In the titular painting of the exhibition,
alphanumeric icons and recognizable
symbols are brought together in the field of the imagined artistic workspace to construct and define the planar elements that slip between didactic representation and an abstracted composition.
As for my references, I focus on a few that seem to be very cridible, as human language can not squeeze every single reference into the
alphanumeric - left - to - right progression of
symbol strings in our communication system, in a reasonable amount of time that readers generally have to digest it all.