine archives of British Vogue, AnOther, i - D, Interview, The Gentlewoman, Double and Self Service.

This seminal painting, alongside the other works in the show, call into question the current political climate and what the future may hold.

Our Post-War and Contemporary Art Evening Auction features work by some of the most revered figures in 20th and 21st century art, with Andy Warhol's seminal pop portraiture and the visceral action painting of Jackson Pollock offered alongside superb pieces from the likes of Francis Bacon, Jean - Michel Basquiat, Lucio Fontana and Peter Doig.

In our Evening Auction, seminal works from Pollock, Bacon, Warhol and Basquiat appear alongside Italian masters like Fontana, Burri and Boetti, with pieces by Peter Doig, Mark Bradford and Cecily Brown representing the best in contemporary painting.

Art enthusiasts will have a unique opportunity to see seminal Carlo Carra paintings and rare works alongside archive documentation and photography.

The lively paintings were celebrated, winning her a solo museum show at the de Young as early as 1957 and a spot in the Guggenheim's seminal 1954 group exhibition «Younger American Painters» alongside de Kooning, Pollock, Franz Kline, and more — though it's only recently that the historical influence of her work has been recognized and revived.

We also have a very exciting show coming up in New York in May, presenting seminal works by the pioneering conceptual artist John Latham, alongside work by the Benedictine monk and influential cultural figure, Dom Sylvester Houédard.

There is also an opportunity to preview a selection of artists representing countries in the Venice Biennale later in May, from Carol Bove, representing Switzerland, whose work will be on view alongside the photographer William Eggleston at David Zwirner's (New York, main) stand; the seminal artist Geta Bratescu, representing Romania, showing alongside experimental conceptual artist Lia Perjovschi with Ivan Gallery (Bucharest, Focus); and the sound and media artist Samson Young, representing Hong Kong, showing with Galerie Gisela Capitain (Cologne).

The exhibition brings together seminal works by radical artists who came to prominence in the late 1960s and early 1970s, alongside works by younger artists from Amsterdam, Belfast, Lisbon, Glasgow and London.

Political work on toilet attendants will be at fair alongside seminal 90s art from Wolfgang Tillmans and Richard Billingham

An outspoken critic of Israeli government policy, Rosen's work addresses some of the ethical dilemmas underlying social reality in his native Israel and we are showing two seminal works, an immersive installation and a film, alongside a striking large scale new artwork created especially to cover the entire window façade of Rivington Place.

His seminal art of critique is shown alongside work by Maria Loboda, Darcy Lange, Kerry James Marshall and others.

Venice Biennale Artists Frieze New York will also be an opportunity to preview many artists representing countries in the Venice Biennale, including: Carol Bove, representing Switzerland, whose work will be on view alongside the photographer William Eggleston at David Zwirner's (New York, main) stand; the seminal artist Geta Bratescu, representing Romania, showing alongside experimental conceptual artist Lia Perjovschi with Ivan Gallery (Bucharest, Focus); and the sound and media artist Samson Young, representing Hong Kong, showing new work with Galerie Gisela Capitain (Cologne, main).

In 1981, he showed alongside Baselitz, A.R. Penck, Markus Lüpertz and others at the Royal Academy's seminal «A New Spirit in Painting» exhibition, where a young Nicholas Serota spotted his work and offered him a show at the Whitechapel; a retrospective at Tate Modern followed in 2009.

In 1951, following the seminal exhibition Abstract Painting and Sculpture in America at the Museum of Modern Art, Edward Steichen curated the exhibitionAbstraction in Photography, and included Lenz's work alongside work by Erwin Blumenfeld, Josef Breitenbach, Alexey Brodovitch, Harry Callahan, Henri Cartier - Bresson, Ralston Crawford, Walker Evans, Lotte Jacobi, György Kepes, László Moholy - Nagy, Man Ray, Charles Sheeler, Arthur Siegel, Aaron Siskind, Frederick Sommer, Alfred Stieglitz, Paul Strand and Edward Weston.

The Van (Redux) On view in ICA Miami's Atrium Gallery, The Van (Redux) features a seminal but rarely - seen video by Alex Bag, The Van, 2001, alongside a video and a dramatic new site - specific installation that brings the historic work to the present.

The work will be installed alongside seminal examples of Wesselmann's post-collage works, making the exhibition at Almine Rech the most significant presentation of the artist's work in Paris since his 1994 retrospective at the Fondation Cartier, and groundbreaking 1967 exhibition at Illeana Sonnabend Gallery.

