There are
also archival interviews with Vilmos Zsigmond (conducted in 2005 and 2008 and used in the film No Subtitles Necessary: Laszlo & Vilmos) and an archival conversation between production designer Leon Ericksen and art director Al Locatelli with fellow production designer Jack De Govia discussing McCabe at the Art Directors Guild Film Society in Los Angeles in 1999.
There are
also some archival interviews: Terry Gilliam in discussion with film scholar Peter von Bagh as the 1998 Midnight Sun Film Festival and actress Shelley Duvall with Ton Snyder on Tomorrow from 1981.
Not exact matches
There's
also a brief
interview with Cimber, who speculates on why his film continues to resonate with audiences and a brief
archival chat with Allen Schnitzer, who repeats several of the points made during the newer featurette, and star Richard Lynch, who talks about the evolution of his craft over a 50 - year span.
Mixing
archival footage from Wilson's life, video of the class she teaches, and
interviews with both her and her students, as well as with fellow veteran actors like Frances McDormand and Tyne Daly, Nyswaner tries to speak to larger truths about acting and life while
also recounting the details of Wilson's life.
Leone (in a nightgown) and Fonda
also appear briefly in
archival interviews from the 1980s and»70s in the first piece.
Also include two brief deleted scenes — one with the occupying Nazi soldiers, another concerning her friendship with a young woman she discovers is a collaborator — and an
archival TV
interview with Jean - Pierre Melville and Jean - Paul Belmondo from 1961.
We have
also gained exclusive access to a large collection of
archival interviews, and are in the process of making these available.
This generous volume
also includes never - before - published
archival photographs from the Sonnabend Archive; an
interview with Germano Celant about his friendship with Ileana Sonnabend and the global dissemination of Arte Povera; texts written by the artists in the exhibition; and extensive bibliographies for each artist, the Sonnabend galleries and the Arte Povera movement, respectively.
Before I started teaching, I did
archival research, I
interviewed people, I did introspective research — which I understand as a central methodology of feminism, and
also of psychoanalysis.
Featuring an
interview with the artist by Anne Reeve and new scholarship by art historian Robin Clark, it
also includes reproductions of
archival and documentary material discovered during the curatorial process, from sketches by the artist to gallery invitation cards, early catalogue covers, and historic photographs, as well as installation views of the show.