Sentences with phrase «also curator of collections»

Lampert is also Curator of Collections at Anthology Film Archives, where he is responsible for the daily management, photochemical preservation, and digitization of the moving image and audio collections, as well as co-programming the quarterly screening schedule.

Not exact matches

We'll also discover some surprises you might not know about Minneapolis: Andreas Marks, Curator of Japanese and Korean art at the Clark Center at the Minneapolis Institute of Art, will discuss how they came to have the largest collection of Japanese art in the western world.

The Archives also contain artist files for the artists represented in the Hessel Museum collection, and Study Collections which document significant international curators, and a selection of historic exhibitions.

ARTnews magazine has devoted its June issue to a special report assessing the state of women in the art world — how women artists are faring in terms of solo museum exhibitions and representation in museum collections, gallery representation, press coverage and market valuation, and also measuring opportunities garnered by female curators and museum directors.

She has also served as the Curator of Collections and Public Programs at the Price Tower Arts Center (PTAC), Bartlesville, Oklahoma.

As well as seeing the show you can also book a tour of the abstract paintings in the University of Warwick collection, attend a talk by Daniel Sturgis artist and curator of the show and join a symposium for an in - depth discussion of the origins and endurance of abstraction.

She also served as Curator of the Peter Norton Family collection.

She was also the executive director, then president, of the Studio Museum in Harlem from 2000 to 2007, in addition to being the museum's adjunct curator for the permanent collection.

Presenters — most of whom knew Wong personally — are Sean Corcoran (who also moderates), curator of prints and photographs at the Museum of the City of New York, where he organized a major exhibition of Wong's collection of graffiti and street art; Yasmin Ramirez, curator at the Bronx Museum of Art, who contributed to the exhibition catalogue; Barry Blinderman, director of the University Galleries of Illinois State University, who exhibited the artist's work at his influential Semaphore Gallery on the Lower East Side; and artist Jane Dickson, a close associate of Wong's whose urban themes resonate with his.

It was also one of the examples that an assistant curator at the Morgan, Clara Drummond, said inspired her to comb through the Morgan's collection for other moments of recognition and interaction between animals and humans.

Sir Norman Rosenthal, curator of the Collections section, has also made valuable introductions to museums.»

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

Curated by Rebecca Dimling Cochran, an Atlanta - based curator and critic who also manages the private art collection of home builder and philanthropist John Wieland, The Future of America suggests that considering younger generations» habits and self - conceptions will offer insight into the cultural changes America anticipates in coming decades.

Camille Ann Brewer previously worked at the University of Chicago, was an assistant curator at the Detroit Institute of Arts, and also served as an art consultant and curator building collections and organizing exhibitions for public museums and private clients.

Alongside vibrant illustrations of works by such iconic artists as Alexander Calder, Marc Chagall, Vasily Kandinsky, Paul Klee, Piet Mondrian, Pablo Picasso and Jackson Pollock, Visionaries also features essays by six curators examining touchstone works from the foundation collection.

She has also served as Curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, working with artists such as KAWS, Hope Gangloff, Brazilian troupe Chelpa Ferro, Andrea Dezso, Brody Condon and others; Assistant Curator of architecture and design at the Solomon R. Guggenheim Museum, New York, where she worked on groundbreaking exhibitions such as «Cai Guo - Qiang: I Want to Believe», «Zaha Hadid», and «Restoring a Masterpiece: Frank Lloyd Wright «s Guggenheim Museum»; Curator of Collections and Public Programs at the Price Tower Arts Center in Bartlesville, Oklahoma, a facility housed in Frank Lloyd Wright's idiosyncratic tower and now a World Heritage Site; Director of Community Outreach of the Queens Theatre in the Park in New York City, a premier performing arts venue that serves the most ethnically diverse county in the nation; and as Project Coordinator for the Mexico Now Festival, New York City's first — and only — annual festival of contemporary Mexican art and culture.

Finally, I'd like to give a shout - out to Clara Kim and Mike Wellen, curators of international art at Tate, who have been going out and finding new work while also overseeing installations of the permanent collection that make the best of the museum's extraordinary holdings.

The collection also lends its works to independent curators, museum directors and galleries as a part of its global lending program.

According to Rebecca Lawton, curator of paintings and sculpture at the Amon Carter Museum, the exhibition also provides thought - provoking parallels to the Carter's collection.

Andrew Renton, a judge in 2006, also acted as curator for the Cranford Collection, for which he had purchased work by three of the nominees, one of them also in his personal collection.

It also helps museums share their collections with wider audiences by supporting a range of tours and exhibitions, including ARTIST ROOMS and the 2013 - 18 Aspire tour of Tate's Salisbury Cathedral from the Meadows by John Constable, and makes additional grants to support the training and professional development of curators.

Danh Vo has been invited to collaborate with Palazzo Grassi — Punta della Dogana — Pinault Collection not only as an artist but also as a curator, working with the collection in conjunction with a number of invited artists.

Even though this vision consists of a nebulous collection of words that, on their own, are theoretical concepts and linguistic connectors to a wider dialogue on art and its shared values, the lack of a more precisely crafted statement also presents the discursive slippages in which the collaborative team of curators can operate more fluidly as they seek to represent the varied cultures and identities of the Southeast Asian nations.

Marguerite O'Molloy, Assistant Curator: Collections, talks to the IMMA blog about the (External) recent introduction of works from Elaine Reichek and Helen Chadwick to the exhibition, and (External) writes in more detail about Elinor Wiltshire's work, also on display with Reichek and Chadwick.

It also helps museums share their collections with wider audiences by supporting a range of tours and exhibitions, including ARTIST ROOMS and major works by John Constable and William Stott of Oldham, and makes additional grants to support the training and professional development of curators.

She also works as a curator with private collections, is actively involved with artists» books and independent publishing projects, and is co-curator of ARCO Ì s 2014 opening programme in Madrid.

Catalog essayists include members of the curatorial team as well as critic and writer Doug Harvey (who has written for several Project Series publications over the years); Glenn Phillips, Curator of Modern and Contemporary Collections at the Getty Research Institute in Los Angeles (who also co-curated «Project Series 46: Hirokazu Kosaka»); Sarah Wang, critic and writer; and Pomona College Museum of Art Director Kathleen Howe.

She is also the curator of the Francis J. Greenburger Collection, a private collection based in New York.

Penn's Kislak Center Special Collections Curator Lynne Farrington, who, together with ICA's Alex Klein, organized AVANT - GARDEner, was on hand, as was David Diao, whose presentation of color field painting was also on view in the galleries.

With a particular emphasis on photography, but also including other forms of artistic expression such as painting, video, film, performance and installation art from the 1960s to the present day, Haunted is co-curated by Jennifer Blessing, Curator of Photography, and Nat Trotman, Associate Curator, both from the Solomon R. Guggenheim Museum in New York, and reveals the extraordinary quality of the photographic and new media works in the Guggenheim Collections.

Valdés and Miki Garcia, the curators of «Guatemala from 33,000 km,» used theirs not only to visit museums, galleries, private collections, and artists» studios throughout Guatemala, but also to traverse the country's rural parts.

More information and an online catalog including an essay by Ann Prentice Wagner, Curator of Drawings at ndi.arkansasartscenter.org The Arkansas Arts Center is also acquiring her drawing Google Portrait of Philip Guston for its permanent collection.