Anthony McCall Lismore Castle Arts is delighted to present a solo exhibition by Anthony McCall, bringing together seminal early works such as «Line Describing a Cone» (1973), alongside complex new works such as «Swell» (2016).

Key works from Blake's expansive career will be integrated into the booth, including seminal early work loaned by private collections shown alongside important works that have remained in the artist's collection for a number of years, never seen by the public until now.

Writing about Knowles» work, White Columns» director Matthew Higgs said: I first encountered Christopher Knowles» work in the late 1980s via his artist's book Typings (Vehicle Editions, New York, 1979) and his contributions to the legendary 1978 «Schizo - Culture» issue of the seminal anti-journal Semiotext (e) where his work was framed alongside that of Jack Smith, Jimmy De Sana, Andre Cadere, The Ramones, Kathy Acker, William Burroughs, John Giorno, and Robert Wilson amongst others.

As part of PRAXE»S meticulous investigative series into the performances of Marvin Gaye Chetwynd (previously Spartacus Chetwynd), the first performance - based nominee for the Turner Prize, Bergen Assembly presents an event and exhibition chronicling the return of one of the artist's seminal characters, Jabba the Hutt, alongside an instructional series for collectors and conservators on how to recreate previously enacted works.

Anthony McCall, presents seminal early works such as «Line Describing a Cone» (1973), alongside complex new works such as «Swell» (2016).

Exploring the entanglement of the voice with battleground concepts in HIV / AIDS activism like agency, citizenship, language, representation, inter-subjectivity, and the body, the exhibition weaves together sound and video works, including excerpts from the seminal «Tongues Untied» (1989) by Marlon Riggs, alongside Mykki Blanco's 2016 video of Zoe Leonard's 1992 poem, «I want a president...» directed by Adinah Dancyger.

In this volume, their work is presented alongside their poetic forerunners (seminal texts by Fred Moten and Harryette Mullen are reprinted), newly commissioned poetry by Morgan Parker and Simone White, and a new essay by curator Meg Onli.

The exhibition inaugurated today at QMA Gallery at Katara brings together a fascinating selection of sculptures and drawings from different periods of Serra's fifty - year career, including works from the seminal One Ton Prop (House of Cards) of 1969, on rare loan from the Museum of Modern Art in New York, alongside his more recent work (Double Torqued Ellipse III, 1999), to present the main stages in the development of his work.

Taking its title from composer - philosopher John Cage's Lecture on Something and Lecture on Nothing, concerned with the artist's quest for beauty in the everyday, this exhibition draws together vintage works from the seminal series American Surfaces (1972 - 3) and Uncommon Places (1973 - 9), alongside the more recent Abu Dhabi (2009), Israel (2010) and the never before exhibited series Ukraine (2012).

Ranging in length from 16 to 32 pages, saddle - stitched and printed on varying color stock, the Great Bear pamphlets showcased the work of some of the most innovative writers and artists across the twentieth century: the likes of Jackson Mac Low, Oyvind Fahlstrom, Robert Filliou, Robert Watts, Emmett Williams, Dieter Roth, David Antin and Claes Oldenburg appeared alongside predecessors such as the Italian Futurist composer Luigi Russolo and John Cage's seminal Diary: How to Improve the World (You Will Only Make Matters Worse).

He has been closely associated with the new British sculpture that developed in the 1960s and his work was included in the seminal 1966 exhibition Primary Structures at the Jewish Museum, NY alongside Carl Andre, Anthony Caro, Dan Flavin, Donald Judd, Robert Morris and Robert Smithson.

Most notable among the former is the seminal 1952 exhibition 15 Americans at The Museum of Modern Art, New York, which presented the work of Ferber and Rothko alongside that of Jackson Pollock, Clyfford Still, and other artists.

His work was included in the seminal Primary Structures exhibition at the Jewish Museum, New York in 1966, alongside Carl Andre, Anthony Caro, Dan Flavin, Donald Judd, Robert Morris and Robert Smithson.

This exhibition is a unique opportunity to view Chicago's seminal work, permanently housed at the Elizabeth A Sackler Center for Feminist Art at the Brooklyn Museum, alongside the historical documents, test materials, and ephemera which tell the story of this monumental artwork.

Bowling developed a strong critical voice as a contributing editor at Arts Magazine, and curated the seminal «5 +1» exhibition, in which his work was shown alongside that of five African - American abstract artists